tag:blogger.com,1999:blog-16807204129424268322024-02-20T16:52:46.392-08:00我乃文字 Playwright荒廢許久,也該提筆了naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.comBlogger476125tag:blogger.com,1999:blog-1680720412942426832.post-28277981668166470422020-04-07T04:05:00.003-07:002020-04-08T00:49:28.619-07:00非關評論《陳情令》<br />
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<span style="font-size: 12pt;">我不好玄幻,也很少看腐劇,最怕腐眾銷魂流涎而我平靜無波,那種「眾人皆醉我獨醒」的感覺並不好受。聽說《陳情令》很火,打算蹓一集瞧瞧,沒想到五十集完食,還遍點</span><span lang="EN-US" style="font-size: 12pt;">YouTuber</span><span style="font-size: 12pt;">們的分析視頻及同人二度創作,又追完延伸綜藝及國風演唱會,甚至角色MV也不小心聽了好多首,IP(</span><span style="background-color: white; color: #3c4043; font-family: "arial" , sans-serif; font-size: 14px;">Intellectual Property)經濟的力量真的超恐怖</span><span style="font-size: 12pt;">。但要說敝人由此入腐了,自知不配,因為連墨香銅臭的原著小說都沒看全部,更沒繼續追索其他耽美劇來看(大陸將</span><span lang="EN-US" style="font-size: 12pt;">BL</span><span style="font-size: 12pt;">翻譯成耽美真是古典藴藉)。我承認博肖很帥,忘羨動人,可青春期結束八百年了的我也沒什麼具體追星行動。這篇完全無關評論,勉強算是我的個人告解文,自我分析一下我到底耽的是什麼。</span></div>
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<span style="font-size: 12pt;">第一印象,玄幻。藉著道家的「修真」、「修仙」文化,打開傳統武俠外的另一個奇幻洞天,修行重點不在練武,而在練氣。而「氣」既無所不在,兵器範圍也就寬了,配劍是基本裝備,其他如笛、簫、弦琴、符咒、紙人、陰鐵等等,不但可殺人砍屍、驅魔除祟、設下結界、逼退惡靈,還兼自我療傷、修身養性、召鬼問靈</span><span style="font-size: 12pt;">。飛簷走壁算什麼,修士們御劍飛行,名山深潭都在腳下。肉體碎裂沒關係,用法器收集靈識,施咒術奪舍重生。架空世界本無所謂朝代,但《陳情令》讓我想起古之魏晉,不僅因為當時玄學當道,還兼盛產美男子,好看的男人熏衣剃面傅粉施朱,被交口稱讚拋花擲果當眾表白,真是功利民族的歷史上一個難得的審美時代,來到文娛影視消費顏值的世紀,就像獻舍還陽一樣,看螢幕帥哥如雲,寬衫大袖、褒衣博帶、仙姿飄逸,鑲嵌在畫卷般的背景中,頗是賞心悅目。</span></div>
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《陳情令》最為稱道的是人物刻畫,角色性格飽滿、合情入理、經得起反覆推敲。故事以修真界五大家族<span lang="EN-US">----</span>岐山溫氏、姑蘇藍氏、雲夢江氏、蘭陵金氏、清河聶氏<span lang="EN-US">----</span>構築起一個微型江湖,稱霸的慾望、併吞的野心、家族的羈絆,愛情親情友情的追求與失落,一樣不少。而江湖中永不匱乏英雄出少年,也毫無意外會摧老一代仗劍少年。採倒敘法,一開場「魔道祖師」(原小說以此命名)已遭萬人唾罵、眾仙家圍攻,據說被情同手足的師弟補上最後一劍,老巢縱橫死無全屍。但鏡頭一轉,我們看到一個男子面容清俊,眼神無限哀傷,嘴角噙絕望微笑,墜入萬丈深淵;崖頂上兩名青年仙俠,一個揪心難捨猶伸手,另一個怒目呲牙長劍刺;這一幕真是故事感滿滿啊,打開倒敘的開關,從頭說起。這一重頭說起就超過三十集,等於前三分之二都是「夷陵老祖」前世因果,再回十六年後,他已變成斷袖癡漢莫玄宇,吊兒郎當,不尋故舊不急報仇,只是臂上三道惡詛痕提醒他,雖他尚且不知今世新債與舊世恩怨息息相關,他想逃也逃不掉(況且看官們也絕不肯放他逃掉的)。<span lang="EN-US"><o:p></o:p></span></div>
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不夜天崖頂上三人的十六年前,翩翩白衣同窗少年,在姑蘇藍氏「雲深不知處」聽學,傳紙條私帶禁品嬉笑打鬧違反門規被懲處,再加戶外實習探險,猶如古裝版校園青春劇,很快從一群各帶家風、自有個性的修真世家子弟亮相,拉起關係圖譜。為首的魏<span lang="EN-US">Wi-Fi</span>最<span lang="EN-US"> </span>調皮搗蛋風騷話癆,不循常規思考的鬼才性格相當突出。另一個藍<span lang="EN-US">Cool-Guy</span>彷彿出世來當模範生的,絕世美顏,冷若冰霜,內斂克己,惜話如金,擔任起修仙學園的風紀股長,最大挑戰就是接招魏<span lang="EN-US">Wi-Fi</span>的<span lang="EN-US"> </span>花樣百出求關注。<span lang="EN-US"><o:p></o:p></span></div>
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來到學園結業典禮當天的浪漫放天燈,聽到魏<span lang="EN-US">Wi-Fi</span>閉眼<span lang="EN-US"> </span>喃喃許願「一生鋤奸扶弱,無愧於心」,藍<span lang="EN-US">Cool-Guy</span>嘴角微揚表情複雜,他沒想到地表最耍痞的混仙居然把他這個超級模範修士的志向給說中,內心震顫,再無法等閒視之。<span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-size: 12pt;">有人說魏無羨是每個少年都想成為的模樣:心大,人緣好,本領高,不拘泥世俗規則,率真自由,瀟洒恣意,快樂洒脫。魏無羨一生沒有違逆過「鋤奸扶弱」的原則,也從不為自己找藉口妥協,言所當言,行所當行,無奈人間厄運從沒放過他,幼年失親,少年再度家破,幾近殘廢,百死一生中被迫修詭道,變成魔道祖師,雖為射日立下汗馬功勞,無奈已成「邪魔外道」,故舊疏離;而多數人有了「正道」加持,便堂而皇之地行使殘忍,行徑比邪魔更歹惡。魏無羨的少年俠義之路,從歡鬧喧嘩痛快,經家道中落堅忍反攻,最後變成眾矢之的;看似一路自甘墮落,其實正為守道之不損,乃至窮途,不容於世。臨淵之際,只有一向最反對他修習詭道的藍忘機要救他、挺他</span><span lang="EN-US" style="font-size: 12pt;">----</span><span style="font-size: 12pt;">但還能怎麼「回頭」法?藍二恐怕也心有餘而力不足</span><span lang="EN-US" style="font-size: 12pt;">----</span><span style="font-size: 12pt;">魏無羨悽然一笑,撤手人寰,這世界於他已不值得留戀。</span><br />
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「問靈十三載,等一不歸人」,藍忘機完美詮釋了「知己」的深情不渝。年少時他還不知道如何面對自己的感情,掙脫不了名門世家的規矩;他的愛表現為強勢要求對方循自己的「規」、入自己的「道」,甚至想把人「藏」起來,放進只有自己開得了鎖的密室。忘機活得太典範,不免超塵絕俗,而劍如其人,名曰避塵。避塵出世,也為塵還俗,無羨就是忘機這輩子躲不掉的紅塵緣繫。魏無羨死後,他成為逢亂必出的含光君,弦殺一揮,即取各路妖魔性命。忘機豈好事之輩?除了尋人,多少也有為知己行道,使其道不孤之意;而其實<span lang="EN-US">Wi-Fi</span>的道也是<span lang="EN-US">Cool-Guy</span>的道,少年時驗證過的,修行求道,不僅為己,更應行俠仗義,這是一種少年單純的正義感,並不複雜,複雜的是世道人心,說變就變,投機妥協。心懷<span lang="EN-US">Wi-Fi</span>使得<span lang="EN-US">Cool-Guy</span>保有少年初衷,<span lang="EN-US">Wi-Fi</span>的離線也使他蛻變,長成一個能穿透「道」的形式主義直視核心,說出「雖修非常道,但行正義事」,在關鍵時離開陽關道陪走「獨木橋」的含光君。<span lang="EN-US">Wi-Fi</span>重生以後,藍湛便化身為超能十全守護神,憂他的憂,樂他的樂,醉他的酒<span lang="EN-US">……</span>,不管這種情感叫同修、知己、初戀或什麼「社會主義兄弟情」,我覺得都是最高級別的伴侶。可惜,我輩不是魏無羨,沒有自己的藍忘機。<span lang="EN-US"><o:p></o:p></span></div>
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有人說世道多冷酷,陳情就有多溫柔。《陳情令》並非展現多麼卓絕恢宏的史詩級世界觀,但它確實觸碰到人心很柔軟的部分,像一闕宋詞:「舊遊無處不堪尋,無尋處,唯有少年心」。<span lang="EN-US"><o:p></o:p></span></div>
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而誰能不告別少年呢?<span lang="EN-US">Wi-Fi</span>和<span lang="EN-US">Cool-Guy</span>的人生主題:「鋤奸扶弱,無愧於心」,或「得一知己,終成眷侶」,幾乎也是我們每個人少年時的重要願望,只是時光荏苒,浮沈於世,少年心願實現幾成?過濾雜質之後還剩下幾分?是否還擔當得起「無愧」?<br />
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<span style="font-size: 12pt;">以忘、羨的少年心思,夷陵老祖的悲劇似無可迴避,因此</span><span lang="EN-US" style="font-size: 12pt;">Wi-Fi</span><span style="font-size: 12pt;">會感嘆他將一條獨木橋走到黑,</span><span lang="EN-US" style="font-size: 12pt;">Cool-Guy</span><span style="font-size: 12pt;">聽罷也只能黯然傷別,以為仙魔殊途,此局無解。但是從權謀派人物金光瑤的角度,這一切都是可以預見、所以也可能預防的人心多變。江湖嘛,他說你身揣陰虎符、陳情令、鬼將軍(雖然</span><span lang="EN-US" style="font-size: 12pt;">Wi-Fi</span><span style="font-size: 12pt;">並不當他是武器)、隨時可驅屍百萬。在金鱗台露過一手,「懷璧其罪」,早已是仙門頭目心頭上的一把刀,還不打好公關,或者先下手為強,自以為可以回家做你的「雲夢雙傑」?路見不平見義勇為,這不是等於間接指責別人的不義?果然名門子弟不知愁,看得阿瑤酒窩都笑歪了。瞧瞧人家阿瑤,一個娼人之子,父不疼人不愛,靠著伴上大款、合縱連橫、結拜雙尊、借刀殺人,掃光多少比他更有資格的競爭者,位登仙督;然後就像金光善說的:「我做為一個仙督想保護一個人還有保不成的道理嗎?」各種先天後天條件都比金光瑤勝上百倍的忘、羨二人,若懂得好好盤點權勢利害,擘畫計算一番,善用陰虎符籠絡或要脅,想讓溫情一族重入仙門、叫金光善自動禪位,難道完全沒有機會?偏無羨還跟姐夫金子軒鬧著「傲慢與偏見」式的不睦,陪鬼將軍溫寧玩耍時間比陪拜把兄弟江澄還長,讓人有機可趁。只不過如此世事練達、機關算盡,鑽人心空子,繞遠路完成「鋤奸扶弱」,歸來時還是個颯爽少年嗎?所謂「無愧於心」,意味著不管結果完滿不完滿,我對我的心負責就好,這種直心在艱險江湖中非被碾壓不可。</span></div>
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因此少年魏無羨不得不死,死即是他「知其不可為而為之」的俠道代價;要是磨平稜角、藏起鋒芒、委屈求全,那就不再是魏無羨了。少年藍忘機必須被戒鞭打躺,三年不起,癱過的藍二公子才生出自己的覺悟與堅毅,知所隱忍有所不忍。十三年來含光君逢亂必出,實力越練越硬,還有家傳的內斂高隱聲望護體,沒人敢指他沽名釣譽。不過到頭來,讓魏無羨重生歸來的,並不是藍湛皎如明月的問靈與等待,而是比阿瑤詭計藏得更深、佈局更大,兼利用莫玄宇等人的仇恨、血淚與犧牲,終於復活夷陵老祖,江湖「撥亂反正」,得以重新來過。為達此目的,聶懷桑還不也把他的玩扇少年心給賠了出去?<span lang="EN-US"><o:p></o:p></span></div>
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終究,少年總會長成當年不願靠近的污濁成年人。捫心回想,我有愧否?我有愧,非常愧。知難而退、明哲保身、拋棄信諾、割愛忍義,我心中的少年,早已死掉不知千百回。偶爾復燃,好像也只是被拖出來再絞殺一回,我既非實力過硬的藍湛,亦非腰身夠軟的孟遙,更非擅長隱忍的聶二,庸庸碌碌,一事無成,故舊流散,無能保護我心中的那個任情少年。<span lang="EN-US"><o:p></o:p></span><br />
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<span style="font-size: 12pt;"> </span><span style="color: #666666;">(以下離題請跳過)<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;">例如上次接案,案主堂堂國立大學副教授,跟一個靠接案維生的文字工作者簽約,簽約六個月要人做八個月,也不肯好好打商量,硬抓住合約文字細節,拼命曲解,就是要立自己於不敗之地。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;">重啟協調時,自己提議要找中間人來當見證;我想本來無事不可對人言,見我答應得爽快,反而忌憚起來,又找理由龜縮,就此破局。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;">聽說她可能要找我一個舊識,我知道大教授個性絕不吃虧,何以她有把握我的朋友不會幫我講話只會幫她凹人?再三思量後突然有悟:我舊友新晉大學教師,正是小教授與大教授的「學術倫理」階差,使她有把握對方必須幫她找理由得逞,否則以後怎混得開?<span lang="EN-US"><o:p></o:p></span></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="color: #666666;">這是一個年輕時參加過學運、心心念念轉型正義、如今佔據學術資源高位的人,其實她已經變成把學術「邏輯」當作為自己詭辯的文字遊戲,把學術「倫理」視為一盤權力關係來運作,我衷心感到厭惡,厭惡到寧可放棄尾款不拿也不再跟這個人打交道。理性來說,這樣做完全說不上顧全大局。我知道,但我任性。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;">其實不必收尾的工作,但我念在朋友的立場,把關於朋友的訪談寫完,不想假手他人,還多事地幫忙對方加註受訪者的權利。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;">而我以為朋友的人,強力要求我在備注中務必添上一個「請」字。<span lang="EN-US"><o:p></o:p></span></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="color: #666666;">這是你應有的權利,為何姿態如此卑屈?我說<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;">她說她做劇團行政,什麼時候會碰教授評鑑都未可知,不想打壞關係。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;">一瞬間我明白了:何以大教授可以堂堂正正凹人、濫用職權,還用盡冠冕堂皇的理由,得了便宜還賣乖?因為江湖才不是靠正義運轉的,她的位置使她可以佔盡便宜,多數人都不敢吭聲,何以我小小一個<span lang="EN-US">nobody</span>敢跟大教授抗議?要求平起平坐的權力?這恐怕是在下我太不「識相」。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="color: #666666;">(離題結束)</span></div>
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<span lang="EN-US"><o:p></o:p></span></div>
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<img border="0" data-original-height="333" data-original-width="800" height="166" src="https://image.pttnews.cc/2019/08/29/8526615b69/c5bf0fc1ee080b1a1fdb598e8e9f5e8f.jpg?redirect=true" style="font-size: medium;" width="400" />其實除了忘羨,《陳情令》所有人的感情路都不免殘缺遺憾:江風眠虞紫鳶、江厭離金子軒,恩愛夫妻不到頭。江澄、聶懷桑,兄弟豪情不復再有,江湖路孑然獨行。藍曦臣和金光瑤,昔日知己今日血刃相見。明月清風曉星塵,傲雪凌霜宋子琛,更是忘羨的對照組:你不玩權,擋不住權力玩你,你無惡意,防不了惡意上門。曉星塵的師父抱山散人,寧可抱山不下山,門下徒弟一旦下山也就不准回來,恐怕是一種自知之明。我覺得《魔道祖師》作者心裏明白:要把少年初心給完完整整、毫無損傷地復活,太難,殘缺遺憾才是人生實情。可是,我們看戲看小說,並不是來吸收現實的,現實感在現實裡學就行了,我們在虛構世界裡尋覓的是一種現實裡極難成功、極難堅持、極難不被遺忘、甚至不曉得我們是否真的曾經擁有過的東西。消極來說,是一種逃避,積極來說,是讓我們再度確認,還有什麼值得「知其不可為而為之」。<span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a>耽進《陳情令》裡,或許正出自少年心之不再,我早已失去心中少年羨羨,也沒有等到我的忘機哥哥,或者自我長成逢亂必出的含光君,把心中堅持的正當與應然,端到大光照耀的地方,昂然示世:「這才叫活的像個人哪!」,但是,知道我起繭的神經仍會黯然神傷,大概就代表自己還沒完全變成行屍走肉。我心死過,死過還能重生嗎?<span style="font-size: 12pt;">失去的可能再回來嗎?</span><span style="font-size: 12pt;">辜負過的還有機會償還嗎?於我來說,這才是我的「求仙問道」、我的玄幻之旅啊。</span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-30068566299587743082016-04-06T04:27:00.000-07:002016-04-06T04:27:11.066-07:00假比真更熱<div class="MsoNormal">
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">時間:</span><span lang="EN-US">2016/3/19<span style="mso-spacerun: yes;"> </span>19:30<o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">地點:新北市藝文中心演藝廳</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">作為</span><span lang="EN-US">2009</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年台北藝穗節首演大獲好評、</span><span lang="EN-US">2010</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年臺北藝術節受邀演出、四把椅子劇團的口碑作《等待窩窩頭之團團圓圓越獄風雲》的延伸系列《刺殺!團團圓圓之通往權力之路》,從藝文空間搬上鏡框式大舞台,劇情也從愛的越獄大逃殺變調成動物園奪權陰謀戰。戲一開場大幕是放下的,只聽見「動物園」管理員老林(林家麒)戴著麥克風自觀眾席後方走向前台,一面用手機玩自拍直播,畫面立刻傳上屏幕。等老林鑽入帷幕,觀眾便從主觀鏡頭和擴音器傳來的獨白,「間接」「直擊」了一樁家庭</span><span lang="EN-US">MV</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">畫質的刺殺兇案現場。開演不到三分鐘,導演許哲彬快狠打準全劇基調,姑且暫稱為「假」的美學——直擊是「假」,刺殺是「假」的,貓熊更是「假」扮——貫徹始終,這種故意為之的「假」或「偽」作,卻也正是其旨趣所在。</span><span lang="EN-US" style="font-family: Times; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">故事主軸也不避諱套用自美國電視影集,從《越獄風雲》換成《紙牌屋》,只見「木柵動物園」的招牌明星熊貓團團(竺定誼)摘下頭套,面向鏡頭,模仿</span><span lang="EN-US">Kevin Spacey </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">飾演的主人翁</span><span lang="EN-US">Frank Underwood</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">之經典台詞:「痛苦分兩種,一種讓你變得更強壯,另一種則毫無價值</span><span lang="EN-US">……</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」,喀擦了斷一條生命(因為很重要,所以要演兩遍)。虛構的虛構,虛構的回收再利用、虛構的無限繁延</span><span lang="EN-US">……</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,可不妙哉?創作者終於可以擺脫「原創」的沈重壓力,奉消費為正道,只要夠娛樂夠好玩夠有梗,就可以無窮消費下去。猛一回想,鍾明德的戲劇評論《在後現代主義的雜音中》</span><span lang="EN-US">1989</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年就出版了,可真正符合「晚期資本主義的文化邏輯」,不分正的歪的、偏的旁的、俗的雅的、本的偽的,信手捻來無脈絡拼貼挪用的「後現代」劇場在台灣,本世紀才姍姍來遲,包括這齣《刺殺!團團圓圓之通往權力之路》。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">其實要說以滿滿時事為哏的戲劇,早在</span><span lang="EN-US">1985</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年表演工作坊的《那一夜,我們說相聲》堪稱老前輩,還一舉踩平精緻藝術和通俗文化的楚河漢界,兩面受光,成功以後表坊《這一夜》、《又一夜》、《千禧夜》一系列地相聲下去(政治性則遞減);還有</span><span lang="EN-US">2003</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年很認真做的《亂民全講》,抓緊時事,做口頭發揮。不過,那種有道德方向性的「嘲諷」,如今看來頗為古典,與純粹為笑而笑、為錯而錯、越錯越有勁的混搭新品種不同款式</span><span style="font-family: 新細明體;">——說起來,王嘉明首演於2005年的</span><span style="font-family: 新細明體;">《麥可傑克森》似還氣味相近</span><span style="font-family: 新細明體;">——雖然團團</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">圓圓也不免影射嚴肅政治,如動物園園長(王世緯)一路地「謙卑謙卑再謙卑」,台灣黑熊(鄧名佑)爬上理髮院屋頂高喊「反黑箱」,還有從中國送來當親善禮物的貓熊與台灣黑熊之間發展出一點點類似外來與本土族群的關係(台灣出生的圓仔則好像有一點點認同障礙)</span><span lang="EN-US">…….</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,但僅取形象,無關本質,與電視廣告詞、流行話題、美劇日劇片頭、選舉開票直播、歌壇偶像團體、網路名人、電玩格鬥遊戲,一鍋同炒;訴諸的並不是開放社會人言言殊的政治或社會立場,而是一整個世代共同擁有的視聽結構。是的,在大眾傳媒的同一洗禮下,芸芸眾生不知不覺擁有同一套符號消費邏輯,並透過笑聲,一再肯認。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">如一位評者所建議:本戲適合「放棄認真思考,專心笑就是了」;但怪僻使然,不由得多想:何謂「假」的美學?「假」何使由之?</span><span lang="EN-US">2013</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年台灣年度漢字票選是個「假」字,政客說一套做一套,國家名不符實,法律假公濟私,假油假米無孔不入,社會假氣沖天,不到四個月就爆發太陽花學運。你以為抗假非真不可,其實不然。就像劇場,一個合法合理合情造假的地方,偏有人追求絕真,像八零年代末風靡台灣前衛劇場的葛羅托斯基(</span><span lang="EN-US">Jerzy Grotowski</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),要求演員不斷內化、身體貫通心靈,把表演推抵修行般的神聖境界。也有人朝世事最浮誇的一端操作,刮取花花世界經傳媒反射的虛像,那些大眾都聽得見、看得到、也都「懂」的東西,諧擬錯位謬接,只要調侃得宜,又可以再創消費高潮。世事多偽,新品笑劇偽上加偽,彷彿以毒攻毒。趁著「時代力量」崛起的不會僅是國會那個新起政黨,還有懂得利用「時代力量」創造剩餘價值的人。</span><span lang="EN-US"><o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-15432158151164402522016-03-11T06:32:00.002-08:002016-04-06T04:27:34.041-07:00我們需要什麼樣的「民族舞」?《我的多桑、卡桑與他們的昭和戀歌》時間:2016/3/5 14:30<br />
地點:實驗劇場<br />
製作:雞屎藤新民族舞團<br />
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若按下「新民族舞」的名稱不表,我或許會以為自己看的是結構比較鬆軟的歌舞劇:固定的角色扮演,明確的時空背景,線性敘事,動作的類寫實風,主唱和舞群的主次配置方式等——將舞團藝術總監許春香的家族故事娓娓道來:一個是性格浪漫與電影明星夢擦肩而過的阿舍黑狗兄(多桑),走在時代尖端能自食其力的摩登黑貓姊(卡桑),命中注定地相遇、相戀、結為連理,養兒育女,經營事業,邊冤家邊相守的憂歡人生…….。<br />
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多話的角色交給秀琴歌劇團的演員擔綱,唸白不成問題——即使在東京念現代表演藝術的多桑操著濃濃的歌仔戲腔口,常令我出戲——念在舞蹈本色就是「寫意」多過寫實,也不細究。就像故事雖橫跨二戰前後,可我們嗅不到一絲戰爭闇影,只聞陣陣傳奇甜香。小爵士樂團直接擺上舞台,頗有那卡西現場演奏的情韻;只是不輪主角主唱時,「麥酷」拔掉立換「卡啦」,隨興作風顯得草莽。<br />
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可以想像這要是放在百年廟埕或舊戲院前廣場上演出,應該憨俏可掬、討人喜歡。演到一半還真有人走出來在觀眾席走道發送迷你包王子麵——這原是個小小高潮,一個模糊戲裡戲外的魔幻時刻,卻因為發生在劇場,擔任說書人的演員不得不頻頻叮囑:「千萬先不要打開來吃喔!」瞬間布爾喬亞的教養把觀眾拘提回座椅上。<br />
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黑盒劇場這種抽乾歷史、放空地緣的中性空間,全賴創作者自造脈絡、編織紋理、醞成意義,當觀眾在黑色真空中全神貫注,不知不覺也與作品一起生成——這特殊的觀演歷程,將使得劇場作品的內在層理(透過完整連結的外在形式傳達)比表層的奇趣拼貼更為重要。在野台上可能非必要的提問,到劇場就變成不得不反思的問題;例如:作者如何解讀「民族」、怎樣看待「民族舞蹈」,是近代西方傳來的「國族」觀念下的集體形塑?還是種族風土民情釀成的特殊身體形式?是英文folk dance翻譯而來的「土風舞」?還是1950年代由「中華民族舞蹈推行委員會」官定的「民族舞蹈」<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1">[1]</a>?又或者,我們是否真需要一種「民族舞」式嗎?所謂「新民族舞」到底革「新」了什麼?如何才能確保我們不是以一套新的圖騰輪替舊的而已?<br />
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近代「民族國家」概念下的「民族」固然是「想像的共同體」,從人類學視野下所見的「民族」也往往充滿謬誤的分類。一位美國人類學學者Joann Kealiinohomoku說:「把族群與他們的舞蹈看成是鐵板一塊,實在是個嚴重的錯誤。『非洲舞』從來就沒有存在過;它們包括了種種的西非達候綿族(Dahomean)舞蹈、奈及利亞北方的種種豪薩族(Hausa)舞蹈、各種肯亞的馬賽(Masai)舞蹈等等。『美國印地安舞』及其『印度舞』的原型,則又是另一個虛構……。」<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn2">[2]</a>。也就是任何一種共論、大敘述都值得質疑;除提防「自古以來」的虛妄說法,也要提防「我們就是」的粗率認同;二者還時常分享同一種思維模式。<br />
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「我的多桑、卡桑與他們的……」其實有潛力以各論取代共論,以庶民記憶逆襲國家正史的建構。只見作者深情款款,想要把曾受到刻意壓抑的時代「昭和」,與「我的多桑、卡桑」的小我記憶,一起提取,「復現」於觀眾眼前;可惜這種深情的「復現」往往是一種鄉愁的「想像」;而且,我們對這種想像並不陌生;但看縱橫台北各處的「北平東路」、「天津街」、「杭州北路」、「南京西路」、「重慶南路」、「牯嶺街」……<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn3">[3]</a>,把台北街道命名成一張攤開的中國地圖,不像一種鄉愁的投影?這跟府城中心舊名「末廣町」,是不是同一種「復現」的邏輯?<br />
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上世紀初台灣接收的「摩登」,不管是一種轉譯、超譯,還是延遲的西方現代性,到了今日我們無論如何不可能具備八十年前一般的視角。作為劇中人,府城第一代櫃姐初識「摩登」,盡可「世事怎樣阮不知」,只愛「逍遙佮自在」,歌詠「社交愛公開」(然而一回到家庭就不自覺地複製傳統的性別尊卑模式);可置身後資本主義時代的我們,卻很難不意識到那整齊劃一的洋服、表情、手姿,正是層層剝削如狼虎的資本主義餵給消費者的美妙圖式。當往昔被形塑成一連串圖式,身體依樣畫葫蘆演繹那些圖式,「記憶」很容易就變成刻板印象的重複銘記,如是表達的身體姿態,並非對杳逝之無憂時代的復現,而是僵硬的懷舊意識的重彈。<br />
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懷舊並沒有錯。考掘記憶並沒有錯。緬懷的情感沒有錯。只是對「舊」的解讀一如對現代、對民族的解讀,在此採取了過於安全、令人熟悉,熟悉到讓人不安的洗版模式。解嚴以後,台灣小劇場及現代舞曾走過一段追溯記憶、尋找身體的實踐,發現既非傳統戲曲,亦非民俗藝陣,也不是太極、武術,不是南音,不是南島,不是八家將、三太子、太鼓或儀式祭典……,沒有一種現成的身聲圖式或表演程式,可以直接援引,稍微加工,就組裝成「我們自己」;沒有不透過骨骼、肌肉、血液深度咀嚼、解讀而鍛造的「新身體」語彙。<br />
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台灣從來是移民先後來至、四百年來又輪番被不同外來政權殖民統治之地,經歷多次「文明」強行橫植與連根拔除的經驗,理應比誰都要敏感,提防各種形式的族群塑造術及記憶圖騰——矛盾的是,那也是我們最熟習、一不小心就要重蹈的覆轍。藝術啟發想像,比認同更重要的,是習慣於複雜、不斷辯證、反詰現實的創作者和觀眾,藝術的敘事從不提供單一答案。<br />
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原載於<a href="http://pareviews.ncafroc.org.tw/?p=19149">表演藝術評論台</a><br />
同戲劇評:<br />
白斐嵐:<a href="http://pareviews.ncafroc.org.tw/?p=19142">再一次,讓我們以懷舊之名《我的多桑、卡桑與他們的昭和戀歌》</a><br />
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref1">[1]</a> 台灣舞蹈紀要。http://web.arte.gov.tw/tdance/b/mid01/50.htm<br />
<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref2">[2]</a> Kealiinohomoku, Joann,〈一位人類學家眼中芭蕾是一種民族舞蹈的形式〉(An Anthropologist Looks at Ballet as a Form of Ethnic Dance),盧玉珍譯,《美育》第194期,頁60-69。http://ed.arte.gov.tw/uploadfile/periodical/3233_P60-69.pdf<br />
<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref3">[3]</a> 出自中國各省的台北市街道名統計。http://ffaarr.pixnet.net/blog/post/28883681naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-21896680314324894492016-03-11T06:17:00.005-08:002016-03-11T06:37:32.236-08:00維穩或者危險?——走出「運動」時代的小劇場<blockquote class="tr_bq" style="text-align: left;">
<span style="font-family: 新細明體;">改編自布魯克斯</span><span lang="EN-US">(Max Brooks)</span><span style="font-family: 新細明體;">小說的好萊塢電影《末日之戰》(</span><span lang="EN-US">World War Z</span><span style="font-family: 新細明體;">)裡個情節:一度逃過「殭屍」攻擊的以色列情報頭子提出的「第十人」法則:判讀一項資訊,假若前面九個人意見一致,第十個人就有義務提出反對意見並進行準備。</span><span lang="EN-US" style="color: black; mso-themecolor: text1;"><o:p> </o:p></span> </blockquote>
——不用到末日前夕,任何一個時代都存在對異議的需要。<br /><br /><b>從運動到基地化</b><br /><br />在台灣,「小劇場」是個「有歷史」的名詞。很難簡單清爽地框限在劇場空間觀眾席次或製作規模的形式定義之內,它與台灣從戒嚴走向解嚴轉型歷程很糾結的誕生經驗,一起步便帶有反體制色彩。曾經與沸沸湯湯的政治社會運動同步,令一眾投入小劇場的熱血文青造起戲劇美學革命的大夢;鍾明德以《台灣小劇場運動史:尋找另類美學與政治》豪氣干雲地將台灣小劇場標幟為「運動」,但時間凝結在1980-1989年,對九零年代以後的「小劇場」便闕而不論;同時期亦有「小劇場已死」的質疑聲浪,但「身體氣象館」依然葳蕤持續,2005年接手經營的「牯嶺街小劇場」成為今日台北稀少可貴的專業「小劇場」空間之一(這對小劇場「運動」三十年後的台北毋寧是一種諷刺),在今年夏秋之交欣辦《牯嶺街小劇場十年(2005-2015)檔案展》暨一系列論壇演講。若說十年一輪,那麼以牯嶺街小劇場為「基地」所乘載及書寫的種種,儼然已向台灣小劇場史頁的第三個十年訂位一席之地。<br /><br />從浪漫革命遍地開花的「運動」,到恪守邊緣穩健經營的「基地」,似乎也標誌著本世紀台灣「小劇場」性格的一種嬗遞。經歷九零年中期到兩千年初期國家對藝文「機制化」的建構工程,有如一去不返的疾行列車,「收編」已不成議題,如何與體制偕行成為新的戰術;這已然是身體氣象館「承包」經營牯嶺街小劇場時所面對的現實。為求從資本主義市場系統與國家體制馴化管理的夾殺中,找出另類的生存空間,成為牯嶺街小劇場前十年的命題(而它先天窄小、邊緣的位置,反取得「靜靜成長」的機會,不致淪如華山「國家接管,財團經營」的命運)。劇評人吳思鋒稱這種「近身肉搏似地,一邊與體制協商,一邊維繫、蓄積抵抗之力」的模式為「抵體制」<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1">[1]</a>;在體制內繼續生存而不求苟同,綿延與社會的對話尋找當代「小劇場」的定位。<br /><br /><b>重演以抗老化?</b><br /><br />除了在空間中藉地使力建立基地,在時間的長流中撈出佳作再造回憶也是今年「小劇場」趨勢之一。這波追憶風可溯自去年底河左岸的《星之暗湧》(首演於1991年台北尊嚴畫廊),到今年五月同黨劇團重作「小劇場經典」《白水》(1993年/永崎百貨),今秋莎妹的《Zodiac》(2001/皇冠小劇場)、《踏青去Skin Touching》(2004/皇冠),金枝演社《祭特洛伊》(1997/華山酒廠)、窮劇場《死亡紀事》(2011/牯嶺街)等等。除《白水》以外,大多以「N十週年」回顧之名,藉「重現」確立該作品作為劇團或導演創作歷程中的「經典」地位。<br /><br />值得追問的是:小劇場「經典」重現,與大劇場、主流劇場、商業劇場的「定目劇」再現,本質有何不同?倘若視「小劇場」是一種形式上的「小」,是「實驗」、「試作」、「尚未成熟」的「小」,那麼「實驗成功」後換上更大的製作重演加作,不就是理所當然的發展,有如今年在雲門劇場再演的《K24》(2005/實驗劇場),招徠舊粉絲與新觀眾;但這樣的「小」劇場可以說只是大劇場的前身,與「反體制」或「抵體制」都無關,而是劇場「機制化」以後,由國家帶動的「文創」<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn2">[2]</a>思維催生下的體制內「小劇場」新型態。在文創的維穩思維裡,「小」只是過渡,利益極「大」化才是正路。<br /><br /><b>從異議性到異質性</b><br /><br />同樣號稱「定目劇」的柳春春劇社《美麗》系列(2000年首演於臨界點),今年十一月在澳門藝穗節演出的第七版《美麗2015》,重演概念可說南轅北轍。這部沒有半句台詞的戲,只會不斷更換表演者、但註定不會「長大」,被導演鄭志忠定位為「給演員的成年禮」。它的「長不大」不在演員的年輕或場地窄小,而在它本質上的「不可口」、「不合群」、絕無變成「平凡卻令觀眾捧腹大笑」<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn3">[3]</a>,適合多多益善的大眾「休閒娛樂」活動,甚至會讓很多人看了「不舒服」。<br /><br />然而難道,既不時髦也不可愛、沒有「文創」潛力,也不政治正確,不溫良賢雅、彷彿要釋放出人心中魑魅魍魎、「離經叛道」的藝術作品,就沒有存在於社會的必要?今年《白水》重演後,藝評張小虹除肯定1993年的原作為「解嚴前後的台灣小劇場傳奇」後,再度標舉一種「小」劇場的價值:「其小之又小,不在演員編制、場地尺度或觀眾人數,而在『小』之為爆破、『小』之為裂變、『小』之為無有名目的鬥爭。」<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn4">[4]</a>。她認為《白水》的經典性,不僅在同志議題上「抵抗」體制的「異議」性,更在「敢曝美學」(camp aesthetics)和「發妖強度」上成為「真正具有裂變性的感覺團塊」。<br /><br /><b>危險的異議/異質者</b><br /><br />除非我們願意承認:具有「維穩」特質的不只是國家機器或權力體制,「維穩」也是人性需要,好讓我們調適為社會所用安穩度日。所謂「異質」不一定要站到「議題」上的高點,而是它真正挑釁人心內在感覺的既定維穩模式,既危險又懾人。近年來能閃現出這種「危險」氣質的小劇場,大概有李銘辰和高俊耀等導演部分作品。<br /><br />台灣小劇場是一個在歷史中流變的定義,在話語權開放的自由社會中人言言殊,光譜極寬。走出運動時代的小劇場,不再社會亟欲轉型、典範正待重塑的順風加持下,變怪、變冷、不合時宜、退居邊緣……都是自然而然的事,然而,這或許或才是前衛真正的位置。<div class="MsoNormal">
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<div style="mso-element: footnote-list;">
<!--[if !supportFootnotes]--><b>原載於PAR表演藝術雜誌<a href="http://par.npac-ntch.org/article/show/1448959436493357" target="_blank">第276期(2015/12)</a></b><br />
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<br />
<div id="ftn1" style="mso-element: footnote;">
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "cambria"; font-size: 12.0pt;">[1]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">吳思鋒〈不只十年,從前衛到實驗</span><span lang="EN-US">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">記牯嶺街小劇場十年(</span><span lang="EN-US">2005-2015</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">〉。表演藝術評論台。</span><span lang="EN-US"><o:p></o:p></span></div>
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<div id="ftn2" style="mso-element: footnote;">
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "cambria"; font-size: 12.0pt;">[2]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">文化創意產業的中文詞彙首見於</span><span lang="EN-US">2002</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月行政院〈挑戰</span><span lang="EN-US">2008</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">:國家發展重點計畫〉的子計畫「發展文化創意產業計畫」中。維基百科。</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "cambria"; font-size: 12.0pt;">[3]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">劉佑誠〈不斷變化的</span><span lang="EN-US">chaos</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《</span><span lang="EN-US">K24</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">》〉。表演藝術評論台。</span><span lang="EN-US">http://pareviews.ncafroc.org.tw/?p=18246<o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref4" name="_ftn4" style="mso-footnote-id: ftn4;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "cambria"; font-size: 10.0pt;">[4]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">張小虹〈話《白水》〉。</span><span lang="EN-US">ARTALKS</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US">http://talks.taishinart.org.tw/juries/chh/2015061702<o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-72194197199426467692016-03-11T06:06:00.004-08:002016-03-11T06:54:13.847-08:00本為虛構,啟發真實的《仙杜拉》<b>時間:2015/12/13 14:30<br />地點:台中市葫蘆墩文化中心演奏廳<br />演出:比利時布魯塞爾國家劇院</b><br />
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迥異於我們印象中總是明亮、高彩、溫馨、精神奕奕的「兒童劇」,來自比利時的童話劇《仙杜拉》,宛如一個從深濃夜霧中走出的夢境,人物如敷仙粉微光,話語如空谷迴音,情感不再天真單純,畫面簡潔,而寓含哲思。<br />
<a href="http://mjkc.tw/wp-content/uploads/2015/11/Cendrillon_5%C2%A9CC_%E6%96%87%E5%8C%96%E5%A0%B1%E5%A0%B1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="http://mjkc.tw/wp-content/uploads/2015/11/Cendrillon_5%C2%A9CC_%E6%96%87%E5%8C%96%E5%A0%B1%E5%A0%B1.jpg" height="160" width="200" /></a>法國編導全才喬埃‧波默拉(Joël Pommerat)無論處理現代議題或改編經典童話,同具不俗的洞察力。童話成為隱喻的潘多拉盒,內中每一個隱喻都等待被自由解放、賦予新的意義。【1】波默拉詮釋下的仙杜拉不再是一個楚楚可憐的受虐兒,而是自囚於亡母陰影的偏執女;出於自虐心態而活成煙灰缸(Cendrier)似的灰姑娘(Cendrillon)。童話老梗壞心繼母,則是耽戀青春的中年大媽,不甘生命漸入平庸和衰老的常態,她才是抱著一顆少女心走進王宮追尋翻身夢想的老少女。年輕王子緊捉住母親未死的虛假希望,封閉心靈不再對外溝通,與仙杜拉形同同病相憐的「病友」聯盟。波默拉漂亮翻轉十七世紀的道德純情童話,成為二十一世紀的心靈寓言,也使灰姑娘的老故事有了更遼闊的解讀空間。<br />
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內容解讀並非重點。這是波默拉作品首度在台灣上演,近距離親身觀賞更能體會完整的劇場敘事構成;不僅在情節、人物、語言,更從舞台上優越的物質調度,內外交淬為結晶般的劇場隱喻。《仙杜拉》打開「故事」的物質性摺縫,挑激觀眾的想像力參與,釋放出物質巨量的敘事潛能。<br />
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《仙杜拉》的敘事空間是層層包裹式的:最外層是從黑盒深處走出的說書人,形象如同魅影,以回音濃重的聲調,訴說著一個可消融於無邊黑暗、無始也無終的故事。他/她(形體是他,聲音是她)首先提出對語言傳達與傾聽的質疑,故事於是從仙杜拉在母親病榻旁「誤讀」生母的臨終遺言開始展開。說書人以抽象的手勢,微妙傳遞那語言的不能準確與難以捉摸。<br />
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第二層敘事空間是三面牆圍起的玻璃屋。左右環抱的投影,自由抽換著空間的背景畫布:一下是房間的壁紙、一下是王宮的外牆,一下是行進中的變異空間,一下腦中的記憶鍍膜,還有黑暗無窗的地下室房間……,如夢似幻;轉場均在全黑、無聲中完成,一幅幅畫面便如從腦海中調閱出來的記憶場景,無聲無影地來去。<br />
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至於原童話的魔幻核心(同時是扭轉主人翁命運的關鍵)——神仙教女,她擁有的空間是無足輕重、如道具般的位置:從仙杜拉房間裡的衣櫥進出,唯一可以移動的只有外表炫斕的更衣帳縫;似乎暗示中世紀魔法到二十一世紀已不管用,唯剩娛樂價值而已。一如收到王宮邀請函時,全家人換上奶白雪糕般的巴洛克宮廷服,只是繼母對「高貴皇族」的過時想像。<br />
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仙杜拉沒有玻璃鞋,繼母卻有玻璃屋,整個舞台彷彿巨大的物質象徵,影射人心的自我造設與自我耽迷——但是,這不也是舞台藝術的特徵嗎?於是叩問從台上延伸台下:從仙杜拉、繼母、王子、神仙教母,到默默看戲的觀眾,誰沒有自我想像的秘密世界?誰不透過一點兒虛構去去定位外在現實?誰的成長過程沒有掉落過幻滅的殘骸與灰燼?仙杜拉重新提醒:「真實」從來都是人主觀之眼與外界存有的協調結果;那既非寫實主義式的客觀存在,也非象徵主義式的永恆定理;受記憶、解讀、慾望、想像所不斷糾葛與滲透,是人類不得不承用的接受器。導演以物質為墨,為我們指出那浮於明亮與隱晦之間、似在迷霧中摸索的真實形象;【2】這也透露出劇場作者對於真實的獨特觸感。<br />
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在聽覺上《仙杜拉》同樣打造出一個感覺異境,挑戰劇場的成俗。例如擴音器通常使劇場聲音顯得扁平,但《仙杜拉》的機器迴音卻因為層層包覆的敘事結構而立體起來:說書人猶如從空間深處而來的回音,包裹著故事中人不同穿透力的回音;而具為幻象。又如襯底音樂,本是肥皂劇加料平淡對話的慣用手法,但穿行於《仙杜拉》的溫吞古典樂,卻強化著一股不真實的虛幻感;不斷提醒觀眾:即使演員穿著當代服裝、使用當代語氣、表達當代情感,做著當代的身體動作,這仍是一場遙遠的夢,必須當作一則象徵、一則虛構來閱讀。<br />
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這個由聲光構築的夢中之夢,卻異常接近生活於塑膠料充滿、光刺激過剩的現代人、被擬像與擬仿物充填的心靈投影:強大的我心所欲,與強大的物質製造力,早已無數次洗版了原初版本。自戀或許是我們的共同情感,自我肯定與自我欺瞞只有一線之隔。《仙杜拉》確實以層層覆裹的幻象,增強了觀者心靈的力量,也唯有強大的想像力,才有可能接受更強大的真實。有某種真實,只有物質的隱喻力量可以觸及;就像白雪公主母后(又是一個壞心繼母)所持魔鏡,從非忠實反映外表以整衣冠的鏡子,而總能答覆來自慾望深處的提問,說出實話。而我覺得,這也是劇場魔法所在——本為虛構,卻啟發真實。<br />
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<a href="http://agon.ens-lyon.fr/docannexe/image/3068/img-3.jpg" style="clear: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/proxy/AVvXsEjwRlnCVxo3hPraFQNIinGTD3Pwi4nt_WUpuRFq2tg-xgbJlc0xsjrC8YAS4xaH5xqL-SaJ40HvWNAw-V0qRVAiVN2uDPxmt27LhKu-W7Y_CA2NZaE25xM0Y0QPFfSILHBqYdIhf7sfPELmA1979aaDzjTXoGvD=" width="200" /></a><a href="http://images.midilibre.fr/images/2013/04/10/lors-des-repetitions-hier-apres-midi-ou-rien-n-a-ete-laisse_558787_510x255.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" height="160" src="https://blogger.googleusercontent.com/img/proxy/AVvXsEjqjeFGGWucEgcye7VhmOYNIAQEYvTRY8cETH1W_WXXSMJ8KXeZnNqU9yrHUVRJPEJTNy5TzcNEiqkNhX4m929BOv4u60EDjTY_Apz3ZUVGYAAOOxzrEsABdLGxZIhH1uzRy37bL7JXOgE6yTQ-Nvx-1CFCYdCPs3qJM_8vQ3QPcZc9G6Dmz6HWX76tfRsKwiBhPCcgj9YgOUrr8UwvjH10EVK_CSNOlLMga2y2aKOQ5jPmYINkMb97i_fn=" width="320" /></a></div>
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<a href="https://encrypted-tbn2.gstatic.com/images?q=tbn:ANd9GcRd59L9xGULjMR3jhK4NaKoT3l8wsVVDsGCFLn3plLfyijmTj0qsw" style="clear: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="219" src="https://encrypted-tbn2.gstatic.com/images?q=tbn:ANd9GcRd59L9xGULjMR3jhK4NaKoT3l8wsVVDsGCFLn3plLfyijmTj0qsw" width="320" /></a><a href="http://payload136.cargocollective.com/1/10/338191/5023014/prt_280x188_1361462400.jpg" style="clear: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" height="134" src="https://blogger.googleusercontent.com/img/proxy/AVvXsEilxMB_khmpr1UkBsm59HQSUhcd-XORaeV_H8bEdse_ceEArkKyPnTqIQpbgZxT8A6FSfj2QG8okrjQcCkNNR3713a6AnzzYzsQ6Q0MuYscmv30bPVKzllMVt5qCCVr5WBhDr9ifUqWWk5AlnxfLQr7HpL7Pr-vPHwt4ZvaBFuorsMw-aYqowN5wJ62HoqWe7DQeOKq=" width="200" /></a><a href="http://payload136.cargocollective.com/1/10/338191/5023014/cendrillon5_2000.jpg" style="clear: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/proxy/AVvXsEjjOlaBqU0SIPUKO441cqbWsHUOqk49G5VoWkD-8ULXjg2fmuonnkfSf8guiZ666B-rD8C9ZIg1vZsJP3jEod5vO9DKm2LNFT2WVjWn3g_sZbO4inGJmIAti0lI0hMPro3SSXqqed377b6WXY2mrd3ymPuuwPgIk8FjXxgERpbOHgLQDnGfgwrjGMdJ0Z_G=" width="320" /></a><br />
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註釋<br />
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1、 楊莉莉〈不同凡響的仙杜拉〉稱童話故事為作者的「隱跡紙本」(palimpseste),見節目單。<br />
2、 波默拉1990年自創的劇團Compagnie de Louis Brouillard,其中Brouillard意為霧靄,延伸意涵:為「迷霧中的若隱若現」。見王世偉〈藉舞台書寫人性中最深層的矛盾〉。《PAR表演藝術》第275期,頁76。<br />
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<b>原載:<a href="http://pareviews.ncafroc.org.tw/?p=18730">複層物質烘托真實幻影《仙杜拉》</a><br />同劇<a href="http://pareviews.ncafroc.org.tw/?tag=%E4%BB%99%E6%9D%9C%E6%8B%89">其他劇評</a> <br /><br />服裝圖片來源:http://cargocollective.com/isawork</b><br />
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<span style="font-family: 新細明體;">時間:<span lang="EN-US">2015.11.26<o:p></o:p></span></span></div>
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<span style="font-family: 新細明體;">地點:台灣歷史博物館湖畔教室<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: 新細明體;">演出:國立台南大學戲劇創作與應用學系<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: 新細明體;">歷史不只是一種敘事。尤其在移民佔人口大半、先祖記憶紛歧的台灣島上,又如何有「一種」平整順暢的故事,可涵納全體的記憶、所有的視角、不同立場和根據合成的解釋?顯然無法。如是我們應該怎樣描述歷史呢?這種「述說」和「觀看」的多面向,不料正是由強調提問、參與融入、交換意見,教演員(<span lang="EN-US">actor-teacher</span>)和觀眾</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">雙向互動的戲劇形式</span><span style="font-family: 新細明體;">——教習劇場(<span lang="EN-US">Theatre-In-Education, TIE</span>)的擅長領域;當「戲劇」從舞台區走入觀眾席,順勢打開單一敘事頻道容易封鎖窒閉的思辯空間。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: 新細明體;">一百二十年前的台灣和澎湖列島居民,大概不曾想過遠在幾千海哩外、發生在黃海的一場戰爭、清國、日本、朝鮮之間的爭奪、海外舉行的簽約和交接儀式,竟此決定了他們的命運。台南大學戲劇創作與應用學系師生編創和擔任教演員,由南台灣兩所國小高年級學生參與的教習劇場,就從這個兩難的戲劇性時刻起手:一夕之間面臨「變天」的台灣島民,分裂成主張和談的開城派,與堅守民族立場的抗日派(有人認為這原是一場可以避免的戰爭<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: 新細明體; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: ZH-TW;">[1]</span></span><!--[endif]--></span></span></span></a>,也常被粗疏地與四十多年後在中國境內發生的戰爭連結一塊<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: 新細明體; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: ZH-TW;">[2]</span></span><!--[endif]--></span></span></span></a>);換成是你,如何抉擇?<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: 新細明體;">不同於博物館針對「一八九五乙未戰爭」提供的靜態展置——從文獻和文物上,理出日本官媒、中<span lang="EN-US">/</span>清國媒體、前線接收日軍、在台西方傳教士等不同的多元面向——訴諸理性的閱讀和思考;教習劇場是動態的戲劇行動,藉由角色扮演,學員觀眾以身體力行,設身處地面對歷史,可以說是一場以想像力為前導、理性和感性並肩飛行、一起「抵達歷史現場」的偵探之旅。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">首先以「鏡像」和「謠言圈」的暖身演練讓學員觀眾順利滑入的情境設定,建立起共議的模式,彷彿置身於人心惶惶的開城前夕地地城內街坊。接著由鑼鼓帶引到第二現場,這是城內茶商林福生之家、兒子林榮春的書房。只見他一身清裝,款款憂心,以精湛演技吸引觀眾進入情境。這時學員觀眾每人戴起一頂清辮小帽,自寫姓名、職業的名牌別在胸前,不時扮起林榮春的「智囊團」,陪他夾擠在主張求和以保資產的父親以及加入抗日義勇軍的長工邱紹興,兩造立場之間,如坐針氈;一轉身又變成林福生召開的仕紳會議的一員,決定立場、陳述己見、參與論辯、決定開城與否。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">劇中並沒有言明此城何城(日軍進入台北城和台南城相隔五月),角色亦非歷史名人;不過語言同文,很容易引人認同為自己的城市。飾演林福生老爺的演員年紀和道地台語更增逼真。最難得可貴的是戲劇全程都沒有所謂「正確答案」的引領,只有面對未知的真實感受:不安、困惑、難以抉擇、矛盾、自我厭惡或面對犧牲者的負疚感,關於價值與生存方式的決斷,全都得帶著情感、提著清醒理智,不是一種簡單的黑白習題。適時的提問與討論,使觀眾必須維持與角色維持若即若離的關係,非一逕掉入幻覺。因此保有遊戲(</span><span lang="EN-US">play</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的靈活和開放心態,鬆脫意識型態,思考各種可能性。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">比起各種「完整」或「正確」族群歷史,其實每一個人都可以是歷史的載體,每一個地方都有自己的歷史視角,自己決定的幸福才是真的幸福。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: 新細明體;">最終「開城」是史實,所有學員回到第一現場,場景已改裝成城門前長長甬道,人人被發下一面小旗,準備面對最後一次選擇:贊成開城的人可以站得離城門越近。當城門登大亮,孩子們搖旗到高潮之際,我不禁湧起感慨:處於列強邊緣的台灣,難道真的走出以投降換取和平或非抗爭不足以贏得尊嚴的困局?一八九五城門開不開?服貿貨貿,開不開?和平協議,開不開?東協十加三,台灣怎麼開?彷彿永劫回歸,百年前的一個提問,好像陰魂不散的隱喻,與當前相遇。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US">http://www.cna.com.tw/news/aipl/201508230183-1.aspx<o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-34530771013267524702015-12-19T06:06:00.002-08:002015-12-19T06:06:42.550-08:00人人是藝術家時代來臨了?《跟著垃圾車遊台北》<div class="MsoNormal">
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">時間:</span><span lang="EN-US">10</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">30</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">製作:原型樂團</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">10</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">30</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日到</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">21</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日三個周末晚,一群表演者及觀眾,跟著大台北地區三條垃圾車路線,沿街與群眾互動;還有一台小巴隨清潔隊員出勤,終站與遊行隊伍會合。原型樂團策劃的《跟著垃圾車遊台北》,「把握民眾丟垃圾的片刻」出擊,自我定位為包含「行為、戲劇、裝置、音樂等藝術形式」的「行動公共藝術計畫」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。計畫「空前」的創意蓋無疑義,然其性質到底是「行動藝術」,還是有藝術工作者參與的「公共行動」?值得玩味。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">比起研究京都議定書、跟著綠色和平組織去「守護北極」、拒用「全氟化合物」(</span><span lang="EN-US">PFCs</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)、抗議工廠排污、參加護樹聯盟、推動綠能產業政策,保護一塊荒野、復育一座森林等等;每日例行的倒垃圾行動,很可能是多數都市人對地球環境唯一有所接觸的時刻吧。事實上,便利、清潔的現代都會生活,是以能有效排泄垃圾並強迫土地吸收作的方式為代價。在垃圾車優雅的音樂聲下,隱藏著生命與環境的倫理命題,垃圾的處理方式,乃至於運送工作的勞動與安全條件</span><span lang="EN-US">……</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">等議題,常隨著垃圾一起打包被人丟出視線外,習而不察。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《跟著垃圾車遊台北》本有機會誘使市民冷漠的眼光移返垃圾,重新將垃圾納入生活結構中重新思考。活動第一晚我搭乘垃圾小巴,從清潔員的觀點,確實看到不同於市民的垃圾車觀點:不像台北市垃圾車定點停靠,新北市垃圾車幾乎貼著民宅,邊走邊收,增加不少行車險況及零距離的危險「親密感」。接著乘客下車,隨垃圾車步行一段路,垃圾車旁的表演隊伍中有業餘小丑、回收物扮裝者、二手物創意傀儡、簡單裝飾的單車客等,吹打蹦跳如一場歡樂遊行。只見提著垃圾出門的居民睜大眼睛,半疑惑地看著這熱鬧滾滾的隊伍;也有居民在里長的解釋下,若有所悟地說:「這就是文化喔?!」,整體看起來一個同樂會式的踩街活動。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">不過遊行隊伍裏有個暗樁演員,扛著翻板計算垃圾袋數,頗似台灣選舉期間候選人跟著垃圾車一起拜票,計算握到的手越多越好那樣;到最後的遊行終點(略微寬敞的垃圾收集地點),熱舞與綜藝秀之後,果由模仿豬哥亮風格的主持人出來宣布今天收到的垃圾袋數。這個計袋秀將本是人人從家中排除、丟棄、不歡迎的垃圾,變成多多益善的好物似的,確實翻轉了垃圾的「污化」形象(雖然我們無法率爾解釋這是製作團隊在鼓勵市民們多多「製造」垃圾;抑或更加強人們「髒的丟出去,家裡越乾淨」的自潔意識);不過可確定的是:這一整個充滿善意、有禮貌的行動。包括垃圾、垃圾車、清潔隊員、倒垃圾的市民的事事物物,都撒上一層可親、可趣的糖粉;在魔幻糖粉的催眠下,彷彿出門倒垃圾也可以沾上「藝術」色彩,跟著遊行者理所當然地搞「藝術行動」。於是,人人都可以是藝術家的天國,忽焉將至。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">但這是真的嗎?</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">記得一個後現代哲學家曾批判人工智能的思維下,藝術將不再是創作,而是反應,一條反射神經式的工作</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。這個預言好像在這裏應驗了:藝術創作者與普通市民,宛如站在同一個社會文明的反射方程式上,使用同一條神經的反應機器,因此自然而然,歡樂嘉年華不假思索挪用最常見的小丑形象,綜藝主持人不假思索地挪用了豬哥亮的形象;零距離的感受系統,零距離的表達方法,沒有穿越,沒有轉化,沒有反思;藝術彷彿拋棄自己的語彙,無異義擁抱了對社會現象不假思索的素人反應。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">但在追求同頻的共振中,又似乎預設著一個非常需要放鬆與開心的集體社會;</span><span style="font-family: 新細明體;">例如,</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">在每日例行的垃圾時光,被親切可掬地提醒:要快樂地倒垃圾這樣。與其說這是讓市民在日常生活中探見藝術的機會,不如說是藝術工作者</span><span lang="EN-US">/</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">志工探索生活的一場行動。</span><span lang="EN-US"><o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-91481079514554027562015-12-02T22:39:00.000-08:002015-12-02T22:43:48.063-08:00「隱喻」已老 不再莽撞的史詩悲劇<b>時間:2015.10.16<br />地點:雲門劇場戶外舞台<br />演出:金枝演社《祭特洛伊》</b><br />
<br />
戰爭,往往是形塑一個現代民族國家——想像的共同體——的重要手段。於是發生於三千年前的遙遠戰役,牽引著自朦朧中顯影的主體想像。金枝演社《祭特洛伊》改編荷馬史詩《伊里亞特》Ιλιάς/Ilias,變古希臘史詩為台語輓歌,以異質雜燴拼貼作為一種「台灣味」表徵。從一九九七年十二月華山首演,二○○五年十月淡水滬尾砲台二演、二○○六年一月高雄旗後砲台加演,到二○一五年於雲門劇場三演,姍姍走來十八年,也因此見證了「台灣認同」的坎坷與老化。<br />
<br />
<b>從衝撞開始的時代腳步</b><br />
<br />
十八年前的「華山」,還是台灣省公賣局物業的荒寂黝暗地臥於高架橋旁的廢棄酒廠,其骨嶙嶙的滄桑、蔓生的斑駁在一群現代藝術家眼中,卻煥發著異豔風采,遂以此為展演基地。金枝演社偕其舞台設計張忘的空間雕塑展推出《古國之神—祭特洛伊》,甫開演即遭警方關切,團長王榮裕被以「竊佔國土」現行犯遭逮補八小時,也因此吹響華山走向「文藝特區」的第一聲號角。<br />
<br />
隔天演出從售票變成樂捐演出,冷雨颼颼,卻澆不熄觀眾心頭的熱火。利用廢墟的半露天特質,演員騎重機自外而來,難以區辨到底外星人或遠古人,挾帶刺鼻油煙,碰碰踏破地上凹凸不平的水鏡。異國風長袍短褂與京劇靠旗共舞,南島民謠與歌仔戲調爭鳴,「古國」擺明是遙遠的想像與依託,卻無損觀者眼中的豪情萬丈——那是解嚴十年的台客們,莽撞探尋所謂「原生美學」的腳步;正如廢墟被長年掩埋的歷史記憶,追尋者眼神帶著突破的興奮與夢遊的迷茫氣質。<br />
<br />
到二○○五年華山已從藝術工作者自營的「藝文特區」,變成政府政策下一聲令下繳回而日後交付財團BOT的「文創產業園區」,金枝的《祭特洛伊》在遠離市區的淡水滬尾砲台再起煙硝,隔年再戰高雄旗後砲台——前者為中法戰爭(1884-5)後台灣巡府劉銘傳為加強北台灣海防所建的西式炮台;後者為「牡丹社事件」(1874)後船政大臣沈葆禎在高雄港增修的砲台——砲台是戰事建築,在古戰區搬演戰爭,特別有種穿越時空的臨現感。<br />
<br />
服裝設計賴宣吾給第二版《祭特洛伊》打造的服裝量體相當驚人,演員彷彿從同人誌世界走出來的金光人形,戰陣宛如色塊移動。演員忽而牆垣上,忽而拱門下,忽而場中火堆旁的走位,引領觀眾目光巡禮這歷史空間。當月從城牆四繞的中場升起,創作歌手紀淑玲柔美的歌聲瞬間渲染全場。優雅的台語口白,帶著古詩詞的距離感,不免沖淡了戰爭的暴力本質。謝月霞和王品果這一對祖孫的穿針引線——慈祖給憨孫說故事——形象搶眼討喜,使整個敘事罩上「歷史傳承」的色彩。<br />
<br />
<b>從時事隱喻到催眠儀式</b><br />
<br />
《祭特洛伊》宛如一則新興國族的寓言。學者林雯玲發表過一篇〈特洛伊、特洛伊、台灣,從史詩到輓歌的轉化〉(註)的論文,從國際情勢分析千禧年後台灣政黨輪替,「海洋國家」的國家論述正逢其時;主體意識愈來愈強的同時,又面對國力愈強盛而難敵的對岸威脅,與在希臘聯軍大軍壓陣之下的特洛伊,形成現實與神話的交叉映射。那是「隱喻」的高潮——明晃晃成為現實符號。<br />
<br />
今年深秋重演的《祭特洛伊》,從十八年前「喚醒被遺忘的都市廢墟」、十年前「虛擬的古台灣王國神話」,轉而標榜「美學式的劇場祭儀」。畢竟「隱喻」已老,當代認同已非簡單以新神話「取代」舊神話即可功成;於是重點不在敘事,甚至不在環境,轉而向自我催眠般的儀式氛圍,概稱為「美學」。以〈招魂〉起,用〈安魂〉終。金枝將以往劇團演出前祭拜四方的儀式搬上舞台,像要將整體演出獻祭給大地;在此同時字幕卻打出贊助者的名字,出現脈絡上的錯亂。而今年甫落成啟用的雲門戶外劇場,風景開闊宜人,但並非城市日常生活或歷史空間,而是一個特化的表演場所,表演區與觀眾席儼然(不但如此,還以票價高低區分為奧林帕斯區、帕德嫩區、德爾菲區)。環境在此便只是一個氣氛的襯底,而非勢均力敵的對話;最美的時刻甚至是燈光全滅、舞台痕跡掩匿的瞬間:只見星光靜靜籠罩山頭、四野清風徐來,呈顯出天然環境動人的原始氣質。<br />
<br />
<b>馴緩的悲劇成為抒情傳統戲</b><br />
<b><br /></b>
所有的莽撞、逞力都馴緩了。原本枝蔓雜生的史詩痕跡都剪裁乾淨,段段主次分明:〈花嫁〉是兩位公主雙雙同赴死神的旅程,〈修羅殤〉是兩邊主將的交戰和死亡,〈祭亡〉是敗將之妻喪夫失子的情何以堪。歌隊作為旁邊配唱。以死為前提,因何而死反而簡化,使得阿奇里斯的憤怒顯得輕率、阿卡曼農粗野、安卓美姬的認命犧牲————英雄/歷史人物的性格或抉擇都不是重點,而是他們「註定」要上場詠嘆自己的輓歌。然而世上誰人無死?《祭特洛伊》挪借了古希臘劇的某些元素,卻不見悲劇的辯證精神,走的是儒教傳統戲曲的抒情套路。<br />
<br />
這或許不是金枝的失落,而是每個藝術團隊追求「成長」的必要轉型。十年間「台灣認同」變得太滑順容易入口,坎坷的不再坎坷,邊緣的不再邊緣,自然失去/必須拋棄異議的位置。異議才需要辯證的空間,認同並不需要;而主流需要多多益善的認同。或許走過十八年的《祭特洛伊》,其閱聽座標有了更改的必要,例如台灣的寶塚或儀式風音樂劇。但若如此,歌技舞藝及故事流暢度則應另有一套專業標準;只是令人遲疑不敢瞄準。<br />
<br />
<br />
註:Lin, Wei-ling, 2009. “Troy, Troy… Taiwan: Transformation from Epic to Elegy”, Text & Presentation: The Comparative Drama Conference Series 6, Edited by Kiki Gounaridou, pp. 102-15.<br />
<br />
原載於PAR雜誌,感謝編輯給予大小標題<!--[if gte mso 9]><xml>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-2165820137010873632015-12-02T22:32:00.000-08:002015-12-02T22:32:46.833-08:00肉身銘記,記第二十六屆澳門藝術節<div class="MsoListParagraph" style="margin-left: 1.0cm; mso-list: l1 level1 lfo2; mso-para-margin-left: 0gd; text-indent: -24.0pt;">
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">五月溫暖潮濕,我抵澳門已經是藝術節的第二週。立馬看的第一檔戲在南灣湖大馬路上的舊法院二樓、本地劇團「卓劇場」編作的《人在她城》:一齣有台詞、有形體、有裝置、有投影等多元載體的劇場,各載體間應有微妙的交互指涉,但因我不諳粵語,形同在一片嘈嘈切切中觀看形體如何在空間動作。這時我想起上世紀末的小說兼社會理論家理查.桑內特(</span><span lang="EN-US">Richard Sennett</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)所寫的《肉體與石頭》(</span><i style="mso-bidi-font-style: normal;"><span lang="EN-US">Flesh and Stone: The Body and the City in Western Civilization</span></i><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)。肉體是軟的,石頭是硬的,肉體與石頭,象徵石頭築起的城市與個人肉身,相互銘記的歷史。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這種銘記理應體現在市民的日常生活中,積累在城市建造者所砌下的每一塊石頭上,從一個外地人眼中引發差異的驚嘆,進而銘記為肉體一道道新經驗,就像威尼斯旅行家馬可波羅首度抵達元帝國的首都時,以及他用肉身經歷過的每一座城市,而可汗透過他的回憶言述再現那些肉身浮遊的想像。這種銘記也可能是流動不已的,以致人事滄桑頻頻回首嘲諷意義失落的一堆石頭</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">它們都曾妄想過永恆,卻徒然以廢墟之姿屹立原址。而舞台如何銘記一座城市呢?如何將城市形塑下的肉體,其千姿百態予以比擬、象徵、換喻、甚至重新命名?或者更準確地說,從城市的劇場中,我,一個外來者,又閱讀到什麼樣的肉體銘記呢?</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">我試圖從肢體</span><span lang="EN-US">/</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">形體劇場(</span><span lang="EN-US">Physical Theatre</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的角度,來描繪兩週下來所看的幾部作品。包括「卓劇場」的《人在她城》,台灣編舞家林文中跨地合作的純舞作《空氣動力學》,香港導演鄧樹榮帶領澳門青年劇團重詮的《菲爾德</span><span lang="EN-US">2.0</span><span style="font-family: 新細明體;">——慾望與謊言</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">》,以及法國導演迪麥可(</span><span lang="EN-US">Franck Dimech</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)為澳門夢劇社執導的《侯貝多</span><span style="font-family: 新細明體;">.如戈</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">》。重點不在建立類型,而在思索舞台上的身體如何反映城市與空間的關係。無可避免地,我亦無法特赦於自身城市的記憶與感受慣習,這必然是不斷交叉比對的對話。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「她」城,一開始讓我多疑葡語「城市」的冠詞性別,或者意指城市的「陰性書寫」?其實可能來自除了意大利文學家卡爾維諾</span><span lang="EN-US">(Italo Calvino)</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的《看不見的城市》的文字與「政客、旅行家」這條故事線外,還有一個昭告親友出國遊歷而其實在足不出戶在電腦前合成照片(有圖有真相?)的女大學生</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「她」;加上當代澳門市民對觀光城市現象的零言碎語,多條敘事線交錯、斷裂地拼貼,由於每道故事線的形體結構和風格並未造成區隔,給人一種紛亂的印象。幾道可移動的大型投影屏幕,切割空間,六名演員穿行其中略顯擠仄。初看時頗有舞蹈劇場的場氛</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">令我想起台灣編舞家周書毅去年五月也曾以《看不見的城市》為名,在台北國家劇院發表一精彩舞作</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">但不得不說劇中幾個示意性的動作,無論從技術或象徵層面來說都太單薄,離舞蹈遠甚,點到即止,意象未滿;顯然這舞台上的「她城」尚在想像狀態,比「現實」更虛無。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「現代人已經不習慣用眼睛來看,也不會用雙腿去實際測量,只是懶惰地用自己大腦稍稍想一想,幻想出了城市的意象。」書評人梁捷如是衍語《肉體與石頭》。</span><span style="color: black; font-family: 新細明體; mso-themecolor: text1;">以方便個人快速「移動」為原則的現代城市地理配置、搭配著讓人類身體毫無抵抗就失去感覺的科技、如此銘記的現代身體毫不稍減地反映在舞台上,人們在此迷失於物件、光影、絮絮叨叨的短訊與意象未滿的種種元素當中。一場城市絮語,而身體始終被動。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">舞者與排練場均跨界於台北、澳門兩地的《空氣動力學》,據說在「長期」與「專職」的條件限制下,大部份仍以來自台北的舞者為主。從去年入圍台新獎的《長河》開始,林文中持續在舞者身上尋找類似本質性的動作元素;一路藉著「水分子」及「空氣粒子」的意念蜷轉、舒展、連綴人體,這幾乎與華陀創「五禽戲」、「五形拳」是同一理路,然而在模型飛機的造象下被賦予當代的科技感,影像設計亦相當程度支援了這點。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">舞台設計吳季璁以垂掛的透明塑料飄帶,給了這個舞台隨空氣漫舞、宛如會呼吸的裝置,瀰漫於整個舞台空間的上空。這無疑給了貼近地板而物質性百倍堅實的肉體,相當沈重的對比,無比嚴酷的挑戰。於是肉體在屢次挑戰地心引力不成(即使與常人相比這些舞者已經特別靈動,卻仍難以超越那重量若有若無的飄帶),對「飛行」從有形的摹擬,轉向無形的意念、或一種難以抑遏的想像慾望。作品在結構有其舞蹈動作上的嚴謹,而整體意念在我看來始終跨騎於有形與無形兩者之間。光影的追進、或飄帶自側面纏絆身軀、或尾聲模型小飛機的飛進舞台,都是令人印象深刻的視覺亮點,但有個疑問始終縈繞在我心頭:「飛」了半天,作者到底決定要不要棄絕對「形」的執著,走向諸法皆「空」?</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">1990</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年代在香港標舉「形體劇場」的鄧樹榮導演,十年前即以此方法在香港編作法國劇作家拉辛(</span><span lang="EN-US">Jean Racine</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的經典悲劇《菲爾德》(</span><i style="mso-bidi-font-style: normal;"><span lang="EN-US">Phèdre</span></i><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,台灣翻譯為費德爾);相同文本由不同演員形體演譯,彷如電腦軟體改版般推出「</span><span lang="EN-US">2.0</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」版,標示時代與地域的區隔。十七世紀的巴洛克宮廷華麗古典台詞,以金沙劇院紅底金飾仿古典的鏡框式舞台轉為視覺暗示;服裝是模糊時空特定性的暗色長袍與皮靴(</span><i style="mso-bidi-font-style: normal;"><span lang="EN-US">Phèdre</span></i><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">取材自希臘悲劇),厚重恰似壓抑情慾的倫理禮制;由舞台邊的大提琴伴奏,為溢出理智的激情伴奏;整體美學仍服膺現代主義式的簡約,也是演員的走位和姿態的風格所在。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">鄧樹榮擴延他對「形體」的概念,在場刊中說形體是他的「訓練及創作的方法」,稱這齣戲為「風格的話劇」;意即暗指戲劇重點仍為角色性格、內心狀態及因此外顯的「言語」,形體為言語及思想服務,並協助演員本體在做角色詮釋時達成身心的「有機統一」。在簡練而節制的動作下,演員以迅捷的小跑步精確移動定位,這種起跑、煞停的交錯創造出動能與抑止的鮮明動作形象,「換喻」成角色內心逾越體制的陣陣激情。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">若延續桑內特在《肉體與石頭》從肉體考察人類城市歷史的觀點,人體在現代城市中已被規訓為服膺「速度」價值的「移動」個體,且往往在移動中令對他人無感及鈍化。鄧樹榮的形體換喻,是讓現代人體在速度中的「感盲」,轉化為情慾的「理盲」</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">對情慾的古典主義式描繪。因此儘管奔跑移動,整體仍在理性框架之內,身體仍在心智控制之下,欲動而不踰矩</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">遂也令女主角菲爾德(梁恩倩飾)情慾的「慘勝」之「慘」顯過於「勝」。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">法國導演迪麥可(</span><span lang="EN-US">Franck Dimech</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)已經在台灣執導過多部作品《</span><span lang="EN-US">JUMEL</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">孿生姊妹》(原劇作家:</span><span lang="EN-US">Fabrice Dupuy</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)、《沃伊采克》(原劇作家:</span><span lang="EN-US">Georg B</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">ü</span><span lang="EN-US">chner<o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)、《</span><span lang="EN-US">Preparadise Sorry Now</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">》(原劇作家:</span><span lang="EN-US">Pier Paolo
Pasolini</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)、《愛情剖面》(原劇作家:</span><span lang="EN-US">Pierre Carlet de Marivaux</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">+</span><span lang="EN-US">Sarah Kane</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),均使用歐洲文本、東方演員的模式進行創作;這次《侯貝多.如戈》的演員陣容裡也不乏來自台灣、及畢業於台北藝術大學的澳門演員擔任要角,其餘皆為澳門演員。迪麥可擅長以高度現代主義式的冷冽、理性、自我封閉,暴露出人性底層的暴虐、動物性和非理性。這次他選擇當代法國劇作家戈爾德斯(</span><span lang="EN-US">Bernard-Marie Koltes</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的《侯貝多・如戈》(</span><span lang="EN-US">Roberto Zucco</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">取材自社會新聞的重罪殺人犯、具高度爭議性的劇作,很符合導演一貫的戲路。</span><span lang="EN-US" style="font-family: Times; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">除身形的裸露外,迪麥可舞台上的演員通常也都會呈現一種「剝除」的心理狀態,技術盡去,更接近於一種動物性的質感。舊法院二樓的劇場空間也被「剝除」裸露,露出風扇撩撥著日光燈一明一滅的天花板,以及拉開窗簾即可令廊外燈光射入的長窗,拼接硬木地板,可拉門式半掩的後台房間。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">劇中殺父、殺母、殺陌生人、殺警察,殺人動機始終隱晦不明的殺人犯侯貝多(楊彬飾),在舞台上被賦予上身赤裸、肉色肚圍、下著緊身褲,露出牙肉而笑,幾乎像是個責任感欠奉但本性歡快的男人,在一個喋喋不休其實彼此漠視的世界裡,人與人看似關切,其實都在殘酷地取消對方的存在感。抗議未免太費力,</span><span style="font-family: 新細明體;">主角</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">侯貝多採取一種最無負擔的對抗方法</span><span style="font-family: 新細明體;">——殺人,在虐人與被虐之間,</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">節奏有如一首舞曲,不問對或不對,只問有去有回,</span><span style="font-family: 新細明體;">侯貝多以褪去道德感的「誠實」回應著這個世界</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">包括這世界無所不在的機械式強制力量;像被命令原地不斷跑步的天真少年(劉雅雯飾),酒吧中不斷賣弄性感艷舞到令人無感的少女(莫群莊飾)。最怵目驚心是一個男人對一隻瓷狗的命令</span><span style="font-family: 新細明體;">——明明一動不動,還被命令不准動;其實早已被予取予求,卻還要粉身碎骨,以被確認主體的毫無存在</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。從沒被叫出姓名的小女生(賴玫君飾)把她自認唯一的財產</span><span style="font-family: 新細明體;">——貞操獻給了侯貝多;多麼微弱的自主性;也在警方的逼供下三兩下把侯貝多的名字繳交出去。這個人對人的傷害幾乎都是無機心也不必負疚的奇異世界,不知為何偏偏跟我們的真實社會這麼像!</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">借自書評人梁捷的標題,我的提問是:劇場到底是摹擬、反映現實的鏡箱,還是批判、重造現實的黑盒試驗場?這是作為劇場人必須屢屢反問自己的問題。</span><span lang="EN-US">1990</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年代,台灣解除政治獨裁後的那幾年,劇場界也曾經掀起一片「台灣人的身體」的探問,在文化殖民習性未脫的知青之間,一陣狂亂地外借身體方法或內尋民俗儀式,內裏實則燃燒著改造肉體的熱情。然而甫出政治操控、迅速被經濟力量所推挨,隨著全球化資本主義的漲勢,「劇場資源」、「劇場管理」、「文創產業」成為新世紀最強勢的聲音。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">梁捷:〈改造肉體才談得上改造城市〉</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">http://www.libnet.sh.cn:82/gate/big5/www.library.sh.cn/dzyd/spxc/list.asp?spid=2605<o:p></o:p></span></div>
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<span lang="EN-US">http://pareviews.ncafroc.org.tw/?p=10658<o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-29027052584349040762015-10-23T10:00:00.000-07:002015-10-23T10:00:15.331-07:00政治的、藝術的、娛樂的《我的50呎豪華生活》<blockquote class="tr_bq">
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<span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">尼采《人性、太人性》</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">一部輔獲第七屆香港小劇場獎(最佳整體演出、最佳劇本、最佳舞台效果)及第二十四屆香港舞台劇獎(最佳舞台設計、十大最受歡迎)並有愛丁堡藝穗節巡迴經驗的作品,放在新人輩出的台北藝穗節</span><span style="font-family: 新細明體;">——雖新人並不代表不優異</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,但舞台形式語言的到位、技術的完整度、問題意識的掌握度,菜鳥都很難與職業劇場老手匹敵</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">以鶴立雞群之姿,不但五場演出一票難求,且獲得平均心等四顆半(滿分五顆),樹立猶如「示範觀摩」展般的高標。然本文無意於佳評之上添花,而在藉此思索此種以尖銳社會議題為取材的劇場如何兼顧現實與藝術倫理。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這是香港「影話戲」第二次來台演出,每一次都讓台灣觀眾學到一個道地香港辭彙及其社會意涵:</span><span lang="EN-US">2009</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年《獨坐婚姻介紹所》我們理解了「一樓一鳳」,六年後我們聽說了「劏房」。「劏」為</span><span lang="EN-US"><a href="https://zh.wikipedia.org/wiki/%E7%B2%B5%E8%AA%9E%E6%96%B9%E8%A8%80" title="粵語方言"><span lang="ZH-TW" style="color: windowtext; font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin; text-decoration: none; text-underline: none;">粵語方言</span></a></span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,將豬宰殺後剖開肚腔叫「劏豬」,同理,將住宅分割成數個更小的部分的行為叫「劏房」;是個充滿身體感的庶民詞彙。自</span><span lang="EN-US">2002</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年以後香港特別行政區政府的新房屋政策後,劏房大量因應而生;在香港已討論旬年,台灣人多覺陌生。在全球化時代,必須脈絡化閱讀而難以符號化消費的社會議題,恐怕是少有的「在地」「產品」。但導演羅靜雯有心讓這項香港特產流入世界人的心靈視野,在愛丁堡時用英語演出,到台灣演出用普通話(我們稱國語)。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">可戲劇並不是信念的宣傳工具,《我的</span><span lang="EN-US">50</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">呎豪華生活》卻被廣評為一齣好「戲」:它既沒有因社會關懷而犧牲藝術語言的精鍊,也沒有為完成創作美學目標而將社會問題給浪漫化、虛無化。雖然,我們不可能從幾十分鐘的看戲經驗化為具體行動,但直至劇終,問題究然尖銳,並且因為戲劇,使我們對議題除了理解之外,更有種感性被觸動。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">作為藝穗式快裝快拆的小劇場作品,劇名雖曰「豪華」二字但更似反諷。</span><span lang="EN-US">50</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">平方呎的「劏房」(</span><span lang="EN-US">subdivided units</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)</span><span style="font-family: 新細明體;">,約莫兩坪左右還</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">含吃喝拉撒怎想都稱不上豪華;再者一入場滿眼都是便宜角料板材加瓦楞紙釘起來搖搖欲墜的隔間裝置,「因簡就陋」不言可喻。然劇組不思遮瑕,反叫觀眾欺身近看、置身其中,顯得好不理直氣壯!老老少少六個演員扮演仲介,吹噓偽捧「劏房」的種種好處,邀請看官四處參觀看房、躺下體驗、面對寒暄、甚至一起逃躲火災</span><span lang="EN-US">…….</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">人人臉上掛著笑意,以笑來迎接所影射真實的慘。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">最後一段演出將整部戲拉到藝術的感覺層次。一開始畫面是扁的:一家四口擠在劏房生活的搭棚實景,為求空間利用最大效益,轉而往縱向擴充的空間,雙層床幾乎佔據大半;家人不太對話,很少走動,斂聲蔽氣,盡可能壓低存在感的傍晚時光;父親身為一家之主為無力支撐而自愧;母親佔據房間正中央,但其存在感也就只是一具佔據空間的肉體而已;兄妹各自心事只能透過通訊軟體、網路和文章洩漏。驚人的是那空間運用,左支右絀的行動異狀在第三進的拉簾打開時赫然揭曉:牆上錄像演出全在眼前,只是攤在地面,利用錄影技術將立體化為平面,再從地面轉為牆面,造成地上發生的錯覺。雙重鏡像呈九十度對照,地心引力因而被轉化為空間壓迫(或反過來說亦然),政治壓迫在庶民生活中具體為空間壓力,而空間壓力在劇場又被轉喻為不可抗力的地球物理;繼續下沉;令人嘆服劇場果然是身體的空間藝術。語言添上最後一層隱喻:幾乎頂到天花而睡的窘迫,被薛西佛斯的神話籠罩著,征服對天花板坍塌,女孩逆流而上泳於天壁。當下想像力成為唯一的逃逸路徑</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">比愛還確定,雖然未來只剩拼命掙錢一途的男孩在暗中與女友擁別著。《我的</span><span lang="EN-US">50</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">呎豪華生活》並沒有因為社會議題放棄抒情的力量,但它的抒情不是那種自我滿足、炫耀品味的抒情;它顯耀的不是創作者的才情,而是被壓迫者的尊嚴。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">台灣從小劇場運動以來一直與時代精神同步發飆:政治劇、街頭抗議劇、報告劇、歷史書寫、民眾劇場、證言劇場</span><span lang="EN-US">……</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,從未間斷,但藝術與現實之間的辯證其實未竟;或停留在政治正確的集體立場選擇,以劇場向社運謳歌;要不撤退回藝術創作者個人感受的主觀書寫,以議題為工具美學至上。本月初表演藝術評論台策劃的一場以「田調與劇場——作為方法與實踐的初步方法」為題的「</span><span lang="EN-US">TT</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">不和諧對講」,其中藝評人陳泰松曾提起劇場上田調、現實、歷史、寓言之間的關係建構而言猶未盡,想來正是逾三十年的劇場政治實踐上還未完構的部分。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">TT</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">不和諧對講・第一講「田調與劇場</span><span lang="EN-US"> ── </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">作為方法與實踐的初步觀察」</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">http://pareviews.ncafroc.org.tw/?p=17806<o:p></o:p></span></div>
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<span lang="EN-US">http://pareviews.ncafroc.org.tw/?p=17841<o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">鍾喬:證言劇場《吹進故鄉的風》</span><span lang="EN-US">2014.12.27<o:p></o:p></span></div>
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<!--StartFragment-->
<span style="font-family: 新細明體; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">王放:郭慶亮的</span><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">“</span><span style="font-family: 新細明體; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">二等</span><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">”</span><span style="font-family: 新細明體; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">美學</span><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">——</span><span style="font-family: 新細明體; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">論述社區劇場。《戲劇盒:</span><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">1992-2002</span><span style="font-family: 新細明體; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">》</span><!--EndFragment-->
naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-14150972372640133042015-10-23T09:55:00.000-07:002015-10-23T09:55:42.493-07:00沒有兒童遊樂場《雨季》<div class="MsoNormal">
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">演出:楊景翔演劇團</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">時間:</span><span lang="EN-US">2015/09/5 14:30<br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">地點:水源劇場</span> <span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">援引我自己說過的:劇本給一齣戲靈魂,舞台給這齣戲外形。然困難在於一齣戲的靈魂與外形並不一定有一致性</span><span style="font-family: 新細明體;">——對「後戲劇」信徒來說,劇場對劇本「再現」的意識懷抱甚高的敵意與提防,更增加這種歧異的趨勢</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。當一個人的內在與外在並不一致時,我們可能知道自己眼前認識的是誰嗎?何況看戲每每都是初次約會,而往往也將是唯一一次;觀眾與戲劇很可能在誤解或不解的情形下分手。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這齣戲的外形就像一座成人的大型遊樂場:五座歪斜的房子是他們的旋轉咖啡杯,豔色男女來來去去;梅蘭妮(徐堰鈴飾)是綠的、</span><span lang="EN-US">Coco</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">(朱芷瑩飾)是藍的、布魯諾(楊景翔)是橘的、寶拉(蔡佾玲飾</span><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)是黃的、西碧樂(程鈺婷)是桃紅的。</span><span lang="EN-US" style="font-family: Times; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">廣播女聲住在高空的小方盒裡,橫過舞台飛行。還有,</span><span lang="EN-US">Zippo</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的玩偶是藍色的。</span><span lang="EN-US">Zippo</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">是劇中唯一的小孩,但</span><span lang="EN-US">Zippo</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">從未出現,我們只不斷聽說:</span><span lang="EN-US">Zippo</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">死了。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這些大人分別是</span><span lang="EN-US">Zippo</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的父親、母親、撞死他的人、撞死他的人的女朋友、父親的女朋友。</span><span lang="EN-US">Zippo</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">把他們聯繫起來,他們命運因</span><span lang="EN-US">Zippo</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的車禍而轉向,但是在劇場上</span><span lang="EN-US">Zippo</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">又好像不曾存在,沒有一個小孩曾經在這裡生活過呼吸過又猝然被死神奪走的氣息</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">就好像聽說颱風過境,但到處看起來都乾乾淨淨</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">只有一群無法承擔生命、拒絕長大的成人(或許西碧樂是其中例外),在積木盒似的屋上跳上去趴下來走兩步滑下來,其中一間越南主題屋,梅蘭妮專用的。他們看起來輕盈可愛,晃悠著,但或許導演丹妮耶拉.克朗茲(</span><span lang="EN-US">Daniela Kranz</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)會說,這就是倖存者的模樣</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">很幸運這齣戲有中文翻譯劇本出版。導讀者貝爾格(</span><span lang="EN-US">Jürgen Berger</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)分析青年編劇希苓(</span><span lang="EN-US">Anja Hilling</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的第三本劇作:「與之前的作品不同</span><span style="font-family: "Adobe 明體 Std L"; mso-bidi-font-family: "Adobe 明體 Std L";">⋯⋯</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">玩的不是對話和敘事(</span><span lang="EN-US">episch</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)兩種敘述態度的切換。『雨季』中的行動由古典對話推動。</span><span style="font-family: "Adobe 明體 Std L"; mso-bidi-font-family: "Adobe 明體 Std L";">⋯⋯</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">她在寫作此劇時,走的是自己的路,並非在實驗後戲劇的敘事形式與態度。」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">編劇或許並不刻意追求後戲劇形式,不過導演仍可以選擇後戲劇詮釋,「走自己的路」。類似今年藝術節另一部德國作品《失竊的時光》,導演剝除劇作家提供的生活脈絡背景,賦予抽象化的視覺外觀,企圖給予中產階級日常生活一個更為整體性、概念性或抽取式、非敘事性的觀點。這有時能使劇本清新脫俗、神采煥發,有時則使敘事更顯破碎瑣屑,令人出神。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這是一個結構細碎如電影短場多達</span><span lang="EN-US">48</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">場的戲,場景多為兩人對話或獨處;劇中人慣於說些無關緊要轉移焦點的話,迴避生命的重要時刻,如:用射飛鏢打發對上司的不滿、用廚房對話交代愛子的死亡、用留言分手、從旁聽者的敘述輕輕交代車禍發生的過程;甚至滲透到行為模式,例如梅蘭妮企圖以汽車、獨木舟、度假屋鑰匙彌補殺人的罪惡感,用旅行解決人生的難題,布魯諾選擇度假逃避婚姻的危機,以撰寫劇本掩飾對兒子缺乏關愛</span><span lang="EN-US" style="font-family: "Adobe 明體 Std L"; mso-bidi-font-family: "Adobe 明體 Std L";">……</span><span style="font-family: "Adobe 明體 Std L"; mso-bidi-font-family: "Adobe 明體 Std L";">皆</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">呈現出一種現代人的失重狀態。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">當我回頭閱讀劇本,發現短場雖然細瑣,但電台放送的歌曲和女播音員的路況新聞報導及無腦的說話內容,彷彿一條絲線隱隱牽串,讓一幕幕場景沐浴在流水般的聲響裡。劇作者頗不尋常地將電台放送的每首歌都列出來</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">從</span><span lang="EN-US">1960</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年代到</span><span lang="EN-US">199</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年代的軟調流行英語情歌</span><span style="font-family: 新細明體;">——聲音穿梭場景之間、也暗示著時間的流動:流過</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">一個母親在廚房獨自度過愛子死亡的悲傷之時,也流過一個處心積慮受孕的麵包師傅;流動在男人和女人對彼此的思念;並連動著波羅的海的潮浪和越南山中的綿綿淫雨。雨水聲穿越整個世界,也打在他們各自安逸的歐陸城市住宅窗上。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這種雨水、電波、聲響無所不在的泛溢感,在劇場化做一隻高高掛在空中、偶爾巡行的金屬小盒子;還有地上一雙雨鞋和水桶;一切都好像遊樂園裡的諸多小玩具。至於</span><span style="font-family: 新細明體;">大道具五座木屋,與其說是這五個人的棲居之所,不如說碉堡型裝置,演員的走位不斷拆解屋內屋外的空間幻覺建構。劇本中其他象徵:麵包、香菸</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">(</span><span lang="EN-US">Zippo</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">乃是全球有名的美國金屬打火機品牌名字,而兩個母親</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">寶拉抽</span><span lang="EN-US">Van Nelle</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,</span><span lang="EN-US">Coco</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">抽萬寶路)則消失不見。至於遙遠的異國越南,與</span><span lang="EN-US">Zippo</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的衣物箱子一樣,成為一個不知所終的藉口(但徐堰鈴的仿原住民吟唱為最後一段台詞增加了亮點)。最後連</span><span lang="EN-US">Coco</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">肚子裡的孩子也輕描淡寫地,沒有了。</span><span lang="EN-US"><o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-57868222481774411772015-10-23T09:53:00.000-07:002015-10-23T09:56:17.655-07:00無機質感生命的輪式展演《失竊的時光》<div class="MsoNormal" style="margin-left: 127.55pt; mso-para-margin-left: 10.63gd;">
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">編劇:黛亞.洛兒(</span><span lang="EN-US">Dea Loher</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">導演:安德烈.克里根堡(</span><span lang="EN-US">Andreas Kriegenburg</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">時間:</span><span lang="EN-US">2015.08.15<o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">製作:柏林德意志劇院(</span><span lang="EN-US">The Deutsches Theater</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">劇本給了一齣戲靈魂,舞台賦予這齣戲外型。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">簡潔的米白色舞台,像輸送盤一樣將直角摺起的方盒空間水車扇似地向前捲送。令一碟一碟的日常對話小菜,從客廳戲劇(</span><span lang="EN-US">Drawing Room Drama</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的分類匣分離出來。此外每一碟上說話的小市民,各自生活,瑣瑣屑屑,初看毫無相干,缺乏敘事主線,盡如過場人物;這雙重抽離的結果,使得這齣戲前三十分鐘觀眾(同時眼球頻繁地在舞台與字幕間奔馳),如坐茫霧之中。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">等越過這重「入戲」屏障之後,漸漸可以從編劇的網織中理出角色間的關聯:獨居不出門的保險員</span><span lang="EN-US">Finn</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,是退休保險員</span><span lang="EN-US">Erwin</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">失聯多年的兒子;跟老爸同住的</span><span lang="EN-US">Linda</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">是他的親姊妹,</span><span lang="EN-US">Finn</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">自殺後她隱瞞老爸好讓他繼續沉醉在「成功給予兒子人生意義」的假象中。他們的姓氏與努力工作卻徒勞無功一場的</span><span lang="EN-US"> Thomas, Monica Tomason</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">夫妻相同(源自日本行為藝術家赤瀬川原平作品系列,暗示一種失去作用的公共建築構物)。生活「幸福」得像同肥皂劇樣板的</span><span lang="EN-US">Schmitt</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">夫婦之間有個秘密:</span><span lang="EN-US">Schmitt</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">先生年輕時曾出售精子;他素未謀面的女兒</span><span lang="EN-US">Mira</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">對親子關係不信任而打算墮胎,男友</span><span lang="EN-US">Josef</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">為她尋找生父卻慘遭滅口</span><span style="font-family: 新細明體;">——</span><span lang="EN-US">Mira</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與腹中胎兒都註定無父。</span><span lang="EN-US">Mira</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的同事</span><span lang="EN-US">Gabi</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">跟男友</span><span lang="EN-US">Rainer</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">到處看屋想像有個家,但</span><span lang="EN-US">Rainer</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">竟在女友催討借款後,用一條紅寶石鑲鑽項鍊企圖勒死她。</span><span lang="EN-US">Rainer</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">又是</span><span lang="EN-US">Finn</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的保險客戶,宣稱他的錢全交給</span><span lang="EN-US">Finn</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">保管,與前來收拾遺物的</span><span lang="EN-US">Linda</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">發生關係。而</span><span lang="EN-US">Gabi</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">死裡逃生後並不打算與惡狼男友分手,到警察局只為了「備案」而不打算「報案」。受理的警官剛巧就是</span><span lang="EN-US">Thomas Tomason</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,他手上的怪案包括他老婆頭上的莫名槍傷,以及老太太</span><span lang="EN-US">Ira Davidoff</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">(剛好是香菸香水品牌的名字)的丈夫失蹤案</span><span style="font-family: 新細明體;">——</span><span lang="EN-US">Ira</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">相信丈夫只是走出旅館散個步而已,</span><span lang="EN-US">43</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年來她一直住在旅館,彷彿在自己的生命中流亡</span><span style="font-family: "Adobe 明體 Std L"; mso-bidi-font-family: "Adobe 明體 Std L";">⋯⋯</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">老太太</span><span lang="EN-US">Ira</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">說了一段饒富深意的話:「像我這樣的人是不是很多?雖然活著卻好像從來沒活過,從自己的人生裡到處搜刮,小心翼翼,好像自己沒有權力擁有,好像不偷來就不會是自己的了。好像,我們是賊。」《失竊的時光》(</span><span lang="EN-US">Diebe</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),直譯為「竊賊」,大可以是個尋賊抓賊的偵探戲劇,但綜觀全劇,誰是賊誰不是賊呢?誰又偷走誰的人生?</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這不禁令人聯想波梅拉(</span><span lang="EN-US">Joël Pommerat</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)《商人》(</span><span lang="EN-US">2006</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)中的一段台詞:「我們出賣我們的工作。我們出賣我們的時間。那些我們最珍貴的東西。我們生命的時光。我們的生命。我們是我們生命的商人。」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。洛兒(</span><span lang="EN-US">Dea Loher</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的「竊賊」和波梅拉的「商人」一樣都是發達資本主義時代人類處境的一種隱喻:物質上應有盡有,精神上百無禁忌,好像有無限選擇,可以自由自在做自己;實際上我們卻活得毫無價值,儘管人人都拼命地索取、剝削、交易,然結果連自己的生命被剝削、偷竊、出賣而不自覺。</span>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這種晚期資本主義現象隨全球化腳步早已不限於歐陸,但這是一個歐洲視角的隱喻形式:導演克里根堡(</span><span lang="EN-US">Andreas Kriegenburg</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)在上半場以盛起於</span><span lang="EN-US">1930</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年代的美國搖擺舞音樂(</span><span lang="EN-US">swing music</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)暗示資本中產階級的溫暖濫調,下半場改以低限音樂(</span><span lang="EN-US">minimal music</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)反覆延衍的樂句吊起懸疑氣氛。而當觀眾用盡左腦辨析故事脈絡之後,赫然發現這齣戲要我們偵解的不在敘事結構,而在命題</span><span style="font-family: 新細明體;">——頗為</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">殘酷的命題,卻以文明理性的形式展示。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">正如戲開頭提起的「狼」,這種在荒野中嚎嘯的野獸,不曾在戲中出現,倒是偽裝如羊的人群呶呶不休。中途自殺的</span><span lang="EN-US">Finn</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">或許是唯一做下選擇的人,他以一隻從手上滑落的紙盒,暗示生命真實的重量。然值得玩味的是:題旨既已在中途剝露,劇情接下來還能怎麼走呢?正像</span><span lang="EN-US">Ira</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的報案,在中場休息前已完成。這齣戲的特色正在於故事碎片看似信手拈來游蕩失依,幾乎到最後才拼湊起來;組織方式大大違逆一般戲劇鋪陳高潮的原則,它不是一齣理性與感性適時交錯、情節與命題同時走完、最後給予人類似「完整」感受的戲劇。問題並未解決的不安感始終懸宕,而表層現象轆轤般繼續編織,可以無止盡似的。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">於是</span><span lang="EN-US">360</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">度旋轉的舞台,在我看來猶如超商冷藏櫃的商品輸送盤,前排商品被取走,後排立即遞補。人們生活就像貨架上的即溶包,轉來轉去,意義不變。展現人類生命方式與商品無機物的展示方式,庶幾無異。卸貨完畢,</span><span lang="EN-US">12</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">個角色便一字排開,謝幕終結。隱喻若是血,將汨汨潛滲皮表;倏然發現而不可收拾。</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">根據</span><span lang="EN-US" style="font-size: 10.0pt;">2015</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「台北藝術節」官網資料:《失竊的時光》(</span><span lang="EN-US" style="font-size: 10.0pt;">Diebe</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)乃柏林德意志劇院(</span><span lang="EN-US" style="font-size: 10.0pt;">The Deutsches Theater</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)之委託創作,於</span><span lang="EN-US" style="font-size: 10.0pt;">2009</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年舉行首演。</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 10.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">譯文摘自楊莉莉:</span><span style="font-family: 新細明體;">〈工作與人生:談波梅拉的</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《商人》</span><span style="font-family: 新細明體;">〉。<span lang="EN-US">http://ed.arte.gov.tw/uploadfile/periodical/3258_P50-57_%E5%B7%A5%E4%BD%9C%E8%88%87%E4%BA%BA%E7%94%9F.pdf</span></span><span lang="EN-US"><o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-49539497610775496642015-10-23T09:51:00.000-07:002015-10-23T09:51:15.544-07:00《夏日微涼夜話3-Stop!巴士》<div class="MsoNormal">
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<span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">漢</span><span style="font-family: 新細明體;">.</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《淮南子》</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">位於台北市北郊的「北投」,據說來自凱達格蘭語</span><span lang="EN-US">Pataauw</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「女巫的住所」,因盛產溫泉,經年煙霧濛濛、磺味氤氳。清朝人郁永河的《裨海紀遊》中載有漢人前來採硫礦,日本時期因溫泉而開發為知名休憩地,增建鐵路支線、公園、公共浴場、旅社等,稱「新北投」以別於清治時期開發的「舊北投」範圍</span><span lang="EN-US">----</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這些都是</span><span lang="EN-US">1910</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年代前的北投開發史。</span><span lang="EN-US" style="font-family: Times; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">百年後某個鬼月晚上九點,一輛巴士從現新北投捷運站(舊新北投火車站原址)出發,中途司機絕不開口,乘客彼此不相識,只因購買戲票人人換得一張紅色「保平安」的識別證,同車體驗。一上車即發現冥紙滿地,古怪的舊物件、幾個沒人認領的舊行李箱到處散置。除了親切可愛的車掌小姐外,三名演員雪白著臉不發一語表情木然地待在車裡(觀眾事先被交代不可與之攀談)。車門關上以後,車便搖搖晃晃開始網山路開。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">隨著山路左拐右彎,昏黃路燈從車窗射入,成為唯一光源,閃爍不定。陰森的聲響從擴音器傳出,這時從擴音器告訴我們地名「北投」的另一個由來:一個「拔頭」的恐怖傳說。但很快地,車掌小姐提示我們:下一站開到哪裡、要找什麼,必須乘客自己尋找解答。答案是拼圖式的,必須靠全車乘客群策群力才可以和拼出答案。於是各自不相識的陌生人頓時變成親密戰友,彼此交談,交換各自找到的物件,商討答案</span>
<span lang="EN-US">…….</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">果然挑戰能快速地將一群陌生人烤熟,情境也就從「幽冥公車」迅速轉為「密室脫逃」遊戲。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">找到解答,公車剛好開到定點(要不然公車會整夜在山上盤旋?),車廂內日光燈全亮,乘客陸續下車,彳亍走入有硫磺味的草地(可能是夜間不開放的地熱谷的替代地點);只見三名演員已先一步來在樹下,合力說演一段「忽焉在前、忽焉在後」的「活見鬼」故事(演出中途還有夜間垃圾車來插花)。回到車上,第二個鬼故事在昏暗、搖晃中進行,但令我膽裂的不是故事,而是演員在狹小的公車空間內以麥克風鬼哭神號。初似「鬼壓床」的題材,聽到後來才發現原來是不知自己已成亡魂的舊神風特攻隊隊員,每晚回到睡過的招待所,企圖叫醒床上的活人,一起「出發」。帶有時代感的悲劇傳說,與北投當地從日本時代留下來的溫泉舊旅社氣質相當契合。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">第三個鬼故事必須先解讀一部虛構日記,打開日記本的鎖與箱還要另外解謎;其中一張色卡怎麼找都找不到,差點兒以為我們全都要留在公車上過夜了</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">當然這是不可能發生。巴士停在貴子坑下公車總站的泊車棚,三個「亡靈」的記憶來到這裡複現。原來設定是這樣:若乘客們不找出亡靈的記憶、叫不出他們的名字,他們就會輾轉難安、無法「回家」。至此確定,這趟「夏日微涼夜話」裡的鬼不嚇人、不害人,而是記憶的乞討者。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「昔者倉頡作書,而天雨粟,鬼夜哭。」,猜不透為何倉頡創造文字後,鬼要嚎啕大哭,其中解釋之一:「造化不能藏其祕、靈怪不能遁其形」。無以名之者被命名,被人定義,被人描述,被人畫界;「鬼」的痛哭,或許象徵的是人的不滿,是溢出人類意識之外的知覺經驗,或是尚未被竭澤而漁的神秘存在,或是我們一再錯失「他者」,一再被智識自以為是地網羅。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">借問誰識得鬼的記憶?難道不是人的歷史,失憶的是人,藉鬼之口要求人不可遺忘?我們有了鬼為藉口,卻難以逃脫人的思維模式,人的行動形式,以及人的心理需求。說話的是人的聲音,敘事是人的邏輯,行為是人的動作</span><span style="font-family: 新細明體;">——除了</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">第二段頭下腳上在車廂頂攀行的幽靈(鍾伯淵飾),因逾越引力慣性而顯得生動。</span><span lang="EN-US"><o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-89430028091146218542015-10-23T09:48:00.001-07:002015-10-23T09:48:26.661-07:00感覺的城市私旅行《墓所事事》(Picnic in the Cemetery)<div class="MsoNormal">
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">地點:台北</span><span lang="EN-US">boven</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">雜誌圖書館</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">製作:澳門點象藝術協會</span><span lang="EN-US"><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">基於碎片化現實的懷舊,本質上就是要通過回溯與追憶拾綴起人類成長歷程中的碎片,在一種對過去和傳統的美好幻想中把破碎了的現實還原為完整的、統一的和圓滿的,從而抵制碎片化對現狀其關於歷史和世界的信念的侵蝕,重獲某種對生活的崇敬之心。</span><span lang="EN-US"><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></i></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US"><span style="mso-spacerun: yes;"> </span></span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: 新細明體;">——</span></i><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">趙靜蓉</span><span style="font-family: 新細明體;">〈</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">現代人的認同危機與懷舊情結</span><span style="font-family: 新細明體;">〉<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: 新細明體; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: ZH-TW;">[1]</span></span><!--[endif]--></span></span></span></a></span><i style="mso-bidi-font-style: normal;"><span lang="EN-US"><o:p></o:p></span></i></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">走進位於台北東區夜店咖啡館密集地帶,巷弄內沒入地下室,類似私人讀書俱樂部的文創空間;水泥裸柱之間原木桁架上全是舊藏書籍雜誌,居間散置頗具時尚感的數件老傢俱。很難想像這是場音樂演奏會的地點。摸黑進入,一頭霧水,甚至分不清哪邊演奏區哪邊聆聽區,誰是表演者、誰不是表演者?這種日常與非日常、表演的啟動與被動空間,甚至藝術類型間的模糊化手法,正是澳門環境劇場的其中一種迷人特色。明明之前看過點象的《格子爬格子》(在書店內的微型劇場)、《玩風景》(在天井、游泳池的肢體、水墨、音樂互動),這次還是有種被「騙到了」的感覺。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與其說是音樂會,不如說是一場感官的旅行:空間、光影、視覺、聽覺,甚至嗅覺,多方浸染,從人身踏入那一刻即起作用。從老物件的無序堆疊,拆了隔板的鋼琴、大提琴、小提琴,原如裝置的一部分,瞬間被彈奏起來,令眾人(空間約莫容二十上下)的聽覺有了方向。演奏者半著古裝,華洋元素全都熟悉卻以歧岔的方式接榫。鋼琴上坐著木偶,不時被鋼琴師(楊光奇)扳動姿勢,或與看似無相關之物一起被掛在木梯上。然後女演員(黃玉君)像異時空的迷路者走入,冉冉如魂魄。所有元件皆是一種過往的象徵,碎片式地嵌合,發出老貨倉般令人懷念的味道。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">但鋼琴、小提琴、大提琴合成的三重奏,音樂風格卻是以極簡為基底。卻與滿眼繁複毫無違和感,音樂導引的不是進入一種純粹無物之境,而是讓某種感情悠悠恍恍漫漾開來;這種感情,就叫懷舊。房間當中有一面半透掛簾,阻擋了房間兩端聽眾視線,關於每首曲子的感言、短簡、照片、影片,即時投影於上。那是一些關於記憶的回溯、生活的片段感受、或對現代社會如對效率的追求或失憶的哲思式感嘆。正如社會學者所描述的,作為一種對現代性的抵抗</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">現代世界的瞬時性、無序性、流動性,使人類的確定性與完整性不斷被瓦解和分裂,成為碎片化的存在</span><span style="font-family: 新細明體;">——但</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">懷舊的抵抗之道並非真實地溯古,重建不可復返的從前;而是拾綴回憶碎片,建立起一種想像構造,關於自我。不論是個體的記憶,或集體的傳統或歷史,都可以透過這感性裝置,在優雅與傷感的完美結合的情緒中,補償性地連綴。當然,懷舊也是後現代消費社會的特產。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">我無法否認這種懷舊的療癒力量。比起走入地下室前的麻木心情,一瞬間神凝氣靜,彷彿在時間之速流中找到定錨點,不再混亂痛苦。紅酒的味道,大蒜和橄欖油的香氣,桌燈的光暈,物的微微細節,都成了心靈的黏著劑,我感覺故我在;甚至勾起我對這城市的留戀之情,諷刺的是喚醒我重新感覺台北這城市的卻是澳門來的一群藝術家。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《墓所事事》和粵語「無所事事」諧音,暗示著盲忙茫都會人最嚮往的一種狀態;確實適合流蕩在囂市靜隅:想像在逝去之物中旅行,想像時間暴君暫停統領一切,不再以效率和更新屠戮自己,想像在斷簡殘編中把「自己」完整梳理。製作人鄺華歡從</span><span lang="EN-US">2013</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年在澳門藝術節首演後,領著《墓所事事》表演團隊,</span><span lang="EN-US">2014</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年往愛丁堡藝穗節,今年夏天在台南、台中、高雄、台北城市,一路覓著非制式劇場空間巡迴,像變形蟲般適應著不同的環境融入其中。沒有野生的墓聲啾啾,倒是親切、抒壓、自我圓滿,舒適如老沙發,沙發旁的桌燈,桌燈下一本泛黃的老書。在闇闇的私密氣氛中,為心靈荒原撩起一陣微風。</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US" style="background: white; color: #222222; font-family: "Lantinghei TC Extralight"; font-size: 10.0pt; mso-bidi-font-family: "Lantinghei TC Extralight"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;">趙靜蓉</span><span lang="EN-US" style="background: white; color: #222222; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;">.</span><span lang="EN-US" style="background: white; color: #222222; font-family: "Lantinghei TC Extralight"; font-size: 10.0pt; mso-bidi-font-family: "Lantinghei TC Extralight"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;">現代人的認同危機與懷舊情結</span><span lang="EN-US" style="background: white; color: #222222; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;">. </span><i><span lang="EN-US" style="background: white; color: #222222; font-family: "Lantinghei TC Extralight"; font-size: 10.0pt; mso-bidi-font-family: "Lantinghei TC Extralight"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;">暨南學報</span></i><i><span lang="EN-US" style="background: white; color: #222222; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;">(</span></i><i><span lang="EN-US" style="background: white; color: #222222; font-family: "Lantinghei TC Extralight"; font-size: 10.0pt; mso-bidi-font-family: "Lantinghei TC Extralight"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;">哲學社會科學版</span></i><i><span lang="EN-US" style="background: white; color: #222222; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;">)</span></i><span lang="EN-US" style="background: white; color: #222222; font-family: Arial; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;"> ,
2006, 28.5: 31-36.</span><span lang="EN-US" style="font-family: Times; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;"><o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-41469005689511971592015-08-20T01:47:00.000-07:002015-08-23T20:17:35.725-07:00不只話語權的競奪而已,我看《家的妄想》<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.artsticket.com.tw/Images/Products/28013.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://www.artsticket.com.tw/Images/Products/28013.jpg" height="200" width="200" /></a></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">時間:</span><span lang="EN-US">2015.8.1 19:30<o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">地點:水源劇場</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">製作:阮劇團</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">九年級高中生正在教育部前「反課綱」抗爭走到高潮的同時,七年級生「阮劇團」首度以「紀錄劇場」的形式在水源劇場演出《家的妄想》;</span><br />
<br />
前者爭取「我們的歷史」該怎麼寫;後者摹擬演示著「我們的家」該怎麼講。而首先闖進觀眾心田的是紀錄片導演莊益增的一段話:<br />
<br />
「『家』是一個概念,現代人是沒有家的;另一方面,『家』卻無所不在,『家』是一種妄想。」</div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">作為「講求以真實事物為依歸,創作人透過訪問、新聞報導、正式文獻等作為演出文本的材料。務求立體地呈現事件,提供多角度給觀眾思考。」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的紀錄劇場</span><span lang="EN-US"> (Documentary Theatre)</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,「莊子」的話與去年(</span><span lang="EN-US">2014</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)以台西沿海河岸一帶破敗家屋景觀為主題的攝影展「家的妄想」便成為這部紀錄劇場的重要素材及概念;加上對嘉義東石當地的喪葬業者、撿骨師公、蚵田婦人、村落老人,以及同輩嘉義青年的訪談,被特意編織成非線性敘事的浮塊段匯。作為「妄想」,「去脈絡化、的敘事似乎可無可厚非;關於家的意念,尚未凝聚共識,便已事先消解</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">或作為反思,「置之死地而後生」?</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">「紀錄劇場」在國內尚屬陌生的一種劇場形式。溯源自</span><span lang="EN-US">1920</span><span style="font-family: 新細明體;">年代德國,</span><span lang="EN-US">1960</span><span style="font-family: 新細明體;">年代受社運影響推波助瀾。</span><span lang="EN-US">1930</span><span style="font-family: 新細明體;">年代在美國出現所謂的「紀錄劇」(</span><span lang="EN-US">documentary drama</span><span style="font-family: 新細明體;">)</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體;">經濟不景氣和國際政局影響下有一批劇壇的左翼先鋒派把時事演成戲劇,成就了另一種布萊希特式的「史詩劇」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn2" name="_ftnref2" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span></span></span></a><span style="font-family: 新細明體;">。另一種更嚴格的記錄形式</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體;">「引錄劇場」(</span><span lang="EN-US">Verbatim Theatre</span><span style="font-family: 新細明體;">),要求引用被訪者的一字一句,不可以改頭換面,</span><span lang="EN-US">1980</span><span style="font-family: 新細明體;">、</span><span lang="EN-US">1990</span><span style="font-family: 新細明體;">年代盛行於英國</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[3]</span></span></span></span></a><span style="font-family: 新細明體;">;都在紀錄劇場的系譜內。比起台灣,香港對紀錄劇場的引入較早,根據香港劇評人小西評述:「引錄劇場」最早在</span><span lang="EN-US">1990</span><span style="font-family: 新細明體;">年後期被引入香港,如「剛劇場」的《回歸線上邊緣自白》(</span><span lang="EN-US">1995</span><span style="font-family: 新細明體;">)、「臨流鳥工作室」的《韋純在威斯堡的快樂旅程》(</span><span lang="EN-US">1998</span><span style="font-family: 新細明體;">)。近年來鄉土自主意識崛起,「來自現實的逼力」,使劇場越來越頻繁地引錄「來自現實世界的聲音」進入劇場呈現「真實的力量」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn4" name="_ftnref4" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[4]</span></span></span></span></a><span style="font-family: 新細明體;">;包括:「前進進戲劇工作坊」的《開工天物.栩栩如真》(</span><span lang="EN-US">2007</span><span style="font-family: 新細明體;">)、「進劇場」的《樓城》(</span><span lang="EN-US">2008/2010/2015</span><span style="font-family: 新細明體;">),以及「一條褲製作」的《重建菜園村》(</span><span lang="EN-US">2013</span><span style="font-family: 新細明體;">)和引進美國紀錄劇場編導</span><span lang="EN-US" style="color: #141823; font-family: Helvetica; font-size: 11.5pt;">Moisés
Kaufman</span><span style="color: #141823; font-family: 新細明體; font-size: 11.5pt;">的《同志少年虐殺事件》</span><span style="font-family: 新細明體;">等等。關於紀錄劇場的方法、倫理及形式,都比台灣有較多的實作經驗與比較討論。</span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「一條褲製作」</span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">的胡海輝曾援</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><span style="background: white;">引</span></span><span lang="EN-US">Robin Soans</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">所說:「所有劇作家基本上都是在做紀錄劇場,因為所有劇作家都是從生活中吸引材料,然後寫成劇本。」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn5" name="_ftnref5" style="mso-footnote-id: ftn5;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,在虛構與紀實的兩端,「紀錄劇場」必須呈顯資料來源,在「在不扭曲受訪者或原文意思的前題下」進行編纂,然而這並不代表作者沒有立場,因為「甚至去選擇題材已經是一種立場」</span><span lang="EN-US" style="background: white; color: #222222; font-family: "Mongolian Baiti"; font-size: 10.5pt; mso-bidi-font-family: "Mongolian Baiti"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;">。</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn6" name="_ftnref6" style="mso-footnote-id: ftn6;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">;但亦不同於「民眾</span><span lang="EN-US">/</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">社區劇場」工作者,「對當下社會問題進行種種再現、譏諷的同時,亦傾向於採取非常草根的表演形式和思考方法,就是以社會運動中常見的街頭劇和唱歌傳達控訴、發放不平則鳴的強烈信息。」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn7" name="_ftnref7" style="mso-footnote-id: ftn7;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[7]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。最後紀錄劇場的呈現手法仍必須回歸劇場美學,以免淪為街談巷議、網路酸民、名嘴電視口水大會的再現。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">從好的一面來說,《家的妄想》初次嘗試紀錄劇場,已聰明避開宛如地方誌史家的歷時性敘述,而著眼於當下的家園;也沒有如社會學者般搜取不同階層的訪問取樣企圖創造形式客觀;而是富於抒情與暗示意味地讓遊民老爸、離家女兒、外配老媽,和墳墓裡的祖先,隱然形成「一家人」的邏輯。前後以紀錄片導演莊子的獨特角度與劇末戴著莊子面具上來的導演與演員卸下扮演後的短暫對話貫穿,也迴避掉訴諸「悲情」、「受害者」的認同陳腔。甚至我們可以這麼說:羅織同一塊土地上流離失所的生者、死者、被迫植入的外籍配偶、自願出走的本地青年等幾個敘述聲音,根本就是以「離散」而非「凝聚」來作為「家」的拆解策略。(圖片來源:<a href="http://www.peoplenews.tw/news/07edd99b-dc60-4962-9096-0bd8797b2aaa" target="_blank">活在理想裡的莊益增</a>)</span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">然而正由於這種抒情的主觀化與策略先行,使得紀錄劇場對真實對象「立體化」呈現的基本要求上,顯得單薄而可疑;組織手法零散,也讓素材有「各自表述」之嫌,淪為平板化的「<a href="http://guavanthropology.tw/article/6454" target="_blank">文化多元主義</a>」。影像與劇場的交錯敘事,則出現主次失調的搖擺:例如開場以大幅影像覆蓋住記錄者(挖出兩扇小窗讓記錄者以「旁觀」者身份說話),繼而讓影像流泛於場中的小螢幕堆閃爍不定,最後索性將所有裝置剝除,裸露記錄者自身為敘事主角。其問題意識渙散在從影像到劇場失準的切換中,劇評人白斐嵐剖析得頗詳細:「整個舞台反倒更像個大型錄像裝置,台上演員卻淪為功能性的配角,許多時候成了影像畫面的轉場過門」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn8" name="_ftnref8" style="mso-footnote-id: ftn8;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[8]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。很可惜地長時間坐在舞台上剖蚵仔的蚵鄉婦女,和不時穿著施工背心到處走動的工人,還有三番兩次換裝上場卡拉《浪跡天涯》,也因過於與影像同化,而成為一種平面式景觀,未能在劇場時間的重複與延展中堆疊出意義。就劇場語言來說,大半失效;靠著純語言敘述的部分及瞬間襲腦式的景觀,偶爾得分。</span><span lang="EN-US" style="font-family: Times; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">但若劇團有心從紀錄劇場與社會進行深層對話,大可不必因一次試作而自我設限;特別像「家」這種缺乏議題性的聚焦而傾向一種集體意識的形塑,實非易事。以香港「進劇場」為例,針對香港人的空間史觀,七年間演出三個版本的紀錄劇場。初版與蘇格蘭劇作家</span><span lang="EN-US">Liam Hurley</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">合作,走訪香港城市規劃師、建築師、保育人士、財團、政界人士、文化評論人、建築工人,以至風水師傅,從二十八套訪問錄音及錄影選編十九段戲劇。</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn9" name="_ftnref9" style="mso-footnote-id: ftn9;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[9]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">到了</span><span lang="EN-US">2015</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年版《樓城》,編導演陳麗珠自許:「不是重演而是重新創作」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn10" name="_ftnref10" style="mso-footnote-id: ftn10;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[10]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,不但重新訪問一些人,包括參與佔領運動的人、學生、「港漂」,語言變得更駁雜;舞台形式上也減少對影像紀錄的依賴,而讓該劇團向來擅長的形體美學及「詩化劇場」為敘事主角,例如漂亮地以摺凳加形體的表演,隱喻港人窄仄的空間身體感以及隨遇而安的生存姿態;例如石頭的儀式性空間展開「來自南中國海的一顆石頭」的地理隱喻;整體組裝後將原本《樓城》</span><span style="font-family: 新細明體;">的命題:</span><span lang="EN-US">The will to build</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「起樓的欲望」,在劇場時間中慢慢換喻為</span><span lang="EN-US">The will to stay</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「留守的欲望」。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">相較團齡超過二十年的進劇場,阮劇團年紀還輕,舞台美學也還待熟成。多線敘事看似洋洋灑灑,但未免僅呈現眾聲喧嘩的表象;有如當前台灣社會在很多重要議題上只見對立、不見對話,泛溢為一種話語權的競奪而已。從這角度觀之,《家的妄想》似作為現象的忠實反映,而未進一步成為探索者或覺醒者。如胡海輝所體悟:「引錄劇場和紀錄劇場都不是一種形式</span>
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">(</span><span lang="EN-US">form</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),而是一種途徑</span>
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">(</span><span lang="EN-US">means</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),甚至是一種覺醒</span> <span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">(</span><span lang="EN-US">awareness</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn11" name="_ftnref11" style="mso-footnote-id: ftn11;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[11]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。不論何種形式,在虛擬空間的探索都不宜比現實走得更迂、更慢、更淺、更輕。</span><span lang="EN-US"><o:p></o:p></span></div>
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(原載於表演藝術評論台)</div>
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<div id="ftn1" style="mso-element: footnote;">
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 10.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體;">〈</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">紀錄胡海輝</span><span lang="EN-US"> – </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">訪一條褲製作紀錄劇場</span><span style="font-family: 新細明體;">〉。《藝術推廣新聞頻道》。<span lang="EN-US">2013.11</span>。<span lang="EN-US">http://arts-news.net/articles/2013/11/27/%E7%B4%80%E9%8C%84%E8%83%A1%E6%B5%B7%E8%BC%9D-%E2%80%93-%E8%A8%AA%E4%B8%80%E6%A2%9D%E8%A4%B2%E8%A3%BD%E4%BD%9C%E7%B4%80%E9%8C%84%E5%8A%87%E5%A0%B4</span></span><span lang="EN-US"><o:p></o:p></span></div>
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<div id="ftn2" style="mso-element: footnote;">
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: minor-fareast; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-fareast;">梁偉詩:〈從「詩化劇場」到「引錄劇場」的進劇場〉。</span><span style="font-family: 新細明體; font-size: 10.0pt;">《</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: minor-fareast; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-fareast;">中華戲劇學會文藝會訊</span><span style="font-family: 新細明體; font-size: 10.0pt;">》</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: minor-fareast; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-fareast;">。<span lang="EN-US">2009.06</span>。</span><span lang="EN-US"><a href="http://www.com2.tw/chta-news/2009-6/chta-0906-10b.htm"><span style="color: windowtext; font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: minor-fareast; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-fareast; text-decoration: none; text-underline: none;">http://www.com2.tw/chta-news/2009-6/chta-0906-10b.htm</span></a></span><span lang="EN-US" style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: minor-fareast; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-fareast;"><o:p></o:p></span></div>
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<div id="ftn3" style="mso-element: footnote;">
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: major-fareast; mso-fareast-theme-font: major-fareast; mso-hansi-theme-font: major-fareast;">林喜兒:</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">〈</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: major-fareast; mso-fareast-theme-font: major-fareast; mso-hansi-theme-font: major-fareast;">我們的對白訴說樓城故事
</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">〉。</span><span style="font-family: 新細明體; font-size: 10.0pt;">《</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: major-fareast; mso-fareast-theme-font: major-fareast; mso-hansi-theme-font: major-fareast;">明報</span><span style="font-family: 新細明體; font-size: 10.0pt;">》。</span><span lang="EN-US" style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: major-fareast; mso-fareast-theme-font: major-fareast; mso-hansi-theme-font: major-fareast;">
(01-05-2015) </span><span lang="EN-US"><a href="http://www.hkaaa.org.hk/?a=doc&id=13912"><span style="color: windowtext; font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: major-fareast; mso-fareast-theme-font: major-fareast; mso-hansi-theme-font: major-fareast; text-decoration: none; text-underline: none;">http://www.hkaaa.org.hk/?a=doc&id=13912</span></a><o:p></o:p></span></div>
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<div id="ftn4" style="mso-element: footnote;">
<div class="MsoNormal">
<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref4" name="_ftn4" style="mso-footnote-id: ftn4;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[4]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">小西:〈《樓城》:</span><span lang="EN-US" style="font-size: 10.0pt;">What a</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">逼</span><span lang="EN-US" style="font-size: 10.0pt;">City!!</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">〉。</span><span style="font-family: 新細明體; font-size: 10.0pt;">《</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">香港文匯報</span><span style="font-family: 新細明體; font-size: 10.0pt;">》</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US" style="font-size: 10.0pt;">2008.11</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US" style="font-size: 10.0pt;">http://www.inmediahk.net/node/1001545</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref5" name="_ftn5" style="mso-footnote-id: ftn5;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 10.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[5]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">同註</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref6" name="_ftn6" style="mso-footnote-id: ftn6;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 10.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[6]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">同註</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref7" name="_ftn7" style="mso-footnote-id: ftn7;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 10.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[7]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">同註</span><span lang="EN-US">2</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref8" name="_ftn8" style="mso-footnote-id: ftn8;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[8]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">白斐嵐:〈屬於家的當下與妄想〉。</span><span style="font-family: 新細明體; font-size: 10.0pt;">《</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">表演藝術評論台</span><span style="font-family: 新細明體; font-size: 10.0pt;">》</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US"><a href="http://pareviews.ncafroc.org.tw/?p=17570"><span style="color: windowtext; font-size: 10.0pt; text-decoration: none; text-underline: none;">http://pareviews.ncafroc.org.tw/?p=17570</span></a></span><span lang="EN-US" style="font-size: 10.0pt;"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref9" name="_ftn9" style="mso-footnote-id: ftn9;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 10.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[9]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">李歐梵:〈「起樓的欲望」(</span><span lang="EN-US">The Will to Build</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)〉。</span><span style="font-family: 新細明體;">《</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">明報</span><span style="font-family: 新細明體;">》</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US">2008.11.26</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US">http://guanguanjujiu.blogspot.tw/2008/11/documentary-drama.html<o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref10" name="_ftn10" style="mso-footnote-id: ftn10;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[10]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-theme-font: minor-fareast; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-fareast;">註<span lang="EN-US">3</span>。</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref11" name="_ftn11" style="mso-footnote-id: ftn11;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 10.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[11]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">同註</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US"><o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-49912551773347369332015-07-25T08:16:00.000-07:002016-01-25T10:06:11.694-08:00「中華民國」是啥米碗糕?——我看歷史「微調」一直調一直調<div class="MsoNormal">
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">多虧<a href="https://video.udn.com/news/338529" target="_blank">柱柱姊</a>,提醒我們又該是檢討「中華民國」是塊啥米碗糕的時候了。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">由於「中華民國」倒過來念就是「國民XX」,小時候的我曾以為「中華民國」等於「國民黨」,中華民國國民都是準國民黨員,升上高中就可以自動「升格」為國民黨員,最後每個國民黨員都自動成為中國人</span><span style="font-family: "adobe 明體 std l"; mso-bidi-font-family: "Adobe 明體 Std L";">⋯⋯。</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年幼無知說來見笑。不過這也說明了兩件事:一</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,K牌黨國教育真的有效;二、人天生無知,易被呼攏,須自求思辯,以得真解。</span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">雖然「中華民國」並不等於「國民黨」,但二者關係匪淺</span><b style="mso-bidi-font-weight: normal;"><span style="font-family: 新細明體;">——</span></b><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">至少比「中華民國」和「台灣」的關係還悠久。</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/proxy/AVvXsEgFKBUHJrx4xEJFiqUpJ-moCL_AXr3PcxNWo8W-6a9i5wdC5eGuQia7MYjf4TyMACJaHRi7FvrZGvbHGFkqNCt-JCzZQL-4Vh3d8K8q_eB6tu1OizKdTOnEIBw1QyzOTmcD1VNk__QrfHY6-z2Qg2MESi8gfUexS5fRDNcHIG_jNmr2YC-lJD4rOVP74B8AUCjUf6YCj0dYuDb06MVgpEBqekGrOahkun9wURXPKRYOu-CT-cg=" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://im1.book.com.tw/image/getImage?i=http://www.books.com.tw/img/001/069/41/0010694152.jpg&v=562e0125&w=348&h=348" height="200" style="text-align: center;" width="200" /></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">我試著用生物學的方式來描述「中華民國」:出生於</span><span lang="EN-US">1912</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年,它的成立過程其實挺複雜的,包括章太炎稱<a href="http://blog.udn.com/karl6406/4319528" target="_blank">「無公乃無民國」的黃興</a>,北洋軍實權的內閣總理<a href="http://books.sina.com/bg/funny/talent/20131017/192447758.html" target="_blank">袁世凱</a>的支持,以及想法與日本幕府末代太后篤姬差不多的<a href="http://history.people.com.cn/BIG5/n/2013/0408/c198307-21053755.html" target="_blank">隆裕太后</a>等關鍵,但我們的歷史向來以K黨黨史為綱本,而該史又是部一神信仰的造神史,太多<a href="http://www.books.com.tw/products/0010694152" target="_blank">「國父們」</a>自然不利造神;因而模糊帶過:中華民國乃中國國民黨先烈革命打下的新國家;跟國徽超像的黨徽就大喇喇鑲嵌在國旗上最尊貴的位置,其餘一片血紅,代表革命烈士的鮮血。</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">然而就像世上大部份的革命一樣,率先犧牲的人吃不到成功的果實,接收成果的總是</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">來不及犧牲或倖存的人。</span><br />
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假使歷史不是像馬克思《路易·波拿巴的霧月十八日》所推論有其然的進程,而被許多「偶然」所決定;又<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">假設當初把「同盟會」改組為國民黨並起草第一版「中華民國憲法」的<a href="http://gushi.tw/archives/3126" target="_blank">宋教仁</a>,如果沒有在</span><span lang="EN-US">1913</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年<a href="http://sophist4ever.pixnet.net/blog/post/19940430" target="_blank">遇刺身亡</a>;又假設由<a href="http://www.timetw.com/22116.html" target="_blank">上過時代雜誌的吳佩孚</a>真的統一中國;又或者北洋軍閥集團那些大大小小<a href="http://www.u-acg.com/archives/86" target="_blank">參戰人數很多死亡人數卻很少的「內戰」</a>有喬出一個善果;則「中華民國」國旗很可能就不會今天這種款式了。</span></div>
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<!--StartFragment--><span lang="EN-US" style="font-family: "cambria"; font-size: 12.0pt;">1912</span><span style="font-family: 新細明體; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年的「中華民國」<a href="https://zh.wikipedia.org/wiki/%E4%BA%94%E8%89%B2%E6%97%97" target="_blank">國旗</a></span><span style="font-family: 新細明體;">→</span><span style="font-size: 12pt;">五族共和</span></div>
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<span lang="EN-US" style="font-family: "cambria"; font-size: 12.0pt;">1928</span><span style="font-family: 新細明體; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年以後的「中華民國」國旗</span><span style="font-family: 新細明體;">→</span><span style="font-size: 12pt;">國民黨好棒</span></div>
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<span style="font-family: 新細明體;">請別追問這面國旗到底沒有有經過「公投」或「國會」表決;畢竟當時連部憲法都還沒生產出來呀。</span><br />
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<b>*45年無法無天,「中華民國」憲法難產記</b></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">話說28歲換了國旗的「中華民國」,仍無暇讓</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「中華民國憲法」順利生產。憲法是一個國家的構成大法,一部憲法也生不出來的「民國」,大概就像一個人身份和性格都未定的狀態吧;人民的權力更是狗屎一樣被軍閥蹂躪。先粗覽一下中華民國憲法</span>的改版史:<br />
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">1912年宋教仁推動第一本草案《中華民國臨時政府組織法》</span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">1912年孫文又公布</span>《<a href="https://zh.wikipedia.org/wiki/%E4%B8%AD%E5%8D%8E%E6%B0%91%E5%9B%BD%E4%B8%B4%E6%97%B6%E7%BA%A6%E6%B3%95">中華民國臨時約法</a>》<br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">1913年國會議員提出的「天壇草案」</span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">1913年袁世凱否決後公布的「袁記約法」</span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">1919年袁世凱死後段祺瑞公布「八年草案」</span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">1923年</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">曹錕公布的「臨時約法」</span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">1925年段祺瑞再公布「十四年草案」</span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">......</span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">1936年,結束<a href="http://www.chinatimes.com/newspapers/20150215000653-260309" target="_blank">北洋政府</a>後的國民政府公布「五五憲草」</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,因抗戰未及完成公告程序。</span><br />
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">1920到30年代,有如</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">幫派火拚爭奪「中華民國」這塊</span>碗糕的時代,請問台灣在幹什麼?很抱歉,當時台灣人的國籍是日本,母國是日本。傳統</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「中華民國派」認為不在「中華民國」內的事都可沒什麼好說的,況且還是「被殖民史」呢,反正是水深火熱,全體忙「抗日」。事實上被殖民的台灣國民教育普及率比較高,雖沒搞出「五四運動」但知識份子也不少;像以</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「台灣文化協會」為首的團體,<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">從</span><span lang="EN-US">1921</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">到</span><span lang="EN-US">1934</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span>,連續十四年向日本帝國議會遞送設置台灣議會請願書十五次;換言之,中國人還在槍口上搶天下的階段,台灣人已經在憲法國家內試圖進行「體制內改革」。</span><br />
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「中華民國」在二戰期間,國土和治權至少分裂成四塊以上,除了正在擴大中的日軍「佔領區」,及退守內地的國民黨「國民政府」(</span><span lang="EN-US">1925-1948</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),還有宣稱聯合抗日卻獨立指揮的共產黨「中華蘇維埃共和國」(</span><span lang="EN-US">1931-1937</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),親日的東北「滿洲國」(</span><span lang="EN-US">1932-1945</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),以及汪精衛在南京成立的「國民政府」(</span><span lang="EN-US">1940-1945</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)。其中國民黨和共產黨兩個政權,存活到二十一世紀,至今仍在爭奪「誰主導抗日」的話語權;後二政權已於戰後隨「<a href="http://gushi.tw/archives/9751" target="_blank">大東亞共榮圈</a>」之構想一起消失。</span></div>
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圖說:二戰時期日本大東亞共榮圈的最大範圍,當時參與的政權包括日本、中國汪精衛政權、滿洲國、泰國、菲律賓自治邦、緬甸國以及自由印度臨時政府。<br />
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資料來源:約翰. 托蘭John Toland的<a href="http://www.taaze.tw/apredir.html?ap133142817_a_11100745071">《帝國落日:大日本帝國的衰亡,1936-1945》</a><span style="background-color: white; color: #282725; font-family: "titillium web" , sans-serif; font-size: 14.3999996185303px; font-style: italic; line-height: 17.2800006866455px; text-align: right;"><br /></span>
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<b> *35歲「中華民國」短暫的行憲夢</b><br />
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<span lang="EN-US">1946</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年元月,修憲會議重新召開,一時「中華民國」好像打算玩真的,至少想修一部擴大民意基礎的憲法,而不是你訂你的法,我走我的規。各黨推派代表參加,包括國民黨</span><span lang="EN-US">8</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">人、共產黨</span><span lang="EN-US">7</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">人、</span><a href="https://zh.wikipedia.org/wiki/%E4%B8%AD%E5%9B%BD%E6%B0%91%E4%B8%BB%E5%90%8C%E7%9B%9F">民主同盟</a>9人、<a href="https://zh.wikipedia.org/wiki/%E4%B8%AD%E5%9C%8B%E9%9D%92%E5%B9%B4%E9%BB%A8">青年黨</a>5人<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">、無黨派人士</span><span lang="EN-US">9</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">人,由民盟代表張君勱(徐志摩原配夫人張幼儀的大哥,留學德國的憲法專家,後不見容於國、共兩黨而旅居海外至終老</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)擔任主席;但協商破局了,相信「槍桿子打天下」的國、共兩黨立刻進入武裝內戰狀態;外蒙古「趁亂」宣布獨立(</span><span lang="EN-US">1946</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),而台灣發生二二八事變(</span><span lang="EN-US">1947</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">).......。紛紛擾擾間國民黨堅持在</span><span lang="EN-US">1947</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年底召開國民大會選舉代表,在共產黨代表缺席(但總體超過半數)的情況下三讀通過了《中華民國憲法》,火速公告實施。</span><span lang="EN-US"><o:p></o:p></span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span>
<a href="http://pic.eslite.com/Upload/Product/201109/m/634521906863552500.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://pic.eslite.com/Upload/Product/201109/m/634521906863552500.jpg" height="200" width="133" /></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">在1947年12月公告的這版憲法中,「國民政府」被合法地移轉成「中華民國政府」:國民革命軍」更名為「中華民國國軍」,「國民政府」的幕僚們搬進南京的「總統府」辦公,</span><span lang="EN-US">1948</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">20</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日,「國民政府主席」蔣中正在南京總統府內宣誓就職為第一任「中華民國總統」;想</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">當然爾,</span><span lang="EN-US"><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這部對國民黨真是超好</span><span lang="EN-US">der</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的憲法,到</span>1949</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年共產黨建國當家之後,</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">立馬給送進歷史墳場,連「中華民國」國號都一併給捨棄了</span>(現在南京太平天國府還看得到中華民國「紀念碑」:國祚終止於1949)。(右圖為當時隨國府遷台的中央日報記者龔選舞,88歲寫的回憶錄)<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"> *小測驗:「中華民國憲法」一共有幾種版本,為何某一個版本憲法被奉為「法統」?</span><span lang="EN-US"><o:p></o:p></span></b></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br />被共產黨遺棄不要的「中華民國」這塊招牌,</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">被「中國國民黨」國民政府在「國軍」護航下,給撿回帶到台灣</span><span style="font-family: 新細明體;">——不合用,那是當然的。台灣僅佔「1947</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">憲法」中最小的一塊行政區;依國大代表席次比例,第一屆國大應選3000多席次中台灣省代表共佔3席,也就是千分之一大而已。<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">在千分之一的小島上,</span><span style="font-family: 新細明體;">「</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">中華民國」、「中華民國憲法」、「中國國民黨」卻被神奇地三位一體、變身復活。抱殘守缺</span>的「國民大會」從</span><span lang="EN-US">1948</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年一直開到</span><span lang="EN-US">1991</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年不曾改選,同一批人選著同一個人當總統,那個人死掉以後由他的兒子繼續接任、再任、又任,直到他兒子自己喊停宣布不玩為止。直到野百合學運後才終於被修掉。</span></span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">但</span>為了有那麼一天要「完整」地被帶回大陸神州,這部憲法不許修,只准「臨時增建」。法律學者林佳和曾<a href="https://www.youtube.com/watch?v=ZKMfvhUXZVo" target="_blank">演講</a>談到「中華民國憲法」的五十道陰影(約從錄影31分起)。<br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span>
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">回頭說這部對</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">國民黨超好</span><span lang="EN-US">der</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">憲法上,對國家「領土」的規定寫在第四條:「中華民國領土,依其固有之疆域,非經國民大會之決議,不得變更之。」</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「固有之疆域」講得很曖昧,因為這國家從出生起主權範圍一直在變化著,假如從「中華民國」誕生接收滿清帝國舊領土之日算起,</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">台灣根本不屬於「中華民國」;假如從行憲之日開始算起,</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「全國三十五省」早已不符合現實。而且憲法才實施一年半就進入戒嚴時期</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,自1948到1991年,國府都以</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《動員戡亂時期臨時條款》代替頂著用,之後用增修七次的「增修條文」繼續頂用。</span><br />
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">那是一個話語權被壟斷的時代,</span><span lang="EN-US">KMT想像中的</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">中滑民國,存在於彷彿被SK2擦過的「憲法時間」凍齡在</span><span lang="EN-US">1947</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">到</span><span lang="EN-US">1948</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年之交</span><span lang="EN-US">KMT</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">最爽的一刻;然後在漫長的半世紀以來,</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「中華民國憲法」被當成「中華民國」的法統,不論時局如何變化,被始終堅持著;毋寧</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">也算世界憲法史上的一種「奇蹟」。</span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">插播一下「憲法」小常識:在專制君主時代不需要憲法一切皇帝說了算,近現代的憲法觀念是從西方傳人中國(古代中國也有「制憲」二字內涵卻等同「律法」)。憲法英文稱</span><span lang="EN-US">Constitution </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,德文為</span><span lang="EN-US">Verfassang</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">;</span><span lang="EN-US">1215</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年英國貴族與主教要求英王約翰簽訂「大憲章」(</span><span lang="EN-US">Magna Carta</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),用來約束國王的權力,例如向人民徵稅必須徵求人民同意等等,開了不成文憲法的先例。憲法作為國家根本法的觀念則起自十六世紀法國,認為天賦人權,以憲法保障人民建立理想政府的權利。第一部成文憲法由脫離英國獨立的美國在</span><span lang="EN-US">1787</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年制定,以自由人權、主權在民、三權分立為基本架構,成為國家組織的根本法律。此外還有從十八世紀一路修到二十世紀的<a href="http://www.twwiki.com/wiki/%E3%80%8A%E6%B3%95%E5%9C%8B%E6%86%B2%E6%B3%95%E3%80%8B" target="_blank">法國憲法</a>,還有只有十四年歷史一不小心讓希特勒「合法」當上總理給廢掉的<a href="http://www2.scu.edu.tw/politics/journal/doc/j24/4.pdf" target="_blank">威瑪憲法</a>;都是很經典的憲法。</span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span>
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">*</span><span lang="EN-US">59</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">歲以後的「中華民國」已經不是微調的問題,而是它成為無法以事實證明自己的一套「說法」。</span><span lang="EN-US"><o:p></o:p></span></b></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與台灣省或其他三十四省人民意志均無關的「民主憲政」,確實在台灣這彈丸之地啟程;適逢全球進入冷戰時期,國、共兩黨各擁美、蘇陣營,玩著「我反攻你」、「我解放你」的互相放話遊戲,倒也形成一種恐怖平衡</span><span style="font-family: 新細明體;">——</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">不,其實自</span><span lang="EN-US">38</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">歲之後,身、心分離的「中華民國」遭到國際社會雪片式地斷交,只是這種「滅自己威風」的事情被「中華民國」刻意忽略。有網友整理出「中華民國」的「外交雪崩」史如下:</span></div>
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<span lang="EN-US">1950</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US" style="color: #141823; font-family: "helvetica"; font-size: 11.5pt;"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與巴基斯坦斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">4</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與英國斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">6</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與錫蘭終止領事關係。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">7</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與阿富汗斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">14</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與挪威斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">14</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與丹麥斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">14</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與瑞典斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">19</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與瑞士斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">20</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與荷蘭斷交。(</span><span lang="EN-US">3</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">27</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1956</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與埃及斷交。(</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">17</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1958</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與伊拉克斷交。(</span><span lang="EN-US">7</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">18</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">駐柬埔寨金邊總領事館停止運作。(</span><span lang="EN-US">7</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">19</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1960</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與古巴斷交。(</span><span lang="EN-US">9</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">3</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與馬里斷交。(</span><span lang="EN-US">10</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">27</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1964</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與法國斷交。(</span><span lang="EN-US">2</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">10</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與剛果共和國斷交。(</span><span lang="EN-US">4</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">17</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與中非首次斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與塞內加爾首次斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">8</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與達荷美首次斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">12</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1970</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與加拿大斷交。(</span><span lang="EN-US">10</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">13</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與義大利斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">6</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1971</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US">(</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">退出聯合國</span><span lang="EN-US">)<br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與智利斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與科威特斷交。(</span><span lang="EN-US">3</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">29</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與喀麥隆斷交。(</span><span lang="EN-US">4</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">3</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與奧地利斷交。(</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">28</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與土耳其斷交。(</span><span lang="EN-US">8</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與伊朗斷交。(</span><span lang="EN-US">8</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">17</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與獅子山斷交。(</span><span lang="EN-US">8</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">20</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與比利時斷交。(</span><span lang="EN-US">10</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">26</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與祕魯斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">2</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與黎巴嫩斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">9</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與墨西哥斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">16</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與厄瓜多斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">17</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1972</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與賽普勒斯斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">12</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與馬爾他斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">31</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與阿根廷斷交。(</span><span lang="EN-US">2</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">19</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與塞內加爾第二次斷交。(</span><span lang="EN-US">4</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">12</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與馬爾地夫斷交。(</span><span lang="EN-US">4</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">15</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與盧安達斷交。(</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">13</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與希臘斷交。(</span><span lang="EN-US">6</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與日本斷交。(</span><span lang="EN-US">9</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">29</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與多哥斷交。(</span><span lang="EN-US">10</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">4</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與牙買加斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">6</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與盧森堡斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">14</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與馬達加斯加斷交。(</span><span lang="EN-US">12</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">15</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與澳大利亞斷交。(</span><span lang="EN-US">12</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">22</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與紐西蘭斷交。(</span><span lang="EN-US">12</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">22</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與查德首次斷交。(</span><span lang="EN-US">12</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">27</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1973</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與達荷美(今貝寧)第二次斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">19</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與薩伊(今剛果民主共和國)斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">30</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與西班牙斷交。(</span><span lang="EN-US">3</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">10</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與上沃爾特(今布吉納法索)首次斷交。(</span><span lang="EN-US">10</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">23</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1974</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與加彭斷交。(</span><span lang="EN-US">3</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">30</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與波札那斷交。(</span><span lang="EN-US">4</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與馬來西亞終止領事關係。(</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">31</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與委內瑞拉斷交。(</span><span lang="EN-US">6</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">29</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與尼日首次斷交。(</span><span lang="EN-US">7</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">29</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與巴西斷交。(</span><span lang="EN-US">8</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">16</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與甘比亞首次斷交。(</span><span lang="EN-US">12</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">28</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1975</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與葡萄牙斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">6</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與南越終止邦交關係。(</span><span lang="EN-US">4</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">30</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與菲律賓斷交。(</span><span lang="EN-US">6</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">9</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與泰國斷交。(</span><span lang="EN-US">7</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與西薩摩亞斷交。(</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">6</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1977</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與巴貝多斷交。(</span><span lang="EN-US">1</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">11</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與賴比瑞亞首次斷交。(</span><span lang="EN-US">2</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">23</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與約旦斷交。(</span><span lang="EN-US">4</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">14</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日)</span><span lang="EN-US"><br />
1979</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><br />
</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與美國斷交。</span><span lang="EN-US"> 資料來源:<a href="http://www.peoplenews.tw/news/3adb6b0f-3168-468b-bddb-750c541f5a06" target="_blank">新聞留言</a><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">看起來觸目驚心嗎?但當時的</span><span lang="EN-US">KMT</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">很「勇敢」,在封閉的小島內聞不到絲毫「亡國」氣息,只有越來越淒厲的「風雨生信心」。</span><span lang="EN-US">KMT</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">繼續使用他們超好用的亂畫等號邏輯:「萬惡共匪」所豢養的「匪諜」=「台獨份子」=「黨外人士」,又被三位一體地「妖魔化」,教大家一起用力地「同仇敵愾」、「同舟共濟」。矛盾的是K黨內「有力人士」總會設法讓子弟在美國拿綠卡拿永久居留權,包括第</span><span lang="EN-US">12</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">屆中華民國總統馬英九家族。</span></div>
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<span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">圖說:</span><span lang="EN-US" style="font-size: 10pt;">1960</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年羅馬奧運國際奧委會要求把「中華民國」改名為</span><span lang="EN-US" style="font-size: 10pt;">Taiwan</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">或</span><span lang="EN-US" style="font-size: 10pt;">Formosa</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,遭「中華奧運代表團」拒絕,舉牌抗議者為全國體協總幹事林鴻垣。</span><br />
<span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span></div>
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<span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span>
<span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">在K黨獨大、話語權壟斷的「自由」小島上,「中華民國」彷彿可以不顧現實地萬歲萬萬歲下去,可是國際社會又沒給國民黨統治,於是乎自</span><span lang="EN-US">1971</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年「中華民國」就等於從國際社會上給開除了。</span><span lang="EN-US"><o:p></o:p></span></div>
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根據<a href="https://zh.wikipedia.org/wiki/%E8%81%AF%E5%90%88%E5%9C%8B%E5%A4%A7%E6%9C%832758%E8%99%9F%E6%B1%BA%E8%AD%B0" target="_blank"><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">聯合國</span><span lang="EN-US">2758</span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><a href="https://zh.wikipedia.org/wiki/%E8%81%AF%E5%90%88%E5%9C%8B%E5%A4%A7%E6%9C%832758%E8%99%9F%E6%B1%BA%E8%AD%B0" target="_blank">號決議文</a>(</span><span lang="EN-US">1971.10.25</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)說法是:「恢復」中華人民共和國對中國的合法繼承權;至於「從它在聯合國組織及其所屬一切機構中所非法佔據的席位上驅逐出去」的,對不起,既不被稱為中華民國政府也不稱什麼台澎金馬地區</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,僅僅被稱為「蔣介石</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的代表」。換言之,就是「那一撮人」。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這份文件暗示著另一個版本的「中華民國」故事:</span><span lang="EN-US">1949</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年以蔣介石為首的「那一撮人」,跑到台灣來自立為王,宣稱他們既代表「中華民國」又代表「中國」也代表「台灣」,「那一撮人」打壓了</span><span lang="EN-US">P.R.C</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的合法權利<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">(至於</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">台灣島民在這故事中彷彿消失了一樣),</span>所以聯合國的決定只是「撥亂反正」</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><br />
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"><br /></span>說起「那一撮人」的神奇邏輯:「大陸神州」曾經是我的、永遠是「我的」,紫禁城寶物是自己護送運來的、所以是「我的」,打日本鬼子是自己的功勞、所以台灣是「我的」。「中華民國」是我的,國庫通黨庫,都算「我的」,黨工年資與「公務員」年資合併計算,自己的黨工國家來養,反正你的也是我的。認同是個人自由,細軟包裹帶著想「回歸」,也沒人攔;偏偏自己住過六十年的台灣,也想要當伴手禮帶回去;真有種「<a href="http://www.storm.mg/article/46701" target="_blank">你的也是我的,自古以來都是我的</a>」的系出同源。<br />
<br />
其實國府人士也不乏有現實感也有勇氣的人士,例如前外交官<a href="http://www.newtaiwan.com.tw/bulletinview.jsp?bulletinid=45538" target="_blank">楊西崑</a>、前國民黨高官<a href="http://www.drnh.gov.tw/ray/i2-1-2-4.htm" target="_blank">雷震</a>,都曾在退出聯合國之初建議與中國切割,重新制憲,更名「中華臺灣民主國」;但那獨夫專政的時代,任何形式及內容的「台獨」都被視同「叛國」,據說連<a href="http://blog.udn.com/karl6406/21728348" target="_blank">外貿商標要從「ROC」改為「MIT」都必須冒著殺頭的危險</a>;直到今日,統獨都還被當作意識形態在執著,而無法成為一理性評估與選擇的議題。<br />
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台北市長柯文哲回顧自己的祖父時曾說:<a href="http://www.books.com.tw/web/sys_serialtext/?item=0010704083&page=3" target="_blank">「每一代的台灣人,都要被迫做自我侮辱的批判,才能在新的政權活下去。」</a>除了有些浪漫化舊時光的人(不論哪一個族群裏都有這種人),多數小老百姓在時代大化中也只能努力讓自己存活下去,情不自禁<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">或被迫地(跟慰安婦的成為一樣複雜地)患上斯德哥爾摩症候群——沒罹患的人會給無情地消滅掉——把美化過的國民黨史當本國近代史熟讀,相信自己是台灣人也是中國人;只是每逢出國比賽,「中華民國」的國名便默默被替換上「中華台北」,國旗變成一款(不只)國人比較陌生的白底梅花陌生圖樣。59歲以後的「中華民國」正式被國際社會驅逐,只要邦交國和「中共」建交,「中華民國」就要趕在前一天宣布斷交,並咬牙切齒說出那五個字:「漢賊不兩立」(後來我們才知道真正原因是「買」輸人家)。在真正的「鎖國」時代,出國的人不多還可以這樣呼攏著;資訊和旅遊開放的時代,台灣人只能像罹患罹患人格分裂症一樣,忍受各種表裡不一的身份和名稱。(下列「中華台北」旗分得清哪個用國徽哪個用黨徽嗎?)</span><br />
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<b><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">*「中華民國」變成國際普遍不承認的國家,只有「台灣」人還深深相信。當他們拿著自己政府發的深綠色護照出國,入境資料可以填寫國籍為:「</span><span lang="EN-US">Taiwan</span></b><b><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」、「</span><span lang="EN-US">R.O.C.</span></b><b><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」、「</span><span lang="EN-US">China</span></b><b>」,悉聽尊便。</b><br />
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圖片來源:<a href="http://airline623.pixnet.net/blog/post/23852764" target="_blank">「中華台北」的旗子到底是長怎樣? </a> ,<a href="http://okapi.books.com.tw/article/3712" target="_blank">持護照的曖昧與忐忑</a><br />
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<span style="font-weight: bold;">*「中華民國」以幽靈體走向一百歲</span><br />
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">掛著「中華民國」招牌的幽靈船飄蕩在國際公海的陰陽界半個世紀。儘管「中華民國」是塊幽靈招牌,但幽靈船上的人卻是活生生的,會思考、會成長、會自主、會反抗。自1970年代末</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">掀起一波波民主化運動,經歷解嚴、開放、總統直選,雖然人格分裂得要命,但</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「台灣的命運,由兩千三百萬人決定」已</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">成為多數人的共識。國民黨雖然不再一黨獨大,但受惠於「不管先來後到,都是台灣住民」的「台灣人」概念,也參與了民主化之後的歷次選舉</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。有很長一段時間,他們還保有「中華民國」的正統專利,每逢造勢就用力揮舞著那面「青天白日滿地紅」旗,「愛國」和「中華民國保衛戰」成為國民黨的競選口頭禪,直到2008年重新執政後為了要跟對岸講「和平」,人家使節來訪便色厲內荏把「國旗」收起來;跟人家代表見面「中華民國」就絕口不提,跟人家一起喊「一個中國」;大家才驚覺國民黨已棄守「中華民國」,</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">2015年競選總統時,K黨總統候選人甚至坦承她不能講「中華民國」存在——這是否代表:</span><span lang="EN-US">KMT</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">終於決心拋棄這一塊讓他們寄生百年的神主牌?</span><br />
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">根據個人觀察:K黨的「中華民國」觀比孫悟空的金箍棒還神,可大可小、可生可死、可實可虛。政黨輪替多次,「中華民國」照常運轉連國號也沒改,反倒是一甲子來咬牙切齒罵「賊」喊「逆」稱「匪偽政權」的人,年金照領,退休後還有三節和年終獎金,卻搖身親親熱熱去貼「祖國」的臉;有道是「是非成敗轉頭空」,「靠山」依舊在,中國一定強。</span><br />
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<b><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">*下一題:當國民黨放棄「中華民國」的時候,「台灣」仍然等於「中華民國」嗎?</span><span lang="EN-US"><o:p></o:p></span></b></div>
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<span lang="EN-US">1991</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年到</span><span lang="EN-US">2005</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年憲法經歷七次「增修」,但從沒有對這個名實不符的「中華民國」傷筋動骨。第一次增修把中共從「叛亂團體」名單去除;第四次增修把「台灣省」虛化;第五到七次,把國民大會的權利逐步移轉到立法院。全世界只有<a href="http://www.mofa.gov.tw/AlliesIndex.aspx?n=0757912EB2F1C601&sms=26470E539B6FA395" target="_blank">22個國家</a>(目前)承認的「中華民國」憲法中,仍堅持著一個「中國」的國家架構,稱兩岸為「自由地區」與「大陸地區」,兩區之間的人民來往關係得另訂「特別法」規範之。(見<a href="http://www.president.gov.tw/Default.aspx?tabid=65" target="_blank">增修條文</a>第十一條)</span><span lang="EN-US"><o:p></o:p></span></div>
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傳統台獨從不承認「中華民國」是「台灣」,在他們眼中,「中華民國」與「中華人民共和國」同屬於中國,這點反而與「統派」口徑一致。他們也不想<a href="http://www.books.com.tw/products/0010563031" target="_blank">對中國說三道四</a>。從台灣為主體的角度,西班牙人、荷蘭東印度公司、鄭氏「東寧」王朝、大清帝國、日本,以及挾「中華民國」之名的國民政府,通通是「外來政權」——以「宗主國」為本體而不以小島為主體行殖民統治的一種政權本質。後來晉身統治階級的新台獨派,則認為台灣早已實質獨立,只要求「國家正常化」即可。傳統台獨更追求台灣在法理上成為獨立國家。然這兩者皆被一更強大的現實所打壓著。<br />
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有朋友告訴我,跨海去跟紅色權貴做捧友的人,是最認真為台灣追求和平的人。於是我趕緊去查一下2005年選總統落敗的國民黨主席,恢復<a href="https://zh.wikipedia.org/wiki/2005%E5%B9%B4%E4%B8%AD%E5%9C%8B%E5%9C%8B%E6%B0%91%E9%BB%A8%E5%92%8C%E5%B9%B3%E4%B9%8B%E6%97%85" target="_blank">1949年以後首度國共兩黨和談</a>,在4月29日傍晚發佈一份毫無協議性質的「新聞公報」。<span style="background-color: white; color: #252525; font-family: sans-serif; font-size: 14px; line-height: 14.9333px;"> </span>其中一點是「促進終止敵對狀態,達成和平協議」;過了十年後,中國東南沿海依然有1500枚巡弋飛彈對準台灣。另一點「促進擴大台灣國際空間的談判」,然十年來中國阻止台灣加入各國際組織的強勢有間斷過嗎?也沒有。顯見「促進」並非承諾。我又查到,中國人民代表大會在同年3月14日,也就是接見連戰一個月以前,才剛通過「反分裂國家法」明確指出「台灣從中國分裂出去」或「將會導致台灣從中國分裂出去的重大事變」時,政府得採取「非和平方式」進行統一。所以連爺爺和對方達成的「和平協議」是哪一種和平協議不問可知。<br />
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沒錯,我不是什麼政治學者,基本上就是用估狗在查看「中華民國」的始末;問題是,用估狗都挖得出來的明顯事實,為何有人還要指鹿為馬、奉黨國神話為圭臬?事實上,利益是比意識形態更強大的收編者。本世紀以民族大義為幌子,靠兩岸穿梭仲介獲利,是新的強勢品種;君不見<a href="http://news.ltn.com.tw/news/politics/paper/744402" target="_blank">跨海峽政商集團</a>正當紅,吃果子拜樹頭,大家猜緊要關頭這些人會捍衛的是誰的利益?<br />
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我希望有一天,統獨不是什麼民族主義、文化根源的選擇,而是生活價值的選擇。同樣都叫「自由」,你選擇的價值是什麼?同樣都叫「利益」,你選擇的是「我們」的利益,還是「我」的利益?台灣有句俗話:「日頭赤炎炎,隨人顧性命」,問題是誰讓「日頭」變得赤炎炎?一個獨夫,要是沒有群狗護衛,有可能宰制得了全體嗎?<br />
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*歷史比憲法古老,要求歷史依照憲法調整很荒謬</div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">私以為<a href="https://musou.tw/focuses/942" target="_blank">課綱</a>什麼的,在資訊發達社會,其實拘管不住一個有心求知的人。但先在政治上先不遵守程序正義,繼而在專業上採取和稀泥敷衍的態度,然後又說謊稱自己完全合法的教育部主管,本身就做了最爛的教育示範,何德何能再擔任教育者呢?這些</span><span style="font-family: "adobe 明體 std l"; mso-bidi-font-family: "Adobe 明體 Std L";">「教育者」</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">彷彿以為:他們用「中華民國」這種瞎到爆的藉口都可以矇混了幾十年,未來世界有不一樣?</span>對他們來說,從來沒有理念問題,只有利害關係;對他們來說,不論教育、文化、學術、<a href="http://www.peoplenews.tw/news/3fc04932-ac94-483d-a8f9-f7ffa2c4ba32" target="_blank">司法</a>,都不過為強權者服務的工具(雖然權力關係確實無處不在)。「公民對話」是屁,「弱肉強食」才硬。這使我想起一位中國大陸民運人士說過的:被威權統治的人最困難的是要「假裝」威權不在,勇敢地自由思考。可對台灣島內某些人來說,他們寧願民主不存在,聽上面的話就好。<br />
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這些大人們無法跟孩子們明說的是:他們其實並不真在乎「中華民國」係啥米碗糕,「憲法」啥米碗糕,「台灣」啥米碗糕,他們真正信仰的是「大尾」的力量。可當他們看到孩子們用(相對微弱的)蠻力衝撞他們時,卻又非常火大,非要用(相對強大的)公權力擊潰他們不可(證明他們果然是權力的信徒啊)。<br />
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歷史的目的如果是為了探求事實接近「真理」,那就不會只有一個答案,會在每個人求解的過程中一直調一直調。但強權永遠只有一個答案,追隨權力的就叫「對」,忤逆權力的就叫「錯」,他們也會一直調一直調,朝「撥亂反正」的方向調過去。《大英百科全書》對「法西斯主義」(Fascism)的定義是:「個人的地位被壓制於群體——例如某個國家、民族、種族或社會階級之下的社會組織」。「法西斯」是一種集體主義,歷史上不乏高舉集體價值者,要求為大義犧牲小我,事實上「大義」往往為一小撮人所操控、把持,成為少數之「我」「自利」的藉口。<br />
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馬克思曾預言過資本主義發展的最後階段必然是「共產」社會;上個世紀中學者<a href="http://gushi.tw/archives/1675">福山</a>則見到了另一種「歷史終結」,然而至今看來,他們全都沒有說對。我們懷疑:歷史有所謂正確的發展方向嗎?人類一定會朝某種意義下的「進步」方向而前進嗎?歷史的目的並非形塑一種「宿命」性的決定論,更非用以作為馴化人民易於被統治的工具。我認為歷史是根據一些事實開發我們對未來的想像力與判斷力;正因為現況是不完美的,前途是艱險的,抉擇是重要的,如果<a href="http://www.storm.mg/article/60476" target="_blank">希望下一代能夠從我們暫時維持現狀的空間中,替台灣構思一幅更理想的政治未來</a>」,那就更不應該用當前長輩(大多是既得利益者)的想像限縮下一代的視野和選擇權。<br />
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延伸閱讀:<br />
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<a href="http://talk.ltn.com.tw/article/breakingnews/1368168">國家是如何滅亡的:韓國的故事</a><br />
<a href="http://wtfm.exblog.jp/15005318/">平埔族大屠殺</a><br />
林浩立 論糾纏:西巴布亞脫離印尼的獨立運動,能給台灣歷史課綱什麼啟發? (引自芭樂人類學 http://guavanthropology.tw/article/6455)</div>
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<a href="http://urtaiwanisnttheirroc.blogspot.tw/2014/11/blog-post.html">為什麼世界</a><a href="http://urtaiwanisnttheirroc.blogspot.tw/2014/11/blog-post.html">上沒有人要承認「台灣是國家」?</a><br />
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<a href="https://www.peopo.org/news/282091">支持台獨的外國人士</a><br />
<a href="http://www.new7.com.tw/NewsView.aspx?i=TXT20141029170056V5Q">到底誰在統治台灣?</a><br />
<a href="http://www.thinkingtaiwan.com/content/1863">為何不能對房間裡的大象裝可愛? 中共黨國資本主義與服貿</a><br />
<a href="http://xn--m8t83jvx5c.com/2015/04/17/%E6%B7%B1%E7%B6%A0%E7%9A%84%E8%AA%A0%E5%93%81%E5%90%B3%E6%B8%85%E5%8F%8B%EF%BC%8C%E5%81%9A%E8%91%97%E4%B8%80%E5%80%8B%E6%BB%BF%E6%98%AF%E4%BA%BA%E6%B0%91%E5%B9%A3%E7%9A%84%E4%B8%AD%E5%9C%8B%E5%A4%A2/">深綠的誠品吳清友,做著一個滿是人民幣的中國夢</a><br />
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">演出:何曉玫</span><span lang="EN-US">Meimage</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">舞團、林文中舞團</span><span lang="EN-US"><br />
</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">時間:</span><span lang="EN-US">2015/06/14
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">今年六月兩廳院推出第三屆「</span><span lang="EN-US">1+1</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">雙舞作」,由台灣現代舞界備受矚目的中生代編舞家——何曉玫和林文中擔綱,分別推出《假裝》與《空氣動力學》兩部新作。舞台設計也特別跨界邀請來剪紙藝術家吳耿禎和新銳視覺藝術家吳季璁,讓空間創作者與身體創作者彼此衝擊,一個晚上的表演其實包含了四個性格鮮明的創作者。這是一個以創作「人」為核心的表演藝術「策展」,兩支舞乍看下來從主題、風格、切入點都毫無相似之處。如果觀賞本身就是一種身體投入運動,那麼這一晚觀眾猶如走入兩個世界,兩種風景,迎向兩種對現代舞的提問方法。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">何曉玫的《假裝》以女性的生命經驗為切入點,「『假裝』是一種行動,面對戲劇般生命場景的必備生存工具。」【</span><span lang="EN-US">1</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】,舞台因此也宛若極簡風的戲劇場景,女人在三牆封圍的純白紙屋內,導演著自己「假裝」的這齣戲,雖然是情緒飽滿的感情戲卻異常冷靜自制幾乎令人窒息。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">林文中的《空氣動力學》以投影帶出科幻電影般的開場,然後是地面上的舞者,與舞台上空的半透明飄帶,上下抗拮成一片孰輕孰空孰飛孰舞的畫面。只見舞者身體謹慎地變換著動力形式,在扭轉、旋身、彼此托舉、起落、如齒龍般接龍等形式中一一過渡,宛如在飛或不飛的描述表層,先欲摩擦出一種基底的身體語彙。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">容我將時間拉到三個月以前,台灣國際藝術節邀請的知名舞團:烏帕塔舞蹈劇場的《巴勒摩.巴勒摩》</span><span lang="EN-US">(1989)</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">與羅莎舞團的《</span><span lang="EN-US">Rosas danst Rosas</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">》</span><span lang="EN-US">(1983)</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、《</span><span lang="EN-US">Drumming</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">》(</span><span lang="EN-US">1997</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">)來台演出,殺掉本地現代舞粉、舞蹈劇場粉不少鈔票。雖都是活躍於</span><span lang="EN-US">20</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">世紀下半葉的前衛舞蹈,但碧娜.鮑許(</span><span lang="EN-US">Pina Bausch</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">)和安娜.泰瑞莎.姬爾美可</span><span lang="EN-US">(Anne Teresa De Keersmaeker)</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">對上個世代現代舞的顛覆方式卻截然不同。鮑許擅長選取生活片段、符碼去構成她的舞蹈語彙,然而不落俗套地「放大背後的意識型態與符徵</span><span lang="EN-US">(signifier)</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">符旨</span><span lang="EN-US">(signified)</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">的變形逆轉」、「具體化象徵的意涵,反而帶出在這樣意義表面化的關係下,人與人之間的親密聯結是如此地破碎而寂寞。」【</span><span lang="EN-US">2</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】。換言之,鮑許並不創造某訴說情感的「動作語彙」,卻確實「表達」了她獨特的情感觸點,觸動了觀眾對生命的感知。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">羅莎舞團的姬爾美可則回歸舞蹈的基礎材料——身體,藉動作語彙(</span><span lang="EN-US">vocabulary</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">)的反覆、拆解、重組、對位,「透過編碼,組合排列成不同的句子;看見舞者的步伐,又如何在舞台上構成一道可計算的軌跡。如此嚴謹幾何般的身體空間」。【</span><span lang="EN-US">3</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】她並不打算表達一支舞的動機、意義、象徵,甚至情感為何,而直問舞蹈身體更根本性的意義。但在貌似無情無義而機械式的重複中,卻形成對人本質不斷地叩問,且這反覆叩問中仍閃耀著編舞者獨特的個性、女性的纖細質感:「安娜不是在追求完美精準的運動美學,而是首先設計出精準而舞者們有高度統一性的舞蹈後,再來質疑人的位置。人的不確定性,成為結構舞蹈中的最大失誤,但肯定是最美的痕跡。」【</span><span lang="EN-US">4</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】,舞評人樊香君將《巴勒摩.巴勒摩》與《</span><span lang="EN-US">Rosas danst Rosas</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">》放到西方現代舞的形式發展脈絡,比喻為舞蹈劇場的「破」與純舞蹈的「立」兩種取徑。【</span><span lang="EN-US">5</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">以這樣的聯立粗略地比對何曉玫《假裝》與林文中《空氣動力學》,也就不難看出兩位編舞家的創作取徑,各自從「要說什麼」和「要怎麼說」著眼,隱隱疊影著</span><span lang="EN-US">1980</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年代西方前衛舞蹈家的探索軌跡。只是,很難想像,那麼孤絕徹底地凝視生命瑣碎,或那麼專注地玩弄低限反覆,有可能發生於此地此刻。在現代舞傳統尚淺的島國,又是否有足夠的空間讓形式與內容究極到合一?畢竟是一個多焦滿載的時代,一個生於島國的創作者往往一起手就必須在「族群傳統」、「自我定位」、「社會議題」、「舞團經營」、「公部門評量」、「觀眾接受度」、「國際市場行銷」等多方考量下尋找最聰明的解答;就像這個「策展」策略,好上加好,一加一還不夠,還要加三、加四,不知加到多少才能成為「我們」自己。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">延伸閱讀:<a href="http://pareviews.ncafroc.org.tw/?p=17346" target="_blank">「我們的身體」是什麼?</a></span><span style="font-family: 細明體;"><a href="http://pareviews.ncafroc.org.tw/?p=17346" target="_blank">《橋下那個跳舞》</a></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">註釋</span><span lang="EN-US"><br />
1</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、樊香君專訪文:〈何曉玫《假裝》與林文中《空氣動力學》面對自己〉。《</span><span lang="EN-US">PAR</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">表演藝術雜誌》</span><span lang="EN-US">2015</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年</span><span lang="EN-US">6</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">月號。</span><span lang="EN-US"><br />
2</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、葉根泉:<a href="http://pareviews.ncafroc.org.tw/?p=15103" target="_blank">〈生命的風景與流逝的哀愁《巴勒摩.巴勒摩》〉</a>。表演藝術評論台。</span><span lang="EN-US"><br />
3</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、李時雍:<a href="http://pareviews.ncafroc.org.tw/?p=15292" target="_blank">〈身體對位如低限的聲部《</a></span><a href="http://pareviews.ncafroc.org.tw/?p=15292" target="_blank"><span lang="EN-US">Rosas danst Rosas</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">》&《</span><span lang="EN-US">Drumming</span></a><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";"><a href="http://pareviews.ncafroc.org.tw/?p=15292" target="_blank">》〉</a>。表演藝術評論台。</span><span lang="EN-US"><br />
4</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、肥力:<a href="http://mypaper.pchome.com.tw/smfelixy2k/post/1338979307" target="_blank">〈羅莎舞團《</a></span><a href="http://mypaper.pchome.com.tw/smfelixy2k/post/1338979307" target="_blank"><span lang="EN-US">Rosas
Danst Rosas</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">》及《</span><span lang="EN-US">Drumming</span></a><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";"><a href="http://mypaper.pchome.com.tw/smfelixy2k/post/1338979307" target="_blank">》-越過形式的節奏〉</a>。《</span><span lang="EN-US">Art Plus</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">》</span><span lang="EN-US">2015</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年</span><span lang="EN-US">5</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">月號。</span><span lang="EN-US"><br />
5</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、樊香君:<a href="http://pareviews.ncafroc.org.tw/?p=15750" target="_blank">〈形式之外─從《巴勒摩.巴勒摩》與《</a></span><span lang="EN-US"><a href="http://pareviews.ncafroc.org.tw/?p=15750" target="_blank">Rosas danst Rosas</a></span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";"><a href="http://pareviews.ncafroc.org.tw/?p=15750" target="_blank">》說起〉</a>。表演藝術評論台。</span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-42947495207907859412015-07-24T00:19:00.000-07:002015-07-24T00:19:17.603-07:00亡靈的召喚——談《長夜漫漫路迢迢》、《哈姆雷特》、《理查三世》的改編及造語<div class="MsoNormal">
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">亡是消逝,靈是復返。經典文本重現舞台【</span><span lang="EN-US">1</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】或可視為一種亡靈現象,而所謂重新詮釋或改編便是當代創作人(通常是導演)對亡靈的召喚路徑。今年春天兩廳院主辦的台灣國際藝術節(</span><span lang="EN-US">TIFA2015</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">)演出三部經典劇作:日本導演蜷川幸雄(</span><span lang="EN-US">Ninagawa Yukio</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">)的《哈姆雷特》,中生代導演王嘉明的《理查三世》(兩部均為莎劇經典),以及資深劇場人王墨林的《長夜漫漫路迢迢》(改編自美國知名劇作家尤金.歐尼爾</span><span lang="EN-US">Eugene O</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">’</span><span lang="EN-US">Neil 1941</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年的的同名劇作);出於創作人各自的劇場敘事癖好,對經典文本也就呈現截然不同的召喚模式。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">演出日期順序第一的王墨林《長夜漫漫路迢迢》,基本上沿用</span><span lang="EN-US">2013</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年澳門藝術節的演員班底及設計人員,以粵語發音,打中文字幕。一開場即以白布覆蓋全場,光影綽綽,尤金.歐尼爾的遺照及生卒年紀投影冉冉漫上,宛如一場降靈大會。引用劇評人鄧正健的說法:「『劇作+劇作者』這一複合體才是一個完整文本」【</span><span lang="EN-US">2</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】,此劇自傳性濃厚,當年歐尼爾曾交代需等他死後二十五年方可發表,這下此王墨林無異是強迫劇作者顯身,為其「舊恨消泯、血淚而書」呈堂證供——然而這個召喚意識完全是劇場創作者</span><span lang="EN-US">/</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">導演王墨林自己的,並非劇作者本人的。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">白布掀開裸露出一家四口的生活空間,劇情似乎將開始轉動,王墨林仍不欲劇作者退場,除暗示歐尼爾水手身份的霧笛聲外,更添加兩名說書人【</span><span lang="EN-US">3</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】置換劇作者的位置,補述增述,絮絮叨叨,也使劇場創作者</span><span lang="EN-US">/</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">導演的意識繼續有附身之處。由此我們可說這其實是一齣後設的戲劇:導演詮釋劇作,並讓他的「詮釋」顯身,全程在場。將詮釋當作一種創作,並讓詮釋者呈現被凝視的客體狀態。所謂「劇作+劇作者」的複合體,更精細來說可能是「創作者+詮釋者」的複合體,而全體在強大的自我解讀意識下展開配置。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">客觀來說,這齣戲完全打散了歐尼爾原著寫實敘事結構,台詞拆解破碎,情節不復可見,至於角色人物——就拿劇中隱瞞吸毒的母親,王墨林為她增加了一道最後穿上白色禮服,手捧花束,拿水從頭淋下的儀式——不管象徵著「墮落聖母」的「洗滌」或兒子的「救贖」願望,都已經是劇場創作者</span><span lang="EN-US">/</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">導演的個人的劇場塑像;至於是否逾越原著的中產家庭悲劇外觀,來到「空洞化的國族隱喻」【</span><span lang="EN-US">4</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】的內涵層次,其實也是非常後設地,僅反映創作者</span><span lang="EN-US">/</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">導演的意識形態與品味。與其說我們在劇場閱讀尤金.歐尼爾或《長夜漫漫路迢迢》,不如說我們閱讀到的是劇評人王墨林對尤金.歐尼爾《長夜漫漫路迢迢》的解讀。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">起自十九世紀後期的寫實主義戲劇,看似對事件外表「忠實客觀」和「原本搬上」,多少仍可體現現實本身的「複義」性與「歧義」存在的潛能(特別是經典劇本)。而當我們透過游離敘事與抽象意象,去閱讀某人的「解讀」時,我們反而可能閱讀到一種人為智性上的「單義」。精緻的畫面、美麗的語言,召喚出來的不是劇作或劇作者,而是解讀人自己。要對解讀者再做解讀,往往是加倍的複調書寫技術,書寫著單義的反覆。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">再看蜷川幸雄的《哈姆雷特》。出身叛逆體制的日本小劇場第一代【</span><span lang="EN-US">5</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】的蜷川,後來成為成功的商業劇場導演,他不受意識形態的拘限,左右開弓,也大方接收資本主義美學或資產階級美學的優點部分。自</span><span lang="EN-US">1970</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年代後期首度執導《哈姆雷特》,他自述至少詮釋過六種版本以上【</span><span lang="EN-US">6</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】,然年至八旬,他選擇的是對文本做最有限刪減的版本,雖經語言翻譯和時空淡化處理,觀眾仍可看到莎士比亞劇作情節和台詞結構的原型。令人驚訝的是,當演員以文藝復興時代式的語構慷慨陳詞時,我們仍能感到那萬鈞之勢及雋永的哲思,彷彿莎士比亞的意念附文字,穿越五百多年時光與異文化的掩覆,無需遮屍布與迎靈會,亡靈便自語言的召喚中復返,現身當代劇場。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">鬼魂迴返與現代劇場重現經典的神契,難道是巧合?主演哈姆雷特的藤原龍也,十五歲就被蜷川發掘主演《身毒丸》,導演的稱讚是:「鬼氣逼人的演技,令人無法動彈。」【</span><span lang="EN-US">7</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】。所有逝者,俱為他者,劇場是他者的道場。這版《哈姆雷特》舞台後方一圍仿日本明治時期都市外圍「雜院」外觀的形象建築,在開演前打出投影文字:「現在是十九世紀末,首次於日本搬演,這是演出前最後一次綵排。」,等於把日本接受西方「現代化」的初體驗,莎劇與日本文化初相遇的時空給一起召返迴來【</span><span lang="EN-US">8</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】。利用燈光轉換,當演員時而如大河劇中武士,著暗色長袍衝進衝出木格門打鬥;時而隱沒暗中,在前舞台上方垂下水晶燈盞,重回西方宮廷內室場景,不列顛人莎士比亞固是鬼魂,日本搬演莎翁劇的半舊不新明治時代亦是幽靈。異代幽靈並駕齊驅,這在後現代美學中也屬司空見慣。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">《哈姆雷特》著名的戲中戲部分,草民戲班,亂入宮廷,原是最難文化轉譯,蜷川卻在這裡大膽地搬出整套日本「女兒節」的人形雛壇,原汁原味,真人放大,場面十分懾人!這可以說是蜷川在這齣戲中對其文化自身的亮相,猶如召喚者在儀式過程的驚鴻一瞥中表明自身。當然,階梯式壇台展顯的階級意識與劇中的階級對比是暗中扣合的。蜷川幸雄在重現經典時,喜歡強調人性普遍而不標榜文化代溝,不過,結局王子屍身雙手張開如十字的形象仍不勉給我們一股化不開的異質文化感。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">王嘉明《理查三世》可能在主觀上對亡靈召喚意識是最薄的。首先他根本不視主角「理查三世」有正確的「版本」存在,那只是一個被各種政治目的和意識形態所填充的空殼而已(比骸骨的發掘地—停車場—還空無),他給主角空的身體,以及不屬於自己的聲音。其次任何文本向來對於他都只是素材而已,文本不具主體性,只意味著一堆待被解構的材料。他的戲劇顧問梁文菁說得準確:「實非搬演莎劇的文本,而是以莎翁文本為基礎的再創作。」【</span><span lang="EN-US">9</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">但是他很認真處理劇場上的聲音、身體、物質個別元素,以及它們被觀眾接收的方式。因此《理查三世》的台詞語彙是當代的,沒有韻文和散文的分別,卻有整齊的韻腳,讓觀眾在聆聽的過程中有聽歌詞般的朗朗舒適。此外「角色與聲音分離形成的另一層文本」【</span><span lang="EN-US">10</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】,加上偶件、影像、歌隊、舞群等,各自構成文本,形成多重文本而多焦點的感官娛樂場。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">翻譯改編,狹義的造語術指的是翻譯定位和語言的使用風格,廣義的造語是將所有劇場形式都視為敘說。以此觀之,《長夜漫漫路迢迢》和《理查三世》或都只是轉借他人指涉自我,前者借的是「家」的主題與「無法溝通」的困局,構成「導演一人的獨白語境」【</span><span lang="EN-US">11</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】。後者運用各種素材遊戲出新的導演美學,而莎翁劇的繁複文本恰好就適合這種層層疊疊的造語術。以召靈為名,反覆述說的仍是自我。而我們只盼經千折百轉的尋尋覓覓,台灣劇場終能揮別自我失語症。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">註釋</span><span lang="EN-US"><br />
1</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">無可諱言經典劇本是舞台上常見的戲碼之一,而所謂「忠於原著」則越來越似神話,到頭來哪齣戲不經過詮釋、轉譯和再創作?然而各式各樣的改編立場和詮釋角度,難道僅能各自表述而無可能交互分析?過去很多論述者,特別在東方導演西方經典文本時會以「跨文化」為切入點,某方面來說,這是個安全的觀點,因為從文本到劇場、以及文本本身經歷語言、時代和社會背景的翻譯和消化過程,也必然是跨文化的。在全球化及後現代化的當代,創作者未必從文化轉譯的角度出發,跨文化的論述有時也只能觸及其作品成象而無法直抵創作核心,因此本文試圖從另一途徑切入。</span><span lang="EN-US"><br />
2</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">鄧正健:</span><span lang="EN-US"><</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">人的缺席,家的構成</span><span lang="EN-US">></span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">,表演藝術評論台</span><span lang="EN-US">2013-05-30</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">。</span><span lang="EN-US">http://pareviews.ncafroc.org.tw/?p=6522<br />
3</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">兩名說書人的各自作用及演出效果,許多評論都已討論,本文不再贅述。</span><span lang="EN-US"><br />
4</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">寫在</span><span lang="EN-US">2013</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年首演節目冊「導演的話」中。</span><span lang="EN-US"><br />
5</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">關於日本小劇場第一代、第二代、第三代,引自李建隆</span><span lang="EN-US"><</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年輕人前仆後繼</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">興旺中瞥見客群危機</span><span lang="EN-US">></span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">,</span><span lang="EN-US">PAR</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">表演藝術第</span><span lang="EN-US">248</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">期。</span><span lang="EN-US"><br />
6</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">蜷川幸雄</span><span lang="EN-US">2004</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年第六度執導《哈姆雷特》在倫敦巴比倫中心演出時,接受</span><span lang="EN-US">Manchester Online </span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">訪訪的“</span><span lang="EN-US">Not </span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">L</span><span lang="EN-US">ost in </span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">T</span><span lang="EN-US">ranslation</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">”一文。</span><span lang="EN-US">http://the-utterance.blogspot.tw/2012/11/blog-post.html<br />
7</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">藝術節本節目新聞稿。</span><span lang="EN-US">http://2015tifa.tumblr.com/post/114659052667/2015tifa<br />
8</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">見紀慧玲</span><span lang="EN-US"><</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">從「現當代」逆返「前現代」《哈姆雷特》</span><span lang="EN-US">></span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">:「德川政府鎖國與藩士推翻幕府制後,新明主明治天皇在位時,也是日本全盤展開西化、接收西方文明「現代化」的始點。莎士比亞劇作被引進日本約在此時,著名文藝家坪內逍遙曾譯寫並促成《哈》劇演出(</span><span lang="EN-US">1911</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年)」,表演藝術評論台</span><span lang="EN-US">2014-04-10</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">。</span><span lang="EN-US">http://pareviews.ncafroc.org.tw/?p=15682<br />
9</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">梁文菁</span><span lang="EN-US"><</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">從停車場到「玫瑰戰爭」一場在地化的旅程</span><span lang="EN-US">></span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">,</span><span lang="EN-US">PAR</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">表演藝術第</span><span lang="EN-US">268</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">期。</span><span lang="EN-US"><br />
10</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">同註</span><span lang="EN-US">9</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">。</span><span lang="EN-US"><br />
11</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">見鍾喬</span><span lang="EN-US"><</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">暗黑的旅程《長夜漫漫路迢迢》</span><span lang="EN-US">></span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">,表演藝術評論台</span><span lang="EN-US">2015-03-24</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">。</span><span lang="EN-US">http://pareviews.ncafroc.org.tw/?p=15426<o:p></o:p></span></div>
naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-68898426508766410262015-07-23T23:52:00.000-07:002015-07-23T23:52:08.308-07:00通俗劇的逆襲《你好,打劫!》<div class="MsoNormal">
<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">演出:</span><span lang="EN-US">2015</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">兩岸小劇場藝術節(哲騰文化)</span><span lang="EN-US"><br />
</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">時間:</span><span lang="EN-US">2015/05/22
14:30<br />
</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">地點:高雄市圖書館總館小劇場</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US"> 原載於<a href="http://pareviews.ncafroc.org.tw/?p=17066" target="_blank">表演藝術評論台</a><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">兩岸小劇場藝術節的《你好,打劫!》,是</span><span lang="EN-US">2009</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年起在中國各地巡演超過</span><span lang="EN-US">200</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">場的商業劇,由創作人自組的「工作室」出品,交專營製作的公司代理發行,仿照電影產業的模式,規模雖小,卻也能靠著演出場次的累積而獲利。這種徹頭徹尾的商業模式,是台灣戲劇市場尚未有過的氣候;同時它的內容也多少打破台灣大眾對商業劇或通俗劇的想像:佈景不豪華,沒有明星(至少對台灣觀眾來說),也沒有「東尼」或「普立茲」頭銜的劇本;雖然是娛樂性十足,但不走溫情路線,也不浪漫虛無,沒有滿口的夢想和愛,倒扯了不少哲學及社會思想,到了最後甚至有點「憤青」的味道。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">因此演後座談無論主持人和觀眾的發言都失去了準頭,例如主持人拼命搞笑以製造「活潑熱鬧」的場面(不活潑熱鬧就不能受歡迎?),或者觀眾問:「請問劇中的壞人</span><span style="font-family: "Adobe 明體 Std L"; mso-bidi-font-family: "Adobe 明體 Std L";">⋯⋯</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">」被導演客氣地打槍:「我不知道這齣戲裡哪個人算壞人?」——或許不是感受不到,而是長期被台式「通俗劇」的制式餵養,在習慣的詞彙裡一時竟找不到精準的言語。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">其實劇情是十足老梗:銀行搶匪搶劫未成綁架人質挾持警方,在談判的漫漫過程中,共處密閉空間的人質和搶匪產生同理心,甚至一起思考如何應付警方脫困。雖說根據</span><span lang="EN-US">1975</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">年的美國電影《熱天午後》(</span><span lang="EN-US">Dog
Day Afternoon</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">,</span><span lang="EN-US">Al Pacino</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">主演)發想而成【</span><span lang="EN-US">1</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】,然而主題已順利嫁接到二十一世紀的當代中國,毫無舶來氣品,倒是主角名字矯情地像要向好萊塢電影工業致敬</span><span lang="EN-US">/</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">嘲諷:</span><span lang="EN-US">Tom</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span><span lang="EN-US">Hanks</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span><span lang="EN-US">Cruise</span><span style="font-family: "Adobe 明體 Std L"; mso-bidi-font-family: "Adobe 明體 Std L";">⋯⋯</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">組合在一起念時會令人發出惡笑。全劇就貫穿著這種「你好」的彬彬有禮與「打劫」的惡狠氣概,一路滾滾不斷地生出突梯與驚奇,和甚為合理的劇情發展綜合成一種荒謬性,加上演員的精彩表演,成功的人物塑造,節奏恰到好處的調度,整體構成非常「好看」的通俗劇——它讓觀眾充分融入劇情,享受聽故事的快感——但並非言之無物。它擺明了要娛樂你,可同時又刺痛你。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">導演受訪時也表明「紳士喜劇」並非什麼藝術流派,而更似行銷所需要的「標籤」(多直白,多少藝術假「流派」之名行「標籤」之實)。他說:商業性作品和藝術性作品的差別,並不在於「意義」的深淺:「(通俗作品)所闡述的就不一定是膚淺的內容,有時候是很深刻描述人性</span><span style="font-family: "Adobe 明體 Std L"; mso-bidi-font-family: "Adobe 明體 Std L";">⋯⋯</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">。」【</span><span lang="EN-US">2</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】,但我常見到所謂的「大劇場」拼命搞笑、搏感情到幾乎是弱智和濫情的地步,也聽過不少「小劇場」導演在作品叫座後反而困惑:「我難道是做通俗劇?」,前者叫人不動腦筋到了極點(簡單幼稚大腦放假),後者又往往叫人傷透腦筋到了極點(怎麼認真也看不懂),看似涇渭分明,其實盲點相同。兩者真正的分野或許在於作品的意趣是屬於「大眾」或「小眾」所能欣賞。大眾並非膚淺幼稚,小眾也不代表必然深刻深奧。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">我想起朱延平導演的通俗電影《大宅們》,「台味」近年成了賣點,此片也就大搞台式趣味,好笑歸好笑,但此片絕對是一部把「笑點」和話「梗」當「賣點」堆砌的破碎作品,情理講不通,美學也不連貫。導演猶如同操縱「賣點」的商人,不講創作品格。然而,我們對「通俗劇」的想像似乎也到此為止,不是樂在其中就是排斥不屑。相對地,《你好,打劫!》在每一分每一刻的搞笑裡,都精確地扣準主題;道具的選擇,燈光的轉換,到語言及動作的設計,不偏不倚,讓觀眾感到拳拳到位的過癮,既不煽情賣弄也不閃避問題。其實高明的喜劇不是耍嘴皮子堆砌笑梗,而是利用喜劇的荒謬情境,將人們從社會慣性的桎梏裡鬆開,更深一層地審視人們現實處境,因而反思何以我們身處於其中卻無知無覺?</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">在搶匪和人質同時困陷的銀行內,應當下班而無法下班的銀行員被迫脫離生活常軌,進入非常思考;一通通從外面打進來的電話,更顯現了被人奉行的「常軌」有多不合理:有人被感情綁架,有人被父母的價值觀綁架,有人被資本主義綁架——每個人都在被「打劫」的狀態裡,其中對資本主義的打劫最是批判。有人說資本主義宛如金錢奴役系統:「這個經濟系統真正的功能與目的,是人們被無止境的追趕,輸家的存在是被這個系統所保證的,而『匱乏』則是被這個系統所人為創造的」【</span><span lang="EN-US">3</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">】,這齣通俗劇在一片冷笑熱笑聲中所要觸及就是這麼嚴肅的議題。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">制度性的「打劫」最難控訴,人人都被打劫,卻不自知自己應該反抗,或有反抗的權利義務。相較起來,劫匪有形的打劫竟顯得「道德」(他們劫走的是大資本家的錢又不是小老百姓的錢),於是觀眾也跟著人質慢慢認同劫匪:「我請你們睜眼看周遭的世界,是不是到處充滿了各式各樣的搶劫?」;在巧妙的劇情編結中,連警方也搞混了到底誰是劫匪誰是人質,以為是銀行員們打劫自家的銀行,觀眾一起眼睜睜地看著「道德」變得百口莫辯,變成一種「說法」——而難道大官巨商創造的完全「合法」卻不合理不是嗎?</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">這齣戲最浪漫其實也最冷酷的場景發生在最後:看似即將歡喜的喜劇收場急轉直下,一個動不動就上廁所、毫無作為的小警員在一瞬間成為關鍵——形勢所趨小丑也可以變英雄——然後,活著的人唯一的出路是繼續被「制度」操控,死去的人從「制度」結構裡逸逃得到自由,他們在一片血紅的光裡歡樂漫舞——而自由,難道不是身為一個人天生應有的權利,為什麼只有死後之後才能獲得?</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">《你好,打劫!》指出了通俗劇的逆襲:通俗並非討好諂媚無關意義,正如小眾藝術不見得要故作高深;而在對當代的批判性也未必前輸於後;縱然我相當肯定當代藝術在質疑線性思考和開拓感覺系統上的努力,然創作者必須自我要求做到符徵和符旨互相辯證的準確度,並非虛招打混不知所云,還自命清高。其實,當我們將時間的軸線拉長時會發現,所謂大眾或通俗藝術,會因為時移境往失去當下性而變成「小眾」才能欣賞的藝術品(例如傳統戲曲或希臘悲劇);相反地當下顯得「小眾」的藝術也可能慢慢獲得「大眾」的理解而認同(例如印象派和現代主義的經典作品)——只是,當下就需要觀眾的表演藝術恐怕缺乏漂流在時間之河等待被發掘的優勢吧。</span><span lang="EN-US"><o:p></o:p></span></div>
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1</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">見專訪報導〈生活被父母被社會價值觀打劫,難道大家都麻木了?-專訪《你好,打劫》導演饒曉志〉:</span><span lang="EN-US">http://blog.accupass.com/hello-rob-you.html<br />
2</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">同註</span><span lang="EN-US">1<br />
3</span><span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">、</span> <span style="font-family: 細明體; mso-ascii-font-family: "Times New Roman"; mso-hansi-font-family: "Times New Roman";">〈沒有匱乏的社會〉</span><span lang="EN-US">http://non-mainstream-research.blogspot.tw/p/blog-page_18.html<o:p></o:p></span></div>
naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-6628809884887762492015-07-23T23:40:00.000-07:002015-07-23T23:40:09.631-07:00時間成為主角的表演現場《山瘟》<span style="background-color: white; font-size: 15px; line-height: 22px;">演出:窮劇場(黃思農、區秀詒)</span><br style="background-color: white; font-size: 15px; line-height: 22px;" /><span style="background-color: white; font-size: 15px; line-height: 22px;">時間:2015/05/30 19:30</span><br style="background-color: white; font-size: 15px; line-height: 22px;" /><span style="background-color: white; font-size: 15px; line-height: 22px;">地點:台北齊東詩舍</span><br />
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遙想一九四三年與溫義相遇,剛經過一場廝殺的兄弟們獾沿山路走避日軍,經過六日五夜眼前仍晃著痛的顏色血的聲音;耳窩還炸響打打打打機鎗的頻率。我祖上見這路無窮無盡,幾疑就是黃泉。他連連追問這路還有多遠哪,可是眼前幢幢人影無人回顧,只有鴟梟啣田鼠趁翅掠過,厲聲叫囂……。 </blockquote>
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──黎紫書〈山瘟〉</blockquote>
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這不是我們第一次認識馬華文學,卻是馬華文學首次以「劇場」的形式被演繹於台灣。以黎紫書短篇小說《山瘟》為取材靈感,由黃思農和區秀詒兩位各自出生於台灣和馬來西亞的年輕創作者,分別導演上下半場。文字化為劇場,只見聲影幢幢,流光晃晃,離散於一甲子歲月以前的那截赤浪滾滾的往事,並不藉演員的肉身重現,而以光線、聲音、物件、機械,在歷史建築中流盪繚繞,而觀眾幽靈般默坐現場,如同見證。</div>
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其實馬來西亞離台灣並不遠,但我們對馬來西亞歷史很生疏,對馬來西亞共產黨的過往更無知──長達五十年的冷戰意識型態洗禮下,台灣人對共產世界的認識相當浮淺,連本島台共的史事也置若罔聞。在黎紫書筆下,馬共在熱帶叢林的游擊戰記,藉著「祖上」對一個游擊隊長山神「溫義」(竟與瘟疫同音)的追憶,摻揉了魔幻與史實,如夢似幻,如鬼似魅,一路從1940年代初聯英抗日、戰後被殖民地政府反目、1950年代被獨立後的同胞當成仇敵,飄零流落如幽靈,刀光血影與敘事者的鼻涕紅眼混融一團。</div>
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在1940年代台灣日治晚期興建(本世紀改建)的日式房舍裡,聆聽著相似年代的異地故事;黃思農讓台共與馬共的敘事互相交錯滲透,貫穿其中的是我們都不在場的事實──故事發生時我們都不在場,我們述說時故事主角不在場。不在場的魂魄一開始附身於書籍,一本本都宛如沉默魂靈的棺木,從天而落,亂疊地板,宛如墳塚。影像投射在床脇、牆壁、榻榻米地板構成的角落,晃動著山林裡的漫步者身影,恍惚令人聯想到白色恐怖時期亡命於鹿窟的劇作家。從小螢幕擴散到整片空間,彷彿幽靈自牆角探出。日式房舍的素樸質感,成為大自然最好的畫布,但見葉脈栩栩,隨風動吸吐。以質感契合度來說,現身於西門町和華納威秀的畫面就不太匹配,徒餘概念而已;在床間撥奏如DJ的年輕臉孔,也同樣令人斷想飛回現代。</div>
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下半場氣氛更加純粹靜謐,在一片微明幽暗中,感官首先溺進一片無言的聲光沼塘中。區秀詒使用二戰到冷戰時期新聞用的16釐米機器在現場放映。不連貫的殘缺影像、數字、光點等等在牆上不規則地躍動,加上鏡頭前飛動著紅光色片,和機器運轉的機械聲,竟把小說中「痛的顏色血的聲音」和「耳窩還炸響打打打打機鎗的頻率」召喚出來,人造光影猶似「陽光在林中千樹萬木撐開的傘穹上喧嘩騰攘」。影像本為不在場藝術,在這裡卻因為生產過程的曝現──原應隱身於「幕後」的操作者:在三台放映機之間忙碌地接播膠卷的導演本人,以及利用各種器物和人聲擴音製造「聲譜」演出的人曝身──而成為現場。</div>
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對我來說,這作品最獨特的地方,不在於「聲譜」多麼逼真地摹塑出故事氛圍,而是區秀詒的「逆反」性操作。在影像時代出生的我們,早已習慣於各種「不在場」的擬像,藉著不在場的音響和投影組合,虛擬自己在場的敘事幻覺。然而區秀詒的現場電影卻讓整個過程逆轉:現場製造影像、現場製造音效,敘述著不在場的對象,與我們的當下意識相遇。當膠捲在走,聲響在動,我們異常鮮明地感覺到時間正在自己身邊流逝,而非沈醉忘我。也就是經由這種時間意識的重新甦醒,意識更加自由地飛行於空間之中。</div>
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這兩部作品皆非線性敘事和非再現的形式,呼應了小說躍動的敘事風格及對回憶的後設自覺。這種對象並「不在場」的意識,意外地使人體肉身顯得多餘;以空間為容器,時間才是主角,光影與音聲皆時間的渡階,過往與當下在互相辯證。而當時間翩然起舞,生者與逝者,我與他者,敘述者與敘述說者,皆已界線模糊。我們讀的不是故事、不是符號、不是象徵,而是感覺,而所有感覺都鑲嵌在時間裡了,此時此地。</div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-30244129914579005972015-06-02T23:28:00.002-07:002015-06-05T03:22:22.472-07:00沒有理解,何來救贖?《Dear God》<div class="MsoNormal">
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">時間:</span><span lang="EN-US">2015</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">30</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日</span><span lang="EN-US">14:30<o:p></o:p></span></div>
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<span style="font-family: BiauKai;">警察:我遇過很多受害者,每個人都在問:「為什麼是我?」我常常在想該怎麼回答呢,為什麼是我?也沒為什麼吧,這種悲劇,當然可以是你,就像那也可以不是你。<span lang="EN-US"><span style="mso-spacerun: yes;"> </span></span>──〈</span><span lang="EN-US">Dear God</span><span style="font-family: BiauKai;">〉第二場:你被空白佔據了<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">我們看似平凡正常的生活,其實都可能一夕之間瓦坍。我們乖乖守法、按時報稅、準時上班,繳交帳單和利息,以為理所當然應該安全無虞,為一個更大的莫名組織所庇護著,然而這種安全感輕易就可以被一個意外整個轟毀;如一個行進中的捷運車廂內、一個近傍晚的小學廁所旁、某一個網路聊天室,出於一個無差別殺人狂,或一個酒醉駕車者,一次地震,癌症檢查報告,或核電廠爆炸輻射外洩</span><span lang="EN-US">……;</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這其實才是所謂「真相」:意外總與日常比鄰而居。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">可我們大多不肯置信,歇斯底里逃入集體意識不肯清醒痛著,與精神病院中靠彩色藥丸愉快、自由,選擇醒著危險還是安全墜落的人,比較起來,也難說到底</span>誰才是真正的逃避者、誰才是真正的瘋傻。</div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">馮勃棣的《</span><span lang="EN-US">Dear God</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">》正觸及這種集體生活的脆弱性。幾個平凡人:一個妻子不告而別的男人默默酗酒,與獨生女兒相依為命卻無能溝通;一個自覺被遺棄的女兒,默默憧憬著墮落的滋味;一個奉公守法的警察,默默守護失憶的祖母,猶如目睹自己的回憶也隨之剝損成空白;還有一個對自我徹底絕望的男人,悄悄在網路上犯罪。這些各自孤獨的人合成了一個龐大的、「默默」的、「正常」世界,人心在罪與悔的邊緣,漸漸瀕臨危險而崩解。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">另一方面猶如活在平行時空的<span lang="EN-US">ABC</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">三人</span>:沒有姓名、沒有身分、沒有職業,佔據了</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">十二場戲的四場半(第三、五、八、十,及十二場部分)的位置。從他們半瘋半醉半假半真的語言中窺知:他們都自知「有病」,被另一個世界「排擠」著;他們「被罩住」了,必須「逃走」。其中</span><span lang="EN-US">C</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">是「肉球,腦袋少根筋,智商只有五歲,臉特別圓」、「鼻子耳朵嘴巴舌頭都向外突出,無法控制自己的肌肉而不斷扭曲」;而</span><span lang="EN-US">B</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">是「喜歡跟構造一樣的人打炮」;兩名「病友」選擇冒著被逮捕的危險,「從逃走中逃走」;剩下</span><span lang="EN-US">A</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「自己去迎接世界末日」(他在第八場:「銀河墜毀」末消失)。具有超現實色彩的這部份,是劇作家留給導演的無限想像空間。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">詮釋從複調變為單調,也反映在角色的詮釋上;例如從正義守護者被絕望逼得一步步滑落墜悔的警察,被詮釋為一頭渴求正義的瘋狗,動不動露出張狂若癲的表情。而被罪惡感折磨的男人,應該:「長得還可以,對自己要求很高,從來不允許犯下任何過錯」、「褲子沾到一滴醬料就要刷個兩百遍,衣服有一點皺褶就要燙個五小時</span><span lang="EN-US">…….</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」,很可能是表面上人畜無害的神經質男;在這裡被演成上衣胸口敞開,說話睥睨無禮者,只差額頭沒刺上「犯罪者」三個字而已(導演還幫他添上一段性侵未遂的情節)。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">我原本認為馮勃棣文本中最難傳達處,在於不論四個「正常人」或三個「有病」者,在獨白時刻都不可思議地變成抒情詩人,雖不甚合理,卻也是這齣戲特殊的詩意所在。在換裝成「我們都有病」的搖滾版後,這些台詞變得像失了根的文藝腔,並且以俏皮近乎戲耍的方式被念誦出來(或作為平行世界的迴音)。結論實在下得太早、太草率了,原本那些埋伏城市角落的默默,於正常中發酵的危險,以及幽閉於自我中無法溝通的孤獨,都散佚在被誇張化、流動化的調度中,變得破碎、零瑣,並且被「合理化」為一群都市邊緣人的夢境。觀眾原應盯著勉力維持在「正常」值內的脆弱凡人如何崩解而暗自心驚,結果變成坐在一堆潰散的夢幻泡影間百無聊賴。</span><span lang="EN-US"><o:p></o:p></span><br />
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-62692146453839708012015-06-02T23:26:00.003-07:002015-06-02T23:26:53.961-07:00滔滔二十載《白水》逝<div class="MsoNormal">
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">時間:</span><span lang="EN-US">2015.05.28 (</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">四</span><span lang="EN-US">)19:30<o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">製作:同黨劇團</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">首演於</span><span lang="EN-US">1993 </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年的《白水》是台灣小劇場史的傳奇一頁。回溯當年王墨林邀請在劇場身體實踐上最具「進步意識」的三個劇團參加「</span><span lang="EN-US">1993.</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">身體劇場表演祭」,以「總結自小劇場運動以來,藉『身體』表演的創作經驗共同展現身體文化表演的行象思維。」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,結果,臨界點的《白水》贏得現場觀眾響亮的掌聲與笑聲,也獲得代表「布魯塞爾國際藝術節」來台徵選節目的蕾森(</span><span lang="EN-US">Frie Leyson</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)青睞;據轉述蕾森如此認為:「『優』、『河左岸』和大多數的中國現代藝術家一樣,都面臨在傳統與現代間尋找接合點的困擾,『臨界點』卻只為自己的演出尋找出口,前兩者對自己的題材完全投入,『臨界點』卻保持了思索、嘲諷的距離。」</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《白水》編導田啟元摘取戲曲《雷峰塔傳奇》的〈水鬥〉一折內容加以改編,卻以全新現代劇場手法演繹:伸展台式的舞台上,只見白蛇、許仙、青蛇、法海四角皆由男演員扮演,立時翻轉觀眾傳統印象中對白蛇故事的性別意象。此外台詞不以敘事為旨,運用疊字押韻以歌隊反覆吟詠,加以身體扭擺如蛇野生,踰越日常動作框架;從形式到內容都一新人耳目,也是當年少見的「非寫實」表演文本。見諸首演錄影資料,飾演白蛇的男演員溫吉興,理小平頭,赤裸上身,著小白短褲,一派乾淨男身,僅在眉間淡淡勾條白曲線暗示身分;當他敗陣法海時捧腹叫喚:「我腹中的兒啊!」,立刻引起台下一陣喧笑;同時幾百年來僵固的性別定位也在喧笑聲中輕輕渡越。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《白水》所展現的「思索、嘲諷的距離」也正與</span><span lang="EN-US">1990</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年代雀起於學術和文藝上的同志運動前鋒思潮(或許僅限於學術文藝界,不然近年「多元成家」的爭議風波該如何自圓?)若合符節。解嚴後的同志文學擺脫過去對同志身分「自甘墮落」和自我責難的悲情,更以「自我怪胎化」和嘲謔嬉炫肯定同性情欲。《白水》藉白蛇之「妖」身,一聲聲「人畜何處分?」的疊聲追問,以及身體仿自然的扭曲舞踏,如張小虹教授所所:「解放了人的身體,從對日常生活的動作模仿中踰越、泛溢」,成為同志文學「妖孽史」從「自虐」轉「自謔」的絕佳範例之一</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn3" name="_ftnref3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US" style="font-family: Times; mso-bidi-font-family: Times; mso-font-kerning: 0pt;"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">然而田啟元並未滿足於《白水》在同志議題上的成功造碼。自比利時巡演回國並歷經《藍飛機》等作品發表後,田把關注力集中在劇場身體的有效性問題上,打破四男合演的形式,與角色與演員一對一的對應關係,改為七名全女版《水幽》(</span><span lang="EN-US">1995</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,東海大學),與一男三女版《水幽》(</span><span lang="EN-US">1996</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年,藝術學院)。從《白水》到《水幽》,文本不變,宛如開放舞台調度的變奏實驗,特別在身體表現語言上,陸續帶入現代舞、戲曲等表演元素,探索不同表演體系之間的語彙差異,隱然在尋找新的劇場身體譜式。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">逝者已杳,我們已無法追問</span><span style="font-family: 新細明體; mso-ascii-font-family: Times; mso-bidi-font-family: Times; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 0pt; mso-hansi-font-family: Times;">田啟元當初易名</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《水幽》,僅僅編籤性別的開放、或者標榜舞台語言的開放實驗。只因為《白水》的名氣大,往後</span><span style="font-family: 新細明體; mso-ascii-font-family: Times; mso-bidi-font-family: Times; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-font-kerning: 0pt; mso-hansi-font-family: Times;">重演者不論著眼於性別或形式,一律沿襲</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《白水》之名;包括後田啟元時代的臨界點成員林文尹(</span><span lang="EN-US">2003</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)、鍾得凡(</span><span lang="EN-US">2005</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),或「台南人劇團」呂柏伸(</span><span lang="EN-US">2007</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)等。這些導演勇氣十足地挑戰過往小劇場時代的傳奇「非寫實文本」,在劇場聽覺、視覺,或儀式性上追求更精緻或更時髦的舞台調度,但在性別觀點卻不再超越田啟元原作。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">同黨這版《白水》基本上也走形式開發路線。雖然,四個角色全由女演員擔綱,恍若有將男同志換喻為女同志的可能性,但並未對情慾異樣有更進一步的描繪。導演邱安忱特邀印尼編舞家</span><span lang="EN-US">Agung Gunawan</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">跨海擔任動作設計,</span><span lang="EN-US">Agung Gunawan</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">那源自南島野生、靈動、折姣多姿的舞蹈語言,更近於蛇的動物性身體,應該是導演的靈感源頭。只可惜短短一個月訓練時間,不可能真正轉變人的身體運動方式與質地;於是舞台上一方面有故事情節,一方面以舞蹈的走位與動作方法結構,可是又缺乏舞者的身體速度與精準;給人一種似舞非舞,似戲非戲的感覺。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">一開場從畫面配置上即可閱讀到全劇佛洛依德式的觀點:四名女角著一式水藍裙裝,只有法海(詹慧玲飾演,臨界點第一代團長)外罩男士的西裝外套和帽子──成為法海後來收妖的金砵──獨立三人之前。顯然白蛇、青蛇、許仙等人都是女同法海一人的原慾變形;而西裝外套和帽子,以及雙手合十的喃喃誦經聲,則是法海抵禦「於世不容」的情慾的護身法器。往後四十分鐘,白蛇三人的半具體半抽象的恩義情仇,就理所當然成為法海腦中的潛意識夢境──蛇聲啾啾,聲聲呼喚法海回到同志陣營,享受慾海情濤。末了舞蹈隊形回到開場,法海用男人西裝和帽子再度「鎮住」心魔,不,是「鎮住」自我(因為沒有舞得很魔的舞魔們依然如故,大概會隨時伺機再動)。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">至於同志情慾為何「於世不容」?蛇何以是「妖」必須被斥於外?全劇沒有解答,沒有否定,沒有肯定,也沒有進一步探問,似乎視為既存現象而接受。撇去性別指涉,這版創作甚至沒有意識到舞蹈和戲劇編作思維的差異,或細膩地處理文字與動作之間的對應關係;例如原劇本一疊聲的「是誰在那邊</span><span lang="EN-US">……</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」的句頭,引發什麼樣的重複動能?同中求異的押韻句尾「悲、醉、淚」,「晃、晃、晃,輕輕晃</span><span lang="EN-US">…….</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」等,也不見動作上的呼應或設計。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">假使我們不從歷史縱看,這或只是一部根據《白水》溯回「蛇」的符碼,自行衍生想像,而成熟度還有改進的實驗性作品。二十多年《白水》斷斷續續重演,從妖孽到妖謔,現在終於來到既不孽又不謔的真空地帶;終於使我領悟到:去年國家戲劇院會出現《孽子》這種尊父權返沐孺的「復古」同志劇,完全不足為奇。因為滔滔二十年《白水》彷彿見證台灣社會「民主進步」夢一場,只是一場大風吹遊戲。大風吹,吹哪裡?「是誰在那邊」吹、吹、吹,原地吹?</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">Agung Gunawan</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的舞蹈影像:</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US"><a href="https://www.youtube.com/watch?v=BoDT0e97NjQ">https://www.youtube.com/watch?v=BoDT0e97NjQ</a><o:p></o:p></span></div>
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<span lang="EN-US">Collaboration with Javanese Dancer, Agung
Gunawan at WIEF 2011<o:p></o:p></span></div>
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<span lang="EN-US"><a href="https://www.youtube.com/watch?v=BAQ6vtEaxIE">https://www.youtube.com/watch?v=BAQ6vtEaxIE</a><o:p></o:p></span></div>
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<span lang="EN-US">Performance Art by Agung Gunawan @ SU
#Part2<o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 10.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">辜振豐</span><span lang="EN-US"><</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">身體氣象館身體的文化表演《</span><span lang="EN-US">1993.</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">身體劇場表演祭》紀事</span><span lang="EN-US">></span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。《自立晚報》</span><span lang="EN-US">1993 </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"> 7 </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US"> 6 </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日</span><span lang="EN-US"> 18 </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">版。</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">鍾得凡(</span><span lang="EN-US" style="font-size: 10.0pt;">2007</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)</span><span lang="EN-US" style="font-size: 10.0pt;"><</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">田啟元編導風格研究</span><span lang="EN-US" style="font-size: 10.0pt;">—</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">以《白水》為例</span><span lang="EN-US" style="font-size: 10.0pt;">></span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,第</span><span lang="EN-US" style="font-size: 10.0pt;">48</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">頁,引述鴻鴻的追憶文。</span><span lang="EN-US" style="font-family: Courier; font-size: 16.0pt; mso-bidi-font-family: Courier; mso-font-kerning: 0pt;"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">張小虹</span><span lang="EN-US" style="font-size: 10.0pt;">(2000)</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US" style="font-size: 10.0pt;"><</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">不肖文學妖孽史</span><span lang="EN-US" style="font-size: 10.0pt;">></span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,《性別論述與台灣小說》,梅家玲編,台北:麥田。</span><span lang="EN-US" style="font-size: 10.0pt;"><o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-44510489679643215322015-06-02T23:25:00.000-07:002015-06-02T23:25:02.841-07:00山寨不敗,評《美麗小巴黎》<div class="MsoNormal">
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">時間:</span><span lang="EN-US">2015</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US">5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">月</span><span lang="EN-US">2</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">日</span><span lang="EN-US">14:30<o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">劇場角落亮起彩色燈泡鑲起的「</span><span lang="EN-US">PARIS</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」,和假髮女郎在樂師旁慵懶唱香頌,在開場瞬間,令人錯以為來到山寨版的巴黎小酒館內</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">;接著,另一端亮起的旋轉木馬式的光影戲也很軟調──然很快答案揭曉,小巴黎、小酒館、小香頌、小木馬,皆非重點,「山寨」才是正解:山寨版的「豪宅」、山寨版的「家園夢」、山寨版的「國家建設」、山寨的「人生夢想」</span><span lang="EN-US">……</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。資本主義構築出來的消費符號,滲入每一個現代人生活隙縫,逐退了真實,也蒙蔽了正義之辨。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「小巴黎」其實只是一枚地產商的文案符號,故事坐落於中國某個鄉村,但發生在台灣,或世界任何一個角落亦無不可──資本主義挾國家權力開道,「合法」掠奪土地資本,剝削及夷平在地人文、歷史記憶、百姓資產,這已經是全球化現象──而猶如影戲中的旋轉木馬般,與這建案有關的小人物,一個角色接一個角色陸續登場:從固守土地頑抗拆遷的農民</span><span lang="EN-US">/</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與拿到好處就欣然讓地的遊手農做對比;到工地階段經驗老熟的建築工人</span><span lang="EN-US">/</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與懷抱夢想而殞命大學生對比;到大樓落成後竊佔空屋的遊民</span><span lang="EN-US">/</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">與被金屋藏嬌的寂寞小三做對比;三組人馬六種人生樣態(撇開份量不多的工頭和富商等不計),織就一橫幅的山寨版「小巴黎」社區全景。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">曾藝術村</span><span style="color: #333333; font-family: 新細明體; mso-ascii-font-family: Verdana; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Verdana;">進行牆面改造計畫的</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">何睦芸擔任舞台設計,以超現實風的巨幅壁畫,定調了這齣戲的「魔幻」基調:變形的線條及溫暖多彩的懷舊色調。演員的表現方式與其說是義大利即興喜劇不如說更像風格化動作喜劇,臉上的妝也是風格化的現代臉譜。南京藝術學院師生檔演員張博、周沛堃表現不俗,融合武功架勢的默劇動作,具有真實力道,拋接節奏精準,呈現與其咬字一樣節奏明快、抑揚頓挫、重音清晰的動作質感。台灣演員湯軒柔、楊宣哲則活潑逗趣,富於喜感,在小三(湯軒柔)驚訝一秒立變扮狗的瞬間,幾乎讓人有「人為芻狗」欲笑又悲的感慨。只可惜整體表演節奏在後半段遲慢下來,這應該與整齣戲定位搖擺於誇張、疏離的非寫實喜劇,或表現人物情感狀態的心理寫實劇的之間,態度模稜有關。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這齣戲的題材類似數月前台灣上映的一部俄羅斯電影《纏繞之蛇</span><span lang="EN-US">(Leviathan /Левиафан)</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">》</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">同樣以建設為名,北海之濱的小鎮,鎮長為個人貪慾強徵土地,不惜毀人家園,小老百姓意圖據理力爭而彷彿以卵擊石,幾乎是《美麗小巴黎》</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的在地農民,以及台灣大埔事件的翻版。這部電影以冷冽灰藍色調和平實不帶感情的鏡頭語言,猶如巨鯨枯骨遺散海邊的畫面所暗示的神祇遠杳,或僅僅冷眼俯觀人間,彷彿對任何反射性的人類情感都不屑一顧的淡漠,沒有批判,沒有渲染,沒有譏諷,如實記述,卻拉出更為深刻的反思空間及批判力度。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體;">因此從笑謔切入主題的《美麗小巴黎》,除非狠心冷笑到瘋駭,瘋駭到麻木不仁,不仁到與現世之荒謬差可匹配,不然這麼一齣充滿人情味的溫情小品,硬要說意圖批判未免太沈重;即令劇末改換消費符號以「小羅馬」之名重新登場,暗示此種山寨化的國家暴力將輪迴不斷,也不過像流浪藝人換個曲名和造型,就到下一家店重新開唱去,管它叫小台北、小南京還是小杭州呢。</span><span lang="EN-US" style="color: red;"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">正如導演在臉書自言本劇靈感來自:「巴黎蒙馬特古老的『狡兔小酒館』,這樣的小酒館內,想必夜夜上演小型『狂歡節』,各種通俗、娛樂、誇張、色情或者嚴肅的節目雜揉。」</span><span lang="EN-US">https://www.facebook.com/voleurdufeu.theatre/posts/616872745079804<o:p></o:p></span></div>
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Book of Job</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)》中的海中巨獸,此外英國哲學家霍布斯(</span><span lang="EN-US">Thomas Hobbes</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)</span><span lang="EN-US">1651</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年探討國家存在必要的著作也叫《利維坦》。導演為</span><span style="background: white; border: none windowtext 1.0pt; color: black; font-family: 新細明體; font-size: 11.5pt; mso-bidi-font-family: "Times New Roman"; mso-border-alt: none windowtext 0cm; mso-font-kerning: 0pt; padding: 0cm;">安德烈·薩金塞夫(</span><span lang="EN-US" style="background: white; border: none windowtext 1.0pt; color: black; font-family: Arial; font-size: 11.5pt; mso-bidi-font-family: Arial; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt; padding: 0cm;">Andrey Zvyagintsev</span><span style="background: white; border: none windowtext 1.0pt; color: black; font-family: 新細明體; font-size: 11.5pt; mso-bidi-font-family: "Times New Roman"; mso-border-alt: none windowtext 0cm; mso-font-kerning: 0pt; padding: 0cm;">)。</span><span lang="EN-US" style="font-family: Times; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 0pt;"><o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-49985965700642584702015-06-02T23:22:00.002-07:002015-06-02T23:22:43.547-07:00無以名之的糾結,就管叫它老天爺吧!《看在老天爺的份上》<div class="MsoNormal">
<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">時間:</span><span lang="EN-US">2015.05.02<span style="mso-spacerun: yes;"> </span>14:30<o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「最終,我們要考慮的是,我們想對觀眾做甚麼?我們在挑戰他們?還是娛樂他們?」</span><span lang="EN-US"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">──英國劇作家</span><span lang="EN-US">Simon Stephens<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></b></span><!--[endif]--></span></span></a><o:p></o:p></span></i></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">文宣大力標榜著:「本演出沒有娛樂性本演出沒有娛樂性本演出沒有娛樂性」(因為很重要特別講了三遍),節目單上也強調「本演出(不強制)限對『劇場文本』發展有(微微)興趣的觀眾入場」。有趣的是「娛樂」之有無如何定義?對誰定義?難道有線性情節、明確主題、清晰可辨的角色,即「娛樂」之作?反之反情節、反角色、反戲劇幻覺的作品就具備「挑戰」架勢?</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">由黑眼睛跨劇團策動的「對幹藝術節」,將英國劇評家希爾茲(</span><span lang="EN-US">Aleks Sierz</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)歸納起自</span><span lang="EN-US">1990</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年代英國的一種劇作新風格而取的專有名詞:「直面劇場」(</span><span lang="EN-US">in-yer-face theatre</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),譯為「對幹」,頗傳神地表出其「挑釁」或「挑戰」的精神;與歐陸當代劇作連結成為「新文本」(</span><span lang="EN-US">new writing</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的「運動」語法,透過港臺文藝菁英傳播,近來儼然西方「新經典」之姿燎燒於地球另一半的華語隅島。相較於香港前進進戲劇工作坊以三年為期、有步驟地進行「新文本運動</span><span lang="EN-US">2011-2014</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」;台灣「新文本」主要流傳於學院和劇場文青之間,各自發酵。今年黑眼睛首度以「對幹藝術節」之名,邀集三位新銳導演預備對「新文本」進行一番年輕而生猛的編作。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">首檔簡莉穎導演《看在老天爺的份上》,從天花落下戲服開場,演員穿上戲服,四人拖四把椅子,逼近觀眾,服裝、燈光、佈景一應俱全,宛如精緻版讀劇會,按法國劇作家韋納維爾(</span><span lang="EN-US">Michel Vinaver</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)《求職》譯文,複聲合調此起彼落;而觀眾凝神傾聽,確實嚴肅多於「娛樂」,但依本劇要求的觀眾標準而言,還算不上是太挑釁</span><span lang="EN-US">/</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">挑戰。接著換裝重來,服裝、道具、語式盡皆「本土化」,瞬間把</span><span lang="EN-US">1970</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年代的歐洲跨國企業內部面試場景置換到台灣當代職場,這麼一來觀眾可以直接越過文化轉譯,看得更「習慣」而「酥胡」了。接著演出再度中斷,演員道具全部撤下,導演走上舞台,與觀眾直接談談「什麼叫新文本」,螢幕、簡報、訪談</span><span lang="EN-US">VCR</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">一應俱全,宛若綜藝版的學術研討會──這段徹底打破戲劇幻覺的作法,卻叫我忍俊不住,開懷暢笑。看在老天爺的份上,不假正經直戳真相的虛構(例如劇場)難道不是一種更上乘的娛樂?!</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">簡莉穎的質問建立在對台灣在轉譯西方文本時產生的自我矛盾的拆解上。投影幕上播放文字檔案,從翻譯本到改編本,一折三返的過程,著實讓也會改編古典劇作和當代小說為戲劇的我,心有戚戚焉:那複雜輾轉的過程,就是我們的內心劇場啊!在「忠於」與「不忠」於文本之間,實在有太多折巷、歧岔、溝壑、縫隙,必須抉擇,自答自辯之激烈,未必遜於舞台演出。只是難以與人道於萬一。所謂「新文本」的戰場,其實應從文本開始,演員與導演與新文本的精采角力,都已經是被轉譯篩濾過的第二重戰場了──只是,在導演詮釋權當道的台灣,這經常是一個隱而不顯的層次。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">但若以為這只是文字工作者的發勞騷,未免太小看了這提問的幅員,它反映的其實是整個台灣社會缺乏當代文本的文化語境的窘境。首先「新文本」在西方原以新風格劇作家為主軸,強調以「當代議題」、「當代語法」、「當代形式」</span><span lang="EN-US">……</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">直接發聲;何以拿到台灣,直接繼承學院派對「西方經典」的崇拜情結,以轉譯的「當代」作為自我風格創發的憑藉,變成了新導演們的時髦新寵?導演簡莉穎因身兼劇作家身分,所以大可名正言順反問:台灣自己的新文本在哪裡?轉譯的西方當代能逕行成為我們的當代嗎?</span>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">真正的創作來自對自身文化的深刻醞釀,向底層裡思索。然基於市場上「策展人」和「消費眾」對議題大量而速成的需要,往往釀製尚未成熟之際就急忙被貼上標籤拋售;甚至概念先行,讓創作追隨論述命題。創作者也自入論述框架,賣力做文章,如此反覆運作,只會使「新」(</span><span lang="EN-US">new</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)不斷成為消費潮品,快速消耗,囫圇吞棗,甚至誤讀了「新文本」要活於「當下」(</span><span lang="EN-US">now</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的真正意涵。這就是我們淺碟式的文化生產模式。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">《看在老天爺的份上》的質問,於是從文本轉譯的矛盾上,轉衍到整個文化語境的矛盾困境。當然這問題不無包括創作者本身:新世代劇場創作人才大都來自學院,一路學習西方移植的文本和戲劇理論上來,年輕加上涉世未深,與「國際學術」接軌容易,與現實社會接軌困難。再者,文化移植工程其實涉及翻譯、研究、引介、模仿、創發、應用,彼此相關但各自專業,每一層都必須投入資源、長時間耕耘、逐步完成;我們卻冀望於一、二位少年英雄橫空拔出,畢其功於一役。長期以來我們的文化政策淪為國家對個體藝術家的施惠扶植與追捧認證,完全忽略了文化整體環境,必須先厚植廣披為沃壤的重要性。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">其實文化運動的發生,未必不能因外在刺激而起,引發內在質變,但其中必須經過文化語境的轉譯,做深刻的內向反芻。在談「新文本」時,我們很容易看到一個個風格新穎的單一商品(抱歉借用消費體系的比喻),忽略其生產環境:如「新文本」的出現與英國「新工黨」(</span><span lang="EN-US">New Labour</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)政治的關係;何以眾多中、小型劇院成為新劇作家和新劇本誕生的基地?至少包括倫敦的皇家宮廷劇院(</span><span lang="EN-US">Royal Court</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)、布殊劇院(</span><span lang="EN-US">Bush Theatre</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)、漢普斯特劇院(</span><span lang="EN-US">Hampstead Theatre</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">);蘇豪劇院(</span><span lang="EN-US">Soho Theatre</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)、愛丁堡的跨越劇院(</span><span lang="EN-US">Traverse Theatre</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">);新堡的生活劇院(</span><span lang="EN-US">Live Theatre</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),六個赫赫有名的新文本劇作家地盤</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">又如新文本的重要劇作家之一馬丁</span><span lang="EN-US" style="font-family: "Lucida Grande";">‧</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">昆普(</span><span lang="EN-US">Martin Andrew
Crimp</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),自</span><span lang="EN-US">1981</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年起就加入里奇蒙的橙樹劇院(</span><span lang="EN-US">Orange Tree Theatre, Richmond</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的寫作工作坊,在寫出他的代表作《幹掉她》(</span><span lang="EN-US">Attempts on her Life,1997</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)以前,劇院承諾把他的劇本作為午間演出,使昆普在七年之間交出六個劇本,到</span><span lang="EN-US">1990</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年代昆普的作品正式登場於英國實驗劇場重鎮皇家宮廷劇院(</span><span lang="EN-US">Royal Court Theatre</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),始大放異彩,成為世界級巨匠</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn3" name="_ftnref3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">其實風格殊異的劇作家本人未必認同「新文本」的標籤並否認自己主動參加什麼「運動」,但劇院的新作法,卻漸漸獲得觀眾認可並願意付錢去看在這些製作形式及內容都具挑戰性(</span><span lang="EN-US">challenging</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)及挑釁(</span><span lang="EN-US">provocative</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的作品。由於新文本對「真實」的浮動性觀點,摧毀了過去劇本對「意義」的敘事霸權,觀眾再無法單向地接收劇中線性的「故事」和「意義」,而不作任何反省。同時新文本的敘事斷裂縫隙,更容許場面調度的新形式可發揮的空間。形式和內容、創作者和社會的整體發酵,才能使舊的意義被解構,新思維得以成形,劇場才有可能成為社會革命行動的前沿。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">缺乏以社會底蘊為基壤的「文化運動」(</span><span lang="EN-US">movement</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">),很容易變成一場靠標籤、造勢、揪朋友操作起來的文藝「活動」(</span><span lang="EN-US">event</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)</span><span lang="EN-US">:</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">使美學疏離現實,形式疏離內容,藝術彷彿新命題之下的奇技展示會,只能依賴論述正當化其存在價值與意義;而創作者各自彷彿不掛在新論述底下,缺乏品牌,也難以獲得受注目的機會──雖然無可避免地,任何一種強勢運動,都會排擠非其體系者的生存空間;然而一個淺淺根的文化運動,很可能驅逐的是真誠、自主、深刻而獨特的創作空間。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">但現實或許正在改變之中。例如簡莉穎本人已獲選為</span><span lang="EN-US">2015</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年兩廳院「藝術基地計畫」駐館藝術家,近幾屆文學獎得主也漸漸有機會讓作品被劇團採用。但今天要不是編劇兼導演身分,怎可能藉「對幹藝術節」之名對台灣「新文本」匱乏怪相公開幹譙?面對深根蒂固的結構性問題,場中多同為結構中人,不必再經過轉譯、隱喻,卸下妝扮,打開天窗說亮話,不亦快哉?最後觀眾還收到一張事前準備的小紙條,上面羅列著簡莉穎推薦「直面」的台灣當代劇作題材。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">其實題材俯拾皆在,而放眼國際思潮也有其必要;重要的是:為什麼我們一定要借他者之名才有膽氣及舞台發聲?難道我們對新文化的吸收只能透過消費模式?這個「新」,意味著的到底是一個真正的挑戰,還是另一種安心娛樂的品項?</span><span lang="EN-US"><o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 10.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">摘自香港「新文本工作室」潘詩韻</span><span lang="EN-US">2013</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年與</span><span lang="EN-US">Simon Stephens</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">的訪談記錄。</span><span lang="EN-US">http://www.newwritinghk.net/onandon/displayarticle_i.php?idx=16<o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: Cambria; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 新細明體; mso-fareast-language: ZH-TW; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"> </span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">見希爾茲(</span><span lang="EN-US" style="font-size: 10.0pt;">Aleks Sierz</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)《重寫國家:今日英國劇場》(</span><span lang="EN-US" style="font-size: 10.0pt;">Rewriting the Nation: British Theatre Today</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)對英國劇場「新書寫」(</span><span lang="EN-US" style="font-size: 10.0pt;">new writing</span><span style="font-family: 新細明體; font-size: 10.0pt; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的論述,參考香港「新文本資料庫」:</span><span lang="EN-US" style="font-size: 10.0pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 10.0pt;">http://www.newwritinghk.net/onandon/displayarticle_i.php?idx=15</span><span lang="EN-US"><o:p></o:p></span></div>
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naiwenhttp://www.blogger.com/profile/15091318710129528628noreply@blogger.com0tag:blogger.com,1999:blog-1680720412942426832.post-28926932968728809262015-04-30T02:28:00.004-07:002015-04-30T02:35:30.420-07:00說話即權力《理查三世》<!--[if gte mso 9]><xml>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">一般歷史劇帶觀眾重返歷史現場,王嘉明的《理查三世》則讓劇院內外變成一座歷史解剖台。脫胎自十九世紀解剖教室的階梯式舞台,現場攝影機和閉路電視無所不在地捕捉舞台現場、觀眾席,以及劇場走道、停車場,甚至出口道路各處的發生,莎士比亞筆下陰險偽善、殺人如麻的篡位者理查三世,在本劇中成為一個如的謎無頭無身者,「他」的語言來自階梯上端的女性說書人。「歷史現場」到處流竄,歷史人物形不附體、音身分離,倒是死者獨舞或群舞,加上現場爵士樂隊,王嘉明以其擅長的流行符號拼盤與無重力嬉戲風格,讓這歷史解剖現場宛如導演魔術的多構式遊樂場。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">熟悉台灣劇場的觀眾,一始即知不可期待王嘉明呈現「原汁原味」的莎士比亞。不過,</span><span lang="EN-US">2012</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年</span><span lang="EN-US"><a href="http://blog.roodo.com/k/%E8%8B%B1%E5%9C%8B"><span lang="ZH-TW" style="color: windowtext; font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin; text-decoration: none; text-underline: none;">英國</span></a></span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">考古學家在列斯特郡一停車場底下掘出理查三世遺骨的新聞,以及英國小說家</span><span lang="EN-US">Josephine Tey</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">為理查三世翻案的推理小說《時間的女兒》,給了這個改編一個明確的詮釋觀點索引。「理查三世」是誰?這個死於</span><span lang="EN-US">1485</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">年的英王跟此時此地的台灣人有什麼關係?複雜如織的王位繼承權爭奪戰玫瑰戰爭對我們有什麼意義?藉由當代服裝、語言動作、演員肉身,當代即歷史,不言可喻,愛德華四世、五世,亨利六世等遙遠的外國皇族子裔,以「</span><span lang="EN-US">E4</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」、「</span><span lang="EN-US">E5</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」、「</span><span lang="EN-US">H6</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">」像當代偶像流行樂團打上大螢幕。流行來來去去,以眾生為芻狗,直叫人癲狂;也正似這十六年來台灣政黨政治來來去去,人民只得到操弄、唬攏和消遣不盡的廢話(還有名嘴「協助」大眾如何消遣),「帝力於我何有哉」(意義走鐘的那種)。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">「尋找台灣人</span><span lang="EN-US">/</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">中國人身體」時代的劇場讀者來說,這齣華美的戲劇製作是一道苦澀的嘲諷:最後仍由說話者掌握權力。在語言的操弄下,歷史、政客、人民、大眾、明星、偶像,有自覺或不自覺都是傀儡,卻各又不是一體同構的,這一切組成了嘈嘈切切大合奏。王嘉明的「身聲分離」手法,乍看似對追求身聲合一的劇場表演(因此與影視身聲可分離的表演技術分庭抗禮)的叛離,但他對演員身體的調控和調度又是相當劇場性而非服膺說話者心理分析的「話劇」技巧;同時在對歷史或真相、論述即話術的拆解和質疑的思考脈絡下,也達到形式與內容一致的熟成狀態。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">在我看來「身聲分離」並非一夕之間被王嘉明「發明」出來,起自他《請聽我說》(</span><span lang="EN-US">2002</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)、《家庭深層鑽探手冊》(</span><span lang="EN-US">2004</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)就有身體和聲音截然切分各自表述的探索,《泰特斯-夾子/布袋版》(</span><span lang="EN-US">2003</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)、《聊齋聊什麼哉?》(</span><span lang="EN-US">2014</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)也出色地使用人偶換喻的手法,從現代物件偶到傳統掌中戲偶,王嘉明不斷實驗著身</span><span lang="EN-US">/</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">聲、人</span><span lang="EN-US">/</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">偶的雙重性與交叉指涉,到《理查三世》水到渠成,從莎士比亞劇本提供豐富的文本素材及政治隱喻,玩轉出各種裂解、狎戲、嬉戲,大結構既不可信,小把戲遂亂竄出籠,形式即其意義,以此辯證敘事的正義。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">這部戲宛若導演敘事系譜的檢閱點召。崛起於一九九零年代末小劇場的中生代導演王嘉明,從不循傳統戲劇敘事,不斷實驗劇場敘事手法,一路走來,如《</span><span lang="EN-US">Zodiac</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">》(</span><span lang="EN-US">2001</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)以同步影像穿透空間與主觀鏡頭的運用、《</span><span lang="EN-US">R
. Z</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">》(</span><span lang="EN-US">2008</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的新創語言實驗(功敗垂成於是在此整合為聽得懂的押韻文)、《文生</span><span style="font-family: 新細明體;">.</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">梵谷》(</span><span lang="EN-US">2006</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)到《理查三世與他的停車場》(</span><span lang="EN-US">2014</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)以來的超寫實主義場景,以及前面提到的人偶換喻、身聲分離;過去或新奇有趣或似乎為了玩而玩的形式手法,都在這超過三小時的國家劇院級製作《理查三世》中找到位置──隱喻的位置。最後以聲光影像描繪戰爭,也恍如《麥可傑克森》(</span><span lang="EN-US">2005</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)的雜交派對場景,只是狂歡後空虛疲憊之軀換喻為屍身滿地。一將功成萬骨枯,自古已然。</span><i><span lang="EN-US" style="font-family: Helvetica; font-size: 14.0pt; mso-bidi-font-family: Helvetica; mso-fareast-font-family: "Heiti TC Light"; mso-font-kerning: 0pt;"><o:p></o:p></span></i></div>
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<span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">最後如果還有人想要問:「理查三世」是誰?「玫瑰戰爭」是什麼?莎士比亞是怎麼說的?對不起,說話即權力,現場說話的是導演,而導演說來說去只能說自己。藉由一片一片由聽覺、視覺、感覺連綴起來的合奏曲,從不預備「還魂」莎翁或理查,而是再現歧音與躁動紛擾不休的島國自我。猶如「後設」(</span><span lang="EN-US">meta</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)敘事擁有的「自我指涉」(</span><span lang="EN-US">self-reflexivity</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)與「諧擬」(</span><span lang="EN-US">parody</span><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">)特質</span><a href="https://www.blogger.com/blogger.g?blogID=1680720412942426832#_ftn1" name="_ftnref1" title=""><span class="MsoFootnoteReference"><span lang="EN-US" style="color: #424242; font-family: Arial; font-size: 13.0pt; mso-font-kerning: 0pt;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-size: 13pt;">[1]</span></span><!--[endif]--></span></span></a><span style="font-family: 新細明體; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">,《理查三世》也反映了台灣小劇場時代以來的一種「改編」態度:不管選用什麼題材,總是從自我出發,然後指向自我,總之是一場自我表述。</span><span lang="EN-US"><o:p></o:p></span></div>
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